275 pages of Afro-Cuban classics, Brazilian music and Latin jazz tunes, designed for classroom or professional use. Available in C, Bb, Eb and bass clef versions. Most tunes never seen in print before. Presented in 'Real Easy' format with the tune on one page and educational material on each facing page. Part I is suitable for high school ensembleswhile Part II contains more challenging tunes for college or professional use. The educational materials include scales for soloing, piano voicings, guitar voicings, sample bass parts, etc. When needed, there are separate rhythm section charts &/or horn harmony charts to help your band play authentic-sounding versions of the tunes. The Rhythm Section Appendix gives the student a complete overview of all the major Afro-Cuban and Brazilian rhythmic styles, with sample parts for each player. So, no prior experience with Latin music is necessary to start having fun! / Ensemble Music, Instrumental Music, Methods & Tuto / Recueil / Instruments en Do

Contemporary Salsa RAY BARRETTO Amor Artificial, Indiferencia, Aguaradiente de Caña, Guararé, Indestructible, Arallué, Pura Novela, Vive Y Vacila. EDDIE PALMIERI Palo Pa’ Rumba, La Malanga, Bomba De Corazon, 1983, Páginas De Mujer RUBEN BLADES Pablo Pueblo, Camaleón, Siembra FANIA ALL-STARS Nací Moreno, Juan Pachanga, Sin Tu Cariño, Encántigo MANNY OQUENDO AND LIBRE Elena, Elena, Estoy Como Nunca and more! PUERTO RICO ALL-STARS El Cantar Del Coquí, Changüirí TITO PUENTE Dejame Soñar, Te Desafío, Ran Kan Kan, Picadillo NG LA BANDA Un Tipo Como Yo, Lo Que Siento Es Le Lo Lay IRAKERE Bailando Así, Lo Que Va a Pasar LOS VAN VAN Sandunguera, Que Sorpresa, Muévete ISSAC DELGADO Son De Cuba A Puerto Rico, Dime Tú Que Lo Sabes LOUIS RAMIREZ Amentes, Déjala Que Baile Sola CONJUNTO CESPEDES Virgen De La Caridad ...AND MORE! Brazilian Music IVAN LINS Lua Soberana, Sambadouro, Sonhos, Leva E Traz, Amor, Aparecida TOM JOBIM Outra Vez, Retrato Em Branco E Prato, Look To The Sky, So Danço Samba TONINHO HORTA Mountain Flight, Aqui Oh, Meu Canario Vizinho Azul JOAO BOSCO A Nivel De, Coisa Feita, O Bebado E A Equilibrista MILTON NASCIMENTO Vera Cruz, Don Quixote,Novena AIRTO Mixing, Tombo in 7/4, Anatelio (The Happy People) LENY ANDRADE Rio, Vai Amigo, A Fonte Secou EGBERTO GISMONTI Lôro, Frevo DJAVAN Flor De Lis, Jogral LEILA PINHEIRO Um Samba, Bésame GAL COSTA Luz Do Sol, Tapete Mágico TANIA MARIA Come With Me, Yatra-Ta ...AND MORE! Latin Jazz TITO PUENTE Second Wind, Eastern Joy Dance, Linda Chicana, Cha-Cha-Cha, María Cervantes, Flight To Jordan MARIO BAUZA Lourdes’ Lullaby, Mambo Inn ANDY NARELL Kalinda, Natty Stick, Hannibal’s Revenge CAL TJADER Sabor, Alonzo, Mamblues DIZZY GILLESPIE Manteca, Tin Tin Deo DANIEL PONCE Latin Perspective, Oferere, Midnight Mambo SEIS DEL SOLAR Entrégate, Decisión AZYMUTH Club Morocco, Cascade Of The Seven Waterfalls DAVE VALENTIN Danzón For My Father FT. APACHE BAND To Wisdom The Prize CHICK COREA Armando’s Rumba ...AND MORE! Salsa Classics ARSENIO RODRIGUEZ Dile a Catalina, Dame Un Cachito Pa' Huele, La Vida es un Sueño BENY MORÉ Y Hoy Como Ayer CELIA CRUZ Soy Antillana, Bemba Colorá, YerberoModerno CONJUNTO CHAPPOTTIN Camina Y Prende El Fogón, Que Se Fuñan JOHNNY PACHECO La Esencia Del Guaguancó, El Agua Del Clavelito, etc. PEREZ PRADO Mambo #5, Mambo #8 ORQUESTA SENSACION Suavecito, Bruca Manguá Standards: Capullito De Alelí, Compadre Pedro Juan, Contingo En La Distancia, Déjala Que Siga Andando, Lamento Boricano, Mayeya No Juegues Con Los Santos, Me Voy Pa'l Pueblo, Frenesi, Solamente Una Vez, Son De La Loma, El Manisero, Cachita, Y Tu, ¿Que Has Hecko?, Echale Salsita, Obsesión, Rico Vacilón, La Comparsa, La Engañadora, A Mí Qué, Bésame Mucho, Lágrimas Negras, Pare Cochera

