Carl Loewe's Wanderer's Night Song for Bass or Baritone Voice and Piano. Edited by Albert Howe.

Basso | Bass - A cura di | Edited by Ilaria Narici. A selection of 38 arias for voice and piano with plot synopses and translations in Italian and English. / Niveau : Intermédiaire / Opéra-opérette / Recueil / Basse et Piano

Note-for-note Piano transcription book from Vol. 41 'Body And Soul' - featuring Dan Haerle. A rich sampling of Dan’s marvelous comping over selected choruses of 10 timeless standards. Includes: Misty What’s New Teach Me Tonight Body And Soul Alone Together That’s All Time After Time and more!Why you should consider this and other Aebersold Piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what's he doing there?' Now you'll know! Here as never before is an opportunity to see real jazz Piano voicings and comping over real songs in real live musical settings. These historic books contain note-for-note transcriptions exactly as recorded of the exciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists there are many ways for all musicians to use these wonderful musical tools: Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally turn him off (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you'll soon be improvising your own accompaniment!Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they've heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books.Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.

Incredible professional comping over the changes of landmark Miles Davis compositions by a noted master including: So What (slow) So What (fast) All Blues Blue In Green Nardis Eighty One Freddie Freeloader and more!!Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what’s he doing there?' Now you’ll know! Here as never before is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions exactly as recorded of the exciting piano accompaniment from the World FamousAebersold Play-A-Long series. Not just for pianists there are many ways for ALL MUSICIANS to use these wonderful musical tools.Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you’ll soon be improvising your own accompaniment!Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they’ve heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books.Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.

Par MURRAY ALAN. Langue: English, Format: New Edition portrait/ Répertoire / Basse et Piano

Every musician should have a basic understanding of how and why pianists voice chords in certain ways. This book designed by a Horn player addresses and explains the basics of authentic hip sounding chord voicings in simple non-pianistic language.You’ll be comping on your own over Standards in a short period of time. Includes written voicings over many of the most popular Aebersold play-a-long tracks (including 11 tracks from Volume 54 'Maiden Voyage') so you can comp with bass and drums backing you up! No Piano skills are required to use this book effectively. Play great jazz voicings today!

Playing Piano Is 1, Fun Book est une série tuteur clavier pour les débutants. Il est conçu pour répondre aux besoins de développement des enfants dans leur voyage à travers le monde merveilleux de la musique. Les mélodies sont spécialement composée par Alice Chua, et sont basés sur les personnages et les sujets des histoires classiques de Alice au pays des merveilles et De l'autre côté du miroir de Lewis Carroll. l'expérience littéraire est traduite dans la langue de la musique avec l'intention d'éveiller les goûts musicaux des enfants.Playing Piano Is Fun est une nouvelle approche développée par l'expérience pratique de l'auteur dérivée de l'interaction enseignant-élève. La taille grande musique police capte l'attention des élèves et leur permet de se concentrer. Pendant ce temps, les pages sont intentionnellement laissée sans photos pour encourager les élèves à exprimer davantage leur créativité en fournissant des exemples pour les chansons elles-mêmes. De nouveaux éléments sont introduits progressivement et sont intégrés progressivement. L'accompagnement de l'enseignant est encouragé à améliorer l'expérience musicale, ainsi inspirer et de motiver les élèves. Quelques suggestions pour la mise en valeur des éléments d'enseignement peut être trouvé à l'intérieur du capot avant. En plus de jouer du piano, l'approche unique de cette série comprend écoute, le chant, la transposition, l'harmonisation, l'improvisation et la composition à un stade précoce. / Piano

Fantastic heart-on-the-sleeve American standards in new arrangements designed to flatter any singer, with interesting harmonies and accompaniments. The arrangements are in the spirit of the performance tradition established by singers such as Judy Garland, Peggy Lee and others. The keys have been carefully chosen and will be comfortable for most voices. The book contains arrangements for voice and piano accompaniment, plus a section of ''fake book''-style arrangements convenient for performing. The accompanying CD includes great performances of each song by a singer backed by piano, bass and drums, as well as trio acompaniment tracks only for practice or performance.

with Gary Stroutsos Flute-Blending the classic sounds of piano cello and upright bass with exotic native

P/V/G. The Super Songbook For Kids contains a collection of 37 favorite children's songs including nursery rhymes, campfire songs, silly songs, and folk tunes. Clearly presented in easy-to-play musical arrangements for piano, voice, and guitar, the book also includes vibrant full-color illustrations!

Written for female Voice and Piano. The Piano part is written on two octagonal sheets where the treble and bass parts are interchangable.

Lynne and Robin Benton. A well-known story of challenge and adventure based on ancient Greek legend following Jason’s heroic journey in search of the Golden Fleece. This versatile musical play can be performed in a variety of ways and has ample scope for involving any number of children in the solo parts chorus and acting roles. The action is always fast moving with short and simple dialogue linking the 13 songs. Written for five speaking and singing roles four speaking roles four non-speaking roles unison voices (with divisions) and piano or the songs can be linked by narrator if a concert performance is preferred. Bass and percussion parts on hire. 25 mins

Piano Solo-Lullabies / Vuggeviser for Piano solo was composed by Bent Sørensen in 2000. Preface / Programme Note: Some melodies keep haunting me; they will stick in my mind and I will walk about humming them and they will find their way into my music. Two such melodies are the basis for the present piano piece which I call LULLABIES. The first little tune began its life as a ballad in an operatic draft ofmine. Later on – with text by English poet Selima Hill – it became part of my songcycle ROSES ARE FALLING for mezzo soprano and piano. In the latter context it is a love song but I have always had a lullaby-feelingabout this tune and indeed as a lullaby it appears in my opera UNDER THE SKY to text by Peter Asmussen; inthe opera the loved one sings and hums to her beloved and make him come to rest. During LULLABIES the tune will appear a half tone lower with each entry and make its way downwards through the musical texture from upper voice to bassline. The other little melody is a true lullaby which I hummed for my youngest daughter to try and make her go to sleep. Later on it became the backdrop for the last movement of my trombone concerto BIRDS AND BELLS. The two melodies in their original form are reproduced at the beginning of LULLABIES.Bent Sørensen 2000