With Online Audio-Easy to intermediate Christmas solos scored for Flute solo with Piano accompaniment. Includes memorable Christmas songs such as Ding Dong Merrily on High; I Saw Three Ships; Silent Night; We Wish You a MerryChristmas and many more.The online audio recording contains four full sets of Piano accompaniments for all the pieces in the book. The first practice set is played at a slow tempo and the solo Flute line is played onthe Piano. The second practice set is performed once again at a slow tempo this time without the inclusion of the melodic line. The third performance set is played at a faster tempo once again without the melodic line. Thisfaster tempo is intended for use in both the practice setting and the studio performance setting. The fourth and final performance set contains non-stop accompaniment tracks and links all pieces in the book together to form aChristmas suite that can be played at recitals or festive gatherings. Includes access to online audio and pdf file for Piano accompaniment.

Originally published in a different format, Potter's Alto Flute Solos is here issued in a separate book for alto flute and piano accompaniment. This collection contains works at the easy and intermediate levels, and includes popular recital pieces such as Bizet?s Habanera from Carmen, the traditional Irish tune Danny Boy, and 18 others. The same contents are also available in Bass Flute Solos (FH0512).

Par VON SCHAUROTH DELPHINE. Six Songs Without Words by Delphine von Schauroth, arranged for flute and piano by Virginia Broffitt Kunzer and Tammie Walker. German pianist and composer Delphine von Schauroth was a contemporary of Felix Mendelssohn and also the dedicatee of his famous Piano Concerto No. 1 in G minor. Her Six Songs Without Words were originally composed for piano solo, however, because of the nature of them, it is easy to see how a flute melody can be extracted from each of them. / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Rondo in e minor for Flute and Piano-Franz Xaver Wolfgang Mozart did not have an easy time of it throughout his life his compositions were always compared to those of his father. It is only recently that he has slowly begun to come into his own. His works havetheir very own individual sound that already forges a link with Romanticism.The specialist Karsten Nottelmann has edited Urtext editions of all of Franz Xaver’s piano works for Henle publishers and now he is continuingwith the Rondo for Flute and Piano. Flautists greatly value this melodious work that is very suitable for teaching purposes and music at home.

In a letter dating from 1777 Mozart reported to his father from Mannheim that Johann Baptist Wendling principal Flautist of the famous Mannheim Orchestra had been approached by a wealthy Dutch businessman by the name of De Jean who was prepared to pay 200 gulden for three easy flute concertos and four flute quartets for his own use. Mozart accepted the commission. By the day before the Dutchman left Mozart had delivered only three of the quartets andtwo concertos for which he had been paid 964 gulden. The composer who was himself being pressed by his father to continue his own journey to Paris with his mother was full of excuses writing back to Salzburg on 14 February 'It is not surprising I have been unable to finish them for I never have a single hour's quiet here...Moreover you know I become quite powerless when I am obliged to write for an instrument I can't stand.' There is more than a hint of disingenuousness in Mozart's words for this was the height of the period during which he was being distracted from his work by his new-found love for the Mannheim singer Aloysia Weber. (He ultimatelymarried her sister Constanze.) If Mozart's dislike of the Flute was as great as he claimed there are few signs in the Flute Concerto No.1 in G major particularly in the expressive central Adagio ma non troppo. The outermovements are an Allegro maestoso and a concluding Rondo: Tempo di Menuetto. The work is scored for two oboes (replaced by flutes in the Adagio) two horns and strings. This Great Performers' Edition is edited byJames Galway.

for Flute Strings and Basso continuo-Full score Flute solo and String parts available as HM265.Antonio Vivaldi (1678 1741) ?was sprightly and highly inventive and he filled almost half the world with his concertos? wrote Quantz in a brief appreciation of Vivaldi a generation later. It was only by chance that this Flute Concerto In D which was preserved anonymously in Schwerin truly half a world away from Venice has been identified as a composition by Vivaldi. Easy to perform this concerto radiates musical freshness and high spirits.

Niveau Facile - 'Les Classiques De la Flûte'-Pièces Célèbres Pour Flute Et Piano – Vol. 1 is the first volume of an anthology of famous pieces transcribed and adapted by Gaubert Moyse and Caratgé. Part of the collection “Classics for Flute” this volume features twelve easy classical pieces:  - Ballets du Roi 'Ariette en Rondeau' by Lully - Ballets du Roi 'Sarabande et Gavotte' by Lully - Phaeton 'Menuet et Bourrée' by Lully - Sarabande from the D Suite for Cello by J. S. Bach - Petite Marche by Handel -Hiphigénie en Tauride 'Hymne' by Glück - Armide 'échos de la Naïade' by Glück - Don Juan 'Menuet' by Mozart - Cosi Fan Tutte 'Ariette' by Mozart - La Flûte enchantée 'Invocation' by Mozart - Mélodie by Beethoven - Impromptu Op.90 n°3 by Schubert

Easy-to-intermediate arrangements designed to bring out the best qualities of the flute. The side range of compositions inlcude works by Beethoven, Brahms, Dvorak and Schubert, as well as folk songs, dances, jigs and reels from all over the world. Arranged for flute and piano. Includes score and part. / Flûte Traversière

If I Were... by Serge Lancen is a set of easy works for Flute and Piano. Each piece was written as if the author were impersonating a famous composer and this book includes those inspired by Schubert Chopin and Grieg. Written for upper beginners / intermediate level players these works can all be interpreted separately. - N. 10 'If I were Schubert' has a slow tempo starts Allegro Moderato and lasts 1''10 - N.11 'If I were Chopin' is slower than the first piece in Moderato and uses Chopin''s musical style . Ithas an introduction and twodistinctive parts - N.12 'If I were Grieg' is starts with the piano at atempo 84. The introduction is followed by a main theme which is repeated before an harmonious close If I Were... can also be found with pieces inspired by Offenbach Beethoven or Albeniz among others. Serge Lancen is a French musician and composer. He wrote numerous pieces including chamber music orchestral works for solo instruments and for voice. He won many radio prizes and received a Prix de Rome.

Par MAGALIF EUGENE. 'Promenade' (for Flute and Piano) by Eugene Magalif grew out of piano exercises written by the composer to develop his grandchildren's ability to play light jazz and easy improvisation / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

A collection of 21 pieces by great composers easy-to-medium difficulty in progressive order most were originally written for Flute. Selected and edited by Louis Moyse. The CD includes piano accompaniments that are playable bothon your CD player and computer. It is also enhanced with tempo adjustment software when it is used in your computer as a CD-ROM.

Dos Poemas De Juan Ramon Jimenez are settings of two poems by the Spanish Nobel Prize-winning poet arranged for either Voice and Flute or Voice and Piano (one hand). Written c. 1959 they were first performed in December 1962 in Valencia. A perfect gift for any young singer looking for quirky but easy performance pieces. Joaquin Rodrigo (1901-1999) was born in Valencia and lost his sight to diphtheria at the age of three which is believed to have heightened his hearing and inspired him to pursue a musical career. He began to study music five years later and became one of Spainâ??s most distinguished composers musicologists and pedagogues.