The Complete Guide with CD!-Learn how to play Latin jazz Piano based on traditional Latin music from Cuba and Brazil. Latin Jazz Piano addresses the three roles that the jazz pianist typically plays: as a member of an accompanying rhythm section as a lead instrument within an ensemble and as a solo instrument. The online audio features many examples in the book and combo tracks with which to play along.The book is divided into three sections. The first covers Afro-Cuban (Afro-Caribbean) jazz the second section deals with Brazilian influenced jazz – Bossa Nova and Samba and the third contains lead sheets of the tunes and instructions for the play-along onlineaudio.The Afro-Cuban section contains a chapter on some basic concepts of traditional Afro-Cuban music including the clave tumbao and montuno. Also there is a chapter on typical piano voicing used in Afro-Cuban music Latin jazz in general.Next is a chapter on typical comping patterns used in various Afro-Cuban styles such as Mambo Cha-cha etc. The last chapter in this section features tunes written in these various styles and arranged for lead instrument piano and bass piano lead and piano solo. The next section on Brazilian-related jazz begins with a chapter on the many varied rhythms typically used in comping for Bossa Novas and Sambas and concludes with a chapter featuring tunes arranged in the same ways as the first section.The third section contains lead sheets of all the tunes so the reader can play and improvise on them along with the accompanying online audio. The reader is encouraged to continually change the way he or she plays these tunes and apply the principles found in this book to other tunes in the Latin jazz repertoire.

Piano 2 et 4 mains / Piano solo : Cache-cache (Tansman) Le jazz et la java (Nougaro/Datin) Valse (Schubert) What a wonderful world (Weiss/Thiele) The girl from Ipanema (Jobim) Norbu 'Himalaya' (Coulais) Prelude (Purcell) Bluesy rock (Bordier) Somewhere (Sondheim/Bernstein) Folksong (Grieg) Le sud (Ferrer) O que sera (Buarque) Concerto pour clarinette (Moazrt) Mackie the knife (Weill) Blue Bossa (Dorham) L'arcoä (Lecussant) I mean you (Monk) S'il suffisait d'aimer (Goldman) Isn't she lovely (Wonder) No woman no cry (Marley) Bluesette (Thielemans) Petite tarentelle (Tarenghi) Crazy boogie (Duflot-verez) Oh Happy day (Hawkins) Marche 'Casse noisette' (Tchaikovski) Piano 4 mains : A bicyclette (Lai/Barouh) Sables dorés (Guinot) Modulating rag (Cornick)

101 Montunos by Rebeca Mauleon-Santana, is one of the most comprehensive and authoritative books on Afro-Cuban Piano playing ever published. Rebeca has played and/or recorded with Tito Puente, Carlos Santana, Mickey Hart, and many of the most important and famous Latin stars! Going further than just theory and exercises, it also traces the whole history of Latin piano playing from its Cuban roots to its many current offshoots and derivatives as well as examining the influences of Salsa, Samba, Cuban Jazz and other Caribbean styles. The text is in English and Spanish and the accompanying CDs show you how each exercise should sound, making everything clear and understandable. An indispensable, practical reference book for any pianist wanting to learn this passionate and energetic music!

