The dove descending breaks the air Instrument : mixed choir (SATB) Type : choral score Nombre de Pages : 4

German/English Urtext Edition edited A. Oppermann.The oratorio The Creation represents not only a crucial point in Joseph Haydn's compositional output but at the same time marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century Haydn broke with the traditional dominance of the arias giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life.The text translated from the English original by Baron van Swieten Prefect of the imperial court library in Vienna combinesprose texts of the creation story in Luther's translation of the Bible with complementary excerpts from John Milton's Paradise Lost.Instrumentation: Soprano solo Tenor solo Bass solo Mixed Choir-SATB Piano reduction accompaniment

Nos. 1-8 pour Choeur A Cappella-6 pour choeur mixte et 2 pour choeur d'hommes Songlist: Margoton va t'a l'iau La Belle se sied au pied de la tour Pilons l'orge Clic clac dansez sabot C'est la petit' fill' du prince La Belle si nous étions Ah ! Mon beau laboureur Les tisserands

Niels W. Gade. Works Iv-9-Works for Mixed ChoirNiels W. Gade. Werks Volume IV/9 Niels Wilhelm Gade (1817?1890) Works Edited by the Foundation for the Publication of the Works of Niels W. Gade Copenhagen Niels W. Gade is one of the leading Danish composers of the nineteenth century. However only about half of his prolific ?uvre has appeared in print. Given this fact and the growing current interest in Gade there is an urgent need for a scholarly-critical Urtext edition of his music to meet the demands of both scholars and performers. This edition will contain all of Gade's completed compositions and separate movements as well as the arrangements he madeof his own works and those of other composers. In general the main text presents the ?definitive? version based on Gade's personal copy of the printed work. However all the remaining sources have also been consulted for purposes of comparison. Every editorial decision is mentioned and justified in the critical report (English). Gade's interest in choral music spanned his entire career. This volume presents more than 40 of his shorter works for mixed chorus both without and with accompaniment (piano organ harmonium or in one case brass ensemble). They occupy a no less prominent place in his oeuvre than his large-scale choral works with orchestra. Written between 1839 and 1885 they were intended for many different areas of application: songs for school chorus stand alongside liturgical music pièces d'occasion chorales and freely composed works for amateur choirs. The best-known are his Five Songs (op. 13) on poems by Emmanuel Geibel and Ludwig Tieck and the motet O du der du die Liebe bist both composed in Leipzig in 1846.

Voici une partition musicale pour Chant/Vocal/Choeur et plus spécialement pour Choeur A 4 Voix Mixtes Et/Ou Piano (Ou Orgue) Et Ensemble que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est LES ALLOBROGES - VERSION POUR 4 VOIX MIXTES a été composée par le célèbre compositeur Folklore . C'est l'éditeur Billaudot sous la référence AF0167 qui a les droits pour éditer cette partition. / Choeur A 4 Voix Mixtes Et/Ou Piano (Ou Orgue) Et Ensemble / Partition

Glee Sings the Music of Fleetwood Mac-In Season Two the Glee cast devoted a full episode dedicated Fleetwood Mac's 1977 hit-powerhouse Rumours. Opening with the bright pop sounds of “I Don't Want to Know ” it moves into the sultry“Dreams ” and building into “Don't Stop ” this 6-minute choral tribute spans the generations in its appeal! Available separately: SATB 3-Part Mixed 2-Part ShowTrax CD. Combo parts available digitally(tpt 1 tpt 2 tsx tbn syn el gtr ac gtr b dm). Duration: ca. 5:45.

Rihanna's expressive ballad with Mikky Ekko about the give and take of a relationship is both honest and heartfelt and soared up the charts in 2013. With its simple piano underlay the song translates beautifully into a choral setting for mixed or treble groups who will love performing it! Available separately: SATB SAB SSA ShowTrax CD. Duration: ca. 3:40.

Mixed Voices/ 2 Soprano Parts. Par GUERRERO FRANCISCO (ARR.MATTHEW MARTIN). Commissioned by the ORA, Ave Virgo sanctissima (after Guerrero) is composer Matthew Martin's reimagining of Guerrero's famous 16th Century setting. Arranged for SSATB and suitable for intermediate choirs. Part of Faber Music's Choral Signature Series./ Répertoire / SATB

Written by Phil Everly of the Everly Brothers this popular song was a huge hit when the incomparable Linda Ronstadt covered it in 1975. This arrangement is straight-ahead fun with the energy and drive of the original recording. Well-written harmony will appeal to all mixed choirs as well as men's and women's ensembles as a pop choral for concert or show! Written by Phil Everly of the Everly Brothers this popular song was a huge hit when the incomparable Linda Ronstadt covered it in 1975. This arrangement is straight-ahead fun with the energy and drive of the original recording. Well-written harmony will appeal to all mixed choirs as well as men's and women's ensembles as a pop choral for concert or show!

MUSIQUE FRANÇAISE POUR CHOEUR MIXTE réunit une sélection des plus belles oeuvres originales pour choeur de compositeurs français et de superbes arrangements de quelques-unes des plus sublimes mélodies françaises. Ce volume qui conviendra aux choeurs de toutes tailles et de tous niveaux comprend des compositions originales de Hector Berlioz Gabriel Fauré Reynaldo Hahn et Camille Saint-Saëns. On trouvera également d’élégants arrangements de mélodies dont le Baïlèro de Joseph Canteloube Beau soir et Nuit d’ étoiles de Claude Debussy ÀChloris de Reynaldo Hahn Deux Prières de Darius Milhaud Nos souvenirs qui chantent de Francis Poulenc Chanson française de Maurice Ravel et le Choral inappétissant d’Erik Satie.

Sur un texte écrit à l'occasion des ' Rencontres poétiques ' de Sourzac (2013), Bruno Rossignol retrouve une veine mélodique et harmonique proche de ses compositions chorales sacrées (' Stabat Mater ', ' Salve Regina '),Le texte original en version bilingue, traduit en occitan par Joan-Loís Lévêque est disponible sous la référence : Paysages doubles - Païsatges doblauds, Editions Delatour France, ref, BDT0029 / Choeur Mixte