One of the most familiar Latin standards is given a complete facelift by Michael Mossman in this creative and impressive sounding arrangement. You'll find harmonic wrinkles and rhythmic twists and turns amidst some really hot ensemble writing. A variety of solo opportunities are also provided.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Ayant battu tous les records de vues sur YouTube et au sommet du hit-parade dans plusieurs pays Despacito a été enregistré par le chanteur portoricain Luis Fonsi en collaboration avec le rappeur Daddy Yankee (ainsi qu?un remix plus tard avec Justin Bieber). Avec son style de pop latin contagieux et sa mélodie entraînante voici une version superbe et ingénieuse pour votre ensemble.

Composed and recorded by Stan Kenton in the 1940s Artistry in Rhythm became his signature and a true classic from the big band era. Paul Murtha has skillfully adapted and truncated this chart for younger players whilemaintaining the flavorand energy of the original. Solo piano starts things off followed by the iconic trombone solo in the medium Latin section. The exciting double-time swing section features the entire ensemble then the“maestoso” theme returns to closethings out. Impressive!

This well-known composition by Horace Silver is written in a moderate Latin style. Mark's version is based on Horace's own classic arrangement and features some very nice ensemble writing. Includes a flexible solo section with written out samples for any instrument.

Here is an easy version of this Latin favorite arranged in a moderate bolero style. The trombones are featured on the opening theme and there is very skilled ensemble writing for young players throughout.

John Berry has taken this Cole Porter favorite and converted it into a real powerhouse chart for big band. Not just a re-hash of the version recorded by Buddy Rich this exciting treatment alternates between Latin and swingstyles and features crisp ensemble writing throughout. Included is a solo for trumpet and a swingin' soli for the saxes.

Hot Latin sounds from Gordon Goodwin's Grammy-nominated CD Big Phat Band - Swingin' For The Fences! Flute and trumpet are featured in the beginning on the playful melody but the entire ensemble gets a chance to cut loose on thispowerful chart. Includes solos for alto and trombone.

Here's a fresh version of this Ellington classic done in a Latin style that really sizzles. Solid and creative writing for the entire ensemble.

With a smooth Latin feel interesting harmonies plus a few mixed meters this is a terrific feature number for your flugelhorn soloist. Tasty ensemble lines contribute to a creative and appealing change of pace.

This Latin funk tune starts out softly then gradually picks up intensity as layers of sound are added until finally the entire ensemble is cookin'. Nice feature spots are provided for your drummer in addition to a solo for tenor sax.

Written in a Latin style this moderately paced chart includes a creative harmonic structure in minor and a flowing melody with counterlines. Nicely scored for the entire ensemble this will make even inexperienced bands sound great.

Klezmer the secular Jewish music from Eastern Europe continues to weave its magic spell.This volume offers all the material you need for authentic performances of new and familiar pieces. Henner Diederich a teacher of folk music and arrangement at the Cologne Musikhochschule has gained a reputation with his many publications especially in the klezmer field. Here he presents twelve klezmer arrangements for variable ensemble: melody counter-melody guitar chords and bass line.The twelve pieces are arranged for an ?open scoring ? i.e. you can choose the instruments add octave doublings leave out voices or improvise your own ideas to suit yourtaste. They offer a glimpse into the typically bittersweet melody and harmony of Yiddish music which emerged from a mixture of Yid-dish Slavic Rumanian and German stylistic elements and is currently undergoing a revival in the folk music scene.Includes C and B Flat parts for melodies 1 2 and 3 and a bass part. The pianist plays from the score.?If you ever wanted to try Klezmer Latin American or Viennese coffee-house music here is your opportunity.?(Strings 5/2005)?I am a grateful to Bärenreiter for producing not only a practical means of performing real Klezmer music but a valuable way in which this unique and characteristic music is sure to be preserved.?(Pan 12/2004)

Made famous by Stan Getz this arrangement is scored as a tenor sax feature and includes nicely crafted ensemble backgrounds. This evergreen Latin favorite from Jobim works well in any setting.

Une latine cha-cha gorge à environ 132 BPM. Une hanche tutti montuno définit le cha-cha sentir dans l'intro suivie par la même montuno joué par le piano. Le tableau comporte écrit-out solos de sax ténor et trompette 2, et la gamme de trompette 1 est écrit à l'espace supérieur de E. Il est amusant, c'est latine et il sonnera super! / Ensemble De Jazz