Toutes les chansons de cet album, disque de platine, arrangées pour piano et voix, avec les paroles et les grilles d'accord de guitare. / Piano/Vocal/Guitare (PVG) / Partition

Par LUSHER ELZA / CHRIS. Team Brass is firmly established as the best-selling series of brass tutors. It presents a flexible course which can be tailored to suit each student, ideal for individual, group and class tuition - including the ABRSM music medals. The books in the series contain plenty of carefully graded music in a wide range of styles, from Baroque and Classical eras to film, folk, jazz and Latin American. The series encourages ensemble playing with varied repertoire for both orchestral and brass band instruments and develops instrument-related aural skills, improvisation and composition. Included are scales and arpeggios and a CD comprising of over 70 backing tracks to make everystudent feel like a star performer. Team Brass is available for Trumpet/Cornet, French Horn, Trombone/Euphonium Bass Clef and Brass Band Instruments all of which are compatible. There is also a separate book of Piano Accompaniments/Score. / Niveau : Débutant / Méthode / Piano

Federico Ruiz finds constant inspiration in the rich popular and folkloric music of his country.No. 10 The little Peruvian girl is featured by the Associated Board of the Royal Schools of Music in their Grade 4 piano exam pieces 2013 & 2014.Clara has recorded these pieces on CD: The Music of Federico Ruiz - on Nimbus Alliance Records (Catalogue No. NI6179).They first met in 1993 and she became acquainted not only with his music but through it discovered the precision and the soft expressiveness of each of the numerous rhythms of Latin America and the Caribbean. His music is a sophisticated synthesis of Latin American styles that amongst manyother traits expresses the subtle interface between 'classical' and 'popular' music of the continent.Clara Rodriguez is often described as an Ambassador of Latin-American piano music recognising the great number of concerts she has given and CDs where this music features prominently. Born in Caracas Clara studied there with Giomar Narváez and with Phyllis Sellick after winning a scholarship from the Venezuelan Arts Council to train in London at the Royal College of Music. At the age of sixteen she made her debut playing Mozart's last piano concerto with the Simón Bol var Orchestra under the baton of José Antonio Abreu which was the starting point of her international career as a concert pianist.Her discography includes CDs of the piano music of Venezuelan composers Moises Moleiro (Nimbus NI6104) Teresa Carreño (Nimbus NI6103) VENEZUELA (Nimbus NI 6122) receiving glowing reviews from international publications such as Gramophone Magazine: 'Clara Rodriguez makes the most of her innate feel for the exuberant and languorous dispatching the toe-tapping cross-rhythms with panache and a light touch. This is a treasure chest from which to cherry-pick.' She regularly plays in London's Wigmore Hall Southbank Centre St. John's Smith Square St. Martin in-the-Fields and at Barbican Centre. Clara Rodriguez teaches the

An Introduction to Swing, Blues, Latin and Funk Part 2 - Harmony, Improvisation, Accompanying

An Introduction to Swing, Blues, Latin and Funk Part 2: Harmony, Improvisation, Accompanying

The Syncopated Piano Music-This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms which are really African rhythms brought to the Americas by slaves and appliedto the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America but also in theUnited States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this'Latin tinge' is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like 'The Buena Vista Social Club.' Includes historic tangos written by Ignacio Cervantes - Cuba Manuel Saumell - Cuba Juan Morel Campos - Puerto Rico Jose Quinton - Puerto Rico Ernesto Nazareth -Brazil Tomas Leon - Mexico Sebastian Yradier - Spain Eduardo Sanchez du Fuentas - Cuba Will Tyers - USA Vincente Greco -Argentina Anselmo Rosendo (Mendizabal) - Argentina Angel Villoldo - Argentina Eduardo Arolas - Argentina Juan Maglio - Argentina