For Violin I Violin II Viola Violoncel og Klaver-Parts for Niels Viggo Bentzon's Kvintet For Violin I Violin II Viola Violoncel og Klaver Opus 196.

Score and individual parts for Maurice Durufle's Prelude Recitatif Et Varations Op.3 for Flute Viola and Piano.

for Piano Clarinet and Viola-About Piano Trio In Eb Major K. 498 (Kegelstatt)By Wolfgang Amadeus Mozart (1756-1791) edited by Wolfgang Plath Wolfgang Rehm. K. 498. Set of performance parts (includes separate pull-out clarinet and viola parts) for piano trio (clarinet or violin viola piano). Eb Major. 42 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5325)

Edition for piano two violins viola and violoncello-Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instruments but also a quattro that is with two violins one viola and violoncello. They will be issued early in April of this year (1783).' As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his piano concertos K.413-5 and as we know from a letter Mozart wrote to his father inK.449 as well. In addition to orchestral forces it is also possible to use a chamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with piano. These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two pianos the solo Part - as well as the strings - are unchanged and thus identical with the version in the NMA. The piano arrangement adheres to the original orchestral score. Chamber music editions available for: Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871

For Violin Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on tothe next piece. This was particularly the case around the time of his Opus 1 Sinfonietta composed in the summer of 1932 his second year as a student at the Royal College Of Music.The Sinfonietta waswritten (in less than three weeks) very soon after Britten had completed the first draft of the Double Concerto; but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started workon his Op.2 Phantasy for Oboe and String Trio a few weeks later.Although the Concerto follows the same three-movement pattern as the Sinfonietta it is more ambitious in scale; and since the sketchis unusually for Britten complete in practically every detail it is puzzling that he never made a full score of the work after finishing the composition and seems to have made no attempt to get it performed. It is not clear ifhe had particular performers in mind (he was of course a Viola player although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college John Ireland who as Brittenrecorded in his diary was 'pretty pleased' with it; but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' readsanother diary entry) discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936.In theabsence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between

Accompanies Third Edition. Par BLACKWELL KATHY / DAVID. This book contains violin accompaniments for the tunes in Viola Time Joggers. These fun, characterful duet parts are suitable for a teacher or more advanced student, and will enhance lessons by providing an alternative accompaniment option for these popular pieces. / Date parution : 2022-05-31/ Recueil / Piano

Søren Nils Eichberg's Piano Quartet 'Natsukusa-Ya' (2005) - for Violin Viola Cello and Piano. Commissioned by the Berbersee Festival.In memory of the Victims in Hiroshima 6 August 1945. The piece was inspired by a Haiku by Japanese poet Matsuo Basho (1644-1694): Summer grass alone Remains as faded trace of Ancient warrior’s dreams Parts are available: WH31307A  

Piano quintet for two Violins Viola Violoncello and Piano. This edition of Enrique Granados’ Quinteto En Sol Menor includes score and parts. Language: Spanish.Enrique Granados was a Spanish pianist and composer of classical music. His music is in a uniquely Spanish style and as such is representative of musical nationalism. Granados wrote Piano music chamber music songs zarzuelas and an orchestral tone poem based on Dante's Divine Comedy. Many of his Piano compositions have been transcribed for the classical Guitar: examples include Dedicatoria Danza No. 5 Goyescas.

Arrangeur: John Glenesk Mortimer. Par VIOLA ANSELM. / Niveau : Confirmé / Répertoire / Flûte Traversière et Piano ou Orgue

Rachel Stott's Serendipity And Household for Piano Quintet.Serendipity And Household Objects grew out of various sound experiments I made together with violin and viola pupils I was teaching at the time. The idea was to find some extended timbral possibilities of the children’s instruments using only such objects as one might reasonably expect to find around the house a comb or ruler empty yoghurt pot cutlery pieces of paper chopsticks rather along the lines of the television programme ‘the great egg race’ which I used to enjoy as a child.The word ‘serendipty’ (‘the happy knack of making unexpected and delightful discoveries by accident’ Cassell Concise Dictionary) describes the way the finding of the sounds led to musical ideas.A curious point some of the sounds actually work better on basic level children’s instruments than professional quality ones. Don’t waste this piece on a strad…or vice versa. - Rachel StottCommissioned by Jean Horsfall

Per 2 Violini, Viola, Violoncello, Pianoforte (1977). Par CASTIGLIONI NICCOLO. / Musique contemporaine / Date parution : 1905-06-24/ Répertoire / 2 Violons, Alto, Violoncelle et Piano

Par HAHN. For Violin, Viola, Cello and Piano./ Répertoire / Violon, Alto, Violoncelle et Piano

Anders Koppel's Piano Quintet (2011) - for Piano & String Quartet (2 Violins Viola Cello & Piano).1. Allegro con brio2. Largo3. Presto Parts: WH31394A

Written for piano two violins viola and cello.First performed at the Petworth Festival June 1984 by the Delmé String Quartet and John McCabe (piano).