Most of the music in this book comes from editions or manuscripts from England in the late 1500’s. There are also a few French pieces. The cittern was popular in Italy England and France. Aside from various tunings there weretwo main kinds of instruments being played during the 16th and 17th centuries: the 4 course (four sets of doubled strings) and the 6 course cittern with several editions of music to go along with both. The pieces I have chosenfor this book were all written for the 4 course instrument and fall into three main categories: dance music song arrangements and free pieces. The free pieces are basically preludes that explore the melodic range of theinstrument. As the title suggests these pieces can be played very freely and need not have a very strict tempo. The dance pieces are not really meant to be danced to but rather take their form and rhythm from the popular courtdances of the time. These can be played with a wide range of overall tempo but once a tempo is chosen should be strictly adhered to. The song arrangements are settings of popular songs of the time as well as more formal vocalsettings. Care should be taken in making the melody clear and singing. Since the range of the cittern and mandolin are the same John Holenko has kept the melodies intact. Because of the difference in tuning however thevoicing of the harmonies have been changed so as to fit on the mandolin.

Par HANS LANDAU. Lorsque j'ai commencé à pratiquer la mandoline plus sérieusement, je ne se sentaient pas convaincu en jouant des mélodies de la seule note. J'ai organisé beaucoup de pièces dont je savais depuis ma guitare jouant au fil des décennies, juste pour mon propre usage sur la mandoline. Mon but était de combiner les mélodies avec cordes de la façon qui font les joueurs de guitare. Dans mon livre, vous y trouverez le résultat de mon travail, allant de la Renaissance au Barock, de l'Irlande et l'Italie aux Alpes. Une section supplémentaire avec des morceaux plus difficile satisfera le joueur avancé. / Niveau : Débutant à Intermédiaire / All Styles - Solos / Recueil / Mandoline

The mandolin has had a long and rich history in the world of classical music. Many composers including Vivaldi Beethoven and Mozart wrote works for the instrument and its sounds can still be heard in concert halls and on recordings around the world.The internationally-renowned classical mandolinist Caterina Lichtenberg makes the music of this beautiful expressive instrument accessible to players at all levels. Whether you are a newcomer to the mandolin or are already adept in bluegrass jazz or other genres herinstructional DVD will bring new ideas techniques and repertoire to your playing. From the study of Greensleeves to a Bach Menuett; from Frere Jacques to Beethoven’s Sonatina in C minor there is a wealth of material here to delight and challenge you. Caterina introduces concepts and exercises that will affect pick speed and accuracy scales vibrato tremolo arpeggios left hand fingering harmonics and more. Her clear and engaging instruction will bring new ideas techniques and gorgeous repertoire to all players of the instrument.

With Online Audio-Compiled by John LaBarbera this enjoyable collection of Mandolin music features pieces from various parts of northern central and southern Italy. Italian Folk Music For Mandolin includescomplete texts and translations of the songs with accurate accompanying arrangements for two Mandolins or Violin and Guitar. The selections include medieval and Renaissance instrumental folk dances sixteenth-century NeapolitanVillanelle work songs lullabies narrative ballads prisoner songs and popular dances including tarantellas pizzica Sardinian ballo tondo quadrille waltz and saltarello. The price of this book includes access toonline audio of all the featured pieces.

If you've heard jazz guitarists like Joe Pass play chord melody you may think that the style requires an encyclopedic knowledge of music theory musical super-powers or making a deal with the devil. But fear not! This bookwill show you how to create your own satisfying chord melody arrangements on the Mandolin...and will do so in a practical applicable way.'Aaron Weinstein has many musical accomplishments. I am very proud to have playeda small part with some of them. When he was only 12 he made his first recordings and asked me to play Mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling andJoe Venuti style jazz. Not long after that Aaron became interested in the Mandolin and chords and he came by every so often to play and discuss voicings improvisation and the like. I showed him some of the Jethro Burns chordmelody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself!Fast forward a few more years and Aaron has a Berklee degree traveled the worldplaying hot Violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah one other thing: he took the art of chord-melody Mandolin style to an entirely new level! The rich harmonies of the standard jazz and showtune repertoire the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style thanks to his great ear open mind and gift at locating thingson the fretboard. And now Aaron has documented explained and shared his discoveries and approach with all of us in this book. Thank you Aaron!This is truly a step-by-step method that you will enjoy. You'll findyourself saying 'oh of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and

Medieval Mandolin Voume 2 by Allan Alexander.These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians by musicians. You can get the book with a CD and the guitar and mandolin are separate tracks. You can turn the mandolin totally off and play with the cd. There is no 'Tick Tick' before the pieces instead there are two measures of intro with the guitar so you can sit and listen to the CD and become familiar with the pieces without it sounding like a learning CD. There are chords with the music and at the end of thebook there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific and are a great addition to any repertoire. You can use them for any kind of gig or you can try doing some medieval fairs medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute most people would never know the difference. Often when I play the lute they ask me if it's a mandolin. I play lute guitar and more recently mandolin. I know the music. These pieces are particulary suited for the sound of the mandolin. I love playing them. The book is beautiful and scored professionally. The paper is heavy stock. The titles may not make a lot of sense but these are great pieces. Many have variations to make them longer.

