SKU: HL.14042399
ISBN 9788774842309. UPC: 888680670917. 6.75x10.5x0.045 inches. Latin.
Niels La Cour 's 3 Mottetti Latini for SATB a capella.
SKU: HL.50486906
ISBN 9790080146460. A/4 inches. Hungarian, Latin. Lajos Bardos; Janos Malina.
In its new series entitled Sacred Choral Works EMB presents a collection of religious choral pieces by contemporary and 20th-century Hungarian composers. The first six volumes are devoted to works by the outstanding 20th-century composer for choirs Lajos Bardos, more specifically the works in Latin from the recently published Bardos series Musica Sacra. The first volume contains the works for equal voices, the other five contain those for mixed choir, the latter grouped according to religious festivals: Volume 2 has the Christmas choruses, Volume 3 those for the Easter season, Volume 4 those relating to the period following Easter, Volume 5 Marian songs, and Volume 6 the pieces for other occasions.
SKU: HL.50486905
ISBN 9790080146477. 8.0x11.25x0.082 inches. Hungarian, Latin. Lajos Bardos; Janos Malina.
SKU: PE.EP11424
ISBN 9790014119287. 198 x 272 inches. English.
A collection of 14 vibrant choral pieces from Cuba, Colombia, Venezuela, Ecuador and Brazil. Covering a range of styles from cumbia to Cuban son, this music is full of the characteristic rhythms and melodies which capture the unique vitality of Latin America
With background information, translations and pronunciation guides, enabling performers to immerse themselves in the atmosphere of Latin music, this collection provides a great addition to the repertoire for any choral concert
SKU: GH.CG-6429
ISBN 9790070000703. 185 x 262 mm inches.
For kor SATB div. Innehaller Veni sancte spiritus, O bone Jesu, Ave maris stella.
SKU: GH.WC1600365
ISBN 9790070035842. 185 x 262 mm inches. Text: Biblical.
SATB a cappella. Lyrics from David's psalm 117:1, 100 and Luk. 1. 1. Laudate Dominum, 2. Ave Maria, 3. Exsultate Domino.
SKU: CA.739100
ISBN 9790007170769. Text language: Latin.
The Missa romana is a mass setting in Latin. With a duration of c. 10 minutes, and a moderate level of difficulty, it is intended for performance in Catholic services. It combines jazzy chords and Latin American rhythms with quotations from the Gregorian Missa de Angelis, which is currently used in many parishes and is popular to sing. The aim is to portray the Latin American dance rhythms authentically and with infectious energy for the listening congregation. This can certainly be achieved through a performance with at leaset a percussion group which is able to exploit the variety of Latin American percussion instruments. The band could also include a double bass and, as harmony instrument, guitar and/or keyboard. The dance rhythms given serve as a guide to rhythm and tempo, and the chordal accompaniment should be improvised using the chord symbols. As performance with band won't always be possible, the Missa romana is written so that it can also be performed a cappella or with organ accompaniment.
SKU: HL.49043990
ISBN 9790001194525. Latin.
Andreas Pieper's overall artistic aim to 'build a bridge of confidence to the world behind things' with his music can be heard clearly in his setting of Tollite iugum meum. The Latin-language motet for mixed a cappella choir (SATB) for the Feast of the Sacred Heart (Friday after Corpus Christi) is based on verses from the Gospel according to Matthew (Mt. 11,29). Permeated by changes of time and key, yet easy to master by amateur choirs, the piece is ideal for use in the church's liturgy. The devotion of the Sacred Heart of Jesus centres on the sin and thus also on the sinfulness of man, which is musically realized here through a steady and moderate tempo, with the sinful man standing before God without any instrumental means, completely naked so to speak.
SKU: HL.49019642
ISBN 9790001192842. German - Latin.
This work with its calmly pleading character lives on the contrast between the freely metric, virtually Gregorian passages and the strict time-beating sections. It is especially in the 'Da pacem' call written in triplets that pressing, accelerating crescendos arise which can also be led into the forte excessively. The concluding Latin 'Da pacem' should then be sung in a deliberately introverted manner.
