Piano Solo. This authoritative collection of the world's beloved sonatas and sonatinas for solo piano will provide the pianist with a lifetime of playing pleasure. The sonata repertoire offered here is rich and varied and presents each selection in its complete and original form.

Domenico Scarlatti was the most gifted son of Alessandro Scarlatti the great master of Neopolitan opera and of the Italian solo cantata.

Volume I of this critically acclaimed three-part collection features introductory text and performance notes to 30 Scarlatti sonatas from Sonata I to Sonata XXX. The works appear in chronological order and with Kirkpatrick numbers. This Urtext edition preserves the sonatas' original presentation save for the addition of accidentals and the inversion of treble and bass clefs in accordance with modern practices and ease of playing.Reprint of the Zen-On Music Company Inc. 1999 edition.

Series I of excellent G. Ricordi edition edited by Alessandro Longo includes 38 sonatas K.478 through K.515. The crowning achievements of an outstanding Baroque composer these sonatas feature exciting experimental effects â?? consecutive fifths and octaves crossing hands internal repetitions and extended chords â?? that celebrate the marvelous potential of the keyboard.

Ten fine examples of the classical sonata form by Domenico Scarlatti for Solo Piano.

Domenico Scarlatti's Sonata In F 'Siciliana' L443 for Piano Solo. Revised by Alessandro Longo.

28 Pieces by 22 Composers in Progressive Order. Baroque to Modern presents music from the 1700s through the 1900s, with composer biographies and practice and performance tips. Organized by difficulty level, the music is presented in newly researched editions. Each volume is in progressive order. ANTHEIL: Little Shimmy C.P.E. BACH: Solfeggietto in C minor, H. 220 J. S. BACH: Prelude in D minor, BWV 926 · Prelude in C minor, BWV 999 BARBER: Petite Berceuse · To My Steinway from Three Sketches for Piano BEACH: Gavotte in D minor from Children's Album, Op. 36, No. 2 BEETHOVEN: German Dance in C Major, WoO 8, No. 7 BONIS: Frère Jacques from Scènes enfantines, Op. 92, No. 6 BURGMÜLLER: Restlessness (Inquiétude) from 25 Easy and Progressive Studies, Op. 100, No. 18 CHOPIN: Prelude in A Major, Op. 28, No. 7 CRESTON: Rustic Dance from Five Little Dances, Op. 24, No. 1 HANDEL: Prelude in G Major from Suites de pièces, Volume 2, HWV 442, No. 9 HELLER: Study in A minor (The Avalanche) from 25 Melodious Etudes, Op. 45, No. 2 KABALEVSKY: Lyric Piece from 30 Pieces for Children, Op. 27, No. 16 · The Chase from 30 Pieces for Children, Op. 27, No. 21 · Rondo-Toccata from Four Rondos, Op. 60, No. 4 KHACHATURIAN: Ivan Sings from Adventures of Ivan MACDOWELL: To a Wild Rose from Woodland Sketches, Op. 51, No. 1 MOZART: Funeral March for Signor Maestro Contrapunto, K. 453a · Adagio for Glass Harmonica, K. 356 (617a) MUCZYNSKI: Fable No. 9 from Fables, Op. 21, No. 9 PROKOFIEV: Morning from Music for Children, Op. 65, No. 1 · Promenade from Music for Children, Op. 65, No. 2 RAVEL: Prélude D. SCARLATTI: Sonata in D minor, L. 423 (K. 32, P. 14) SCHUMANN: Of Strange Lands and People (Von fremden Ländern und Menschen) from Scenes from Childhood (Kinderszenen), Op. 15, No. 1 SHOSTAKOVICH: Birthday from Children's Notebook for Piano, Op. 69, No. 7

This book comprises fifteen Sonatas For Harpsichord composed by Domenico Scarlatti and thoroughly revised by Christopher Kite.

talian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti\'s Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103,includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in theservice of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Partitions classique / Piano - instruments à clavier / Clavecin / HEUGEL

Par SCARLATTI / GILBERT. Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eleventh and final volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portugueseroyal families. The eleventh volume, comprising Sonatas 507-55, includes the popular and recognisable Sonata in E major (K. 531). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre./ Répertoire / Clavier

Selected Piano Sonatas Volume IV-Eagerly awaited by countless pianists: a fourth Urtext volume with a selection of pieces from Domenico Scarlatti?s vast sonata output. Whereas in the three collections HN 395 451 and 476 there is about an equal numberof often played and rarely played pieces that were sure to reward the inquisitive Volume IV is a compilation of ?the best of Scarlatti?. In spite of the legendary fair copies from Venice and Parma that constitute thesources the Scarlatti transmission remains complicated and rich in variants a circumstance that we account for with a footnote apparatus. Even in these often played sonatas there are many surprising discoveries to be made.Domenico Scarlatti's Selected Piano Sonatas Volume IV is a treasure chest of Baroque Keyboard gems!

Volume 4 K.156-205-Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this fourth volume is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portuguese royal families.The fourth volume comprising Sonatas 156-205 includes the popular and recognisable Sonata in C major (K. 159). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Piano Sonata in d minor K.9 L.413-?Bach?s Preludes are on holiday at the Mediterranean? the wonderful alliance of polyphonic fluency and musical delight in Domenico Scarlatti?s piano sonatas could be described thus. Originally composed for harpsichord thesepieces exhaust the technical and tonal possibilities of keyboard instruments in such a refined manner that pianists have never been able to resist playing them on modern pianos whether grand or upright. We have chosen one of themost popular sonatas with a moderate level of difficulty (level 4/5) from our extensive three-volume Urtext edition (HN 395 451 476). This single edition is an asset for teaching and provide an ideal introduction to Scarlatti?sfascinating musical language.

This outstanding collection brings together forty-nine of the finest keyboard works by major Italian composers of the 17th and 18th centuries. With works by Frescobaldi Scarlatti Martini and others arranged for piano solo or other keyboard instruments. The beautiful melodies flowing elegance and charm of these pieces will leave you uplifted and energised. 49 works arranged for Solo piano.