The book Método de Mandolina begins at the very beginning of learning to play the mandolin starting with the basic tuning of the instrument how to sit position one?s head and hold one?s hands. There are many pages of exercises that lead to easy pieces and more difficult short works all in Spanish style.In this age of the Guitar it is remarkable to know that the mandolin was the most popular instrument throughout the Western world at the turn of the last century at the time of the publication of this book. For the most part at that time the virtuosi were considered to be Italian and the best instruments from Italian makers though many other companies were involvedin the production of many forms of the mandolin. This is ironic however as it is frequently asserted that the earliest form of lute or mandolin entered Europe with the Moors onto the Iberian peninsula in the shape of the oud. In the late 19th and early 20th centuries serious composers included lute parts in their major works and wrote pieces expressly for mandolinists and for the thousands of mandolin Orchestras that sprang up throughout Europe and in the New World. That Método de Mandolina remains available is a testament to its usefulness and the expertise of its author in giving teachers and students a volume from which to teach and learn.

The First Jam series was created to give children and beginners of all ages a book of simple common tunes to learn. These are standard ???Jam??? tunes in the Bluegrass/Old Time music styles. All the books in this series are writtenin the same keys; they can all be played together without any problems. So get your friends or family who play guitar mandolin banjo ukulele dulcimer or Dobro together grab these books and start jamming. Improvisation Another idea behind writing the First Jam series was to provide a number of tunes that were easy to learn but that are also a great to begin working on improvising. Each books offer the melody for that particular instrument aswell as back-up chords for another instrument to accompany you. Each song is represented in Tab notation and chord symbols. The accompanying CD has two tracks for each song. The first playing the song with the melody line thesecond track offers just the backup so you can play the melody over it or even improvise. Tunes include: Cripple Creek Old Joe Clark Will the Circle Be Unbroken and many more.

You Can Teach Yourself Mandolin is written as a teach-yourself text with play-along examples and tunes on the companion recording. In the author's word 'It is aimed at helping you get started immediately onyour way to mandolinhood by giving you the basics of the Mandolin and Mandolin playing.' With this informal often humorous text Dix Bruce will guide you step-by-step through the basics of learning this versatileinstrument. Learn all about accompanying yourself and others common chords and useful strums reading simple melodies playing a colorful assortment of Mandolin folk songs and more. All musical examples and tunes are written inboth standard notation and tablature. Diagrams of all the principal chords used on the Mandolin are shown in the Chord Appendix making this book a particularly useful study aid for the beginning mandolinist. Illustrated withdrawings and photographs of vintage instruments. This book has accompanying audio and video.

The Mandolin was brought to Brazil by Portuguese colonists in the 15th and 16th centuries and eventually worked its way into traditional Brazilian music. The principal aim of this book is to present an overview of theseveral faces of the Mandolin in Brazil. In this book's eighteen progressively arranged character studies the Mandolin student will find besides a great number of aspects of the idiomatic technique of the instrument (i.e. changes of fingering positions double stops tremolos arpeggios legatos chords etc.) no less than fourteen different styles. All of the pieces are presented first in notation only as Mandolin/Guitar duets followed bythe Mandolin part repeated with tablature. Includes access to online audio.

This book is designed for mandolinists seeking to develop their left and right-hand technique. The exercises included help reinforce fundamental actions of playing and challenge the player to master the various permutationsand combinations of these fundamentals. Each hand is given primary focus working across all four strings or up and down the fretboard before both hands are challenged simultaneously. Through these exercises a player canimprove their functioning abilities and facilitate better control over the instrument. Practicing these workouts can help with the mechanics of playing as well helping a player improve accuracy speed and agility in bothhands.

Ready to take your playing to the next level? In this instructive guide the renowned fretted instrument performer and teacher Fred Sokolow presents valuable how-to insight that Mandolin players of all styles and levels can benefit from. The text photos music diagrams and accompanying audio provide a terrific easy-to-use resource for a variety of topics including playing tips practicing tips accessories Mandolin history and lore practical music theory and much more.

With the thoroughness of a book by Mel Bay this method presents Mandolin technique and note-reading in a progressive step-by-step fashion. Given the diverse applications of this versatile instrument thismethod was carefully written to build the musicianship and technique needed to play both classical and contemporary Mandolin styles. Music theory concepts and additional playing techniques are introduced as needed.Exercises and tunes are presented in all keys many in duet format to be played by teacher and student. In notation only. This book includes online video.