Par TELEMANN GEORG PHILIPP. / Répertoire / Hautbois (Hautbois D'Amour), Viole de Gambe ou Vio

Par TELEMANN GEORG PHILIPP. / Répertoire / Flûte Traversière, Hautbois D'Amour ou Violon) et

Par QUANTZ JOHANN JOACHIM. Format: New Edition portrait/ Répertoire / Flûte Traversière, Violon ou Alto D'Amour (Aussi F

Par TELEMANN GEORG PHILIPP. / Répertoire / 2 Violons et Basse Continue Violoncelle ou Viole d

D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel‘s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Six Sonatas BWV 1014 - 1016 Band 1 qui a été écrite pourViolon Et Clavecin (Ou Piano). Les éditions Wiener Urtext qui ont éditées cette oeuvre l'ont répertoriée sour la référence UT_50018. / Violon Et Clavecin (Ou Piano) / Partition

Musicalische Ergötzung bestehend in sechs verstimten Partien â 2 violin nebst den Basso ContinuoEdition : Nürnberg, J.C. Weigel, s.d. (=1695)Présentation de Frohmut Dangel-Hofmann : Vie et oeuvre de Johann Pachelbel - Rudolf Franz Erwein von Schönborn et sa collection musicale - Musicalische ErgötzungPublication en trois parties séparées : violon 1 en scordatura - violon 2 en scordatura - cembalo (b.c.) en tonalités réelles.Fac-similé de l'exemplaire unique conservé au château de Wiesentheid. Les deux violons sont écrits en 'scordatura', ce qui est fort rare. / 2 Violons Et Basse Continue / 68 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Compositeur : Beethoven, Ludwig vanInstrumentation : Violin and PianoEditeur Musicologique : Brandenburg, SieghardCouverture BrochéeContenu : Sonata for violin A major op. 47 [Kreutzer Sonata] Sonata for violin F major op. 24 [Spring Sonata] Sonata D major op. 12,1Sonata A major op. 12,2Sonata E flat major op. 12,3Sonata a minor op. 23Sonata A major op. 30,1Sonata c minor op. 30,2Sonata G major op. 30,3Sonata G major op. 96

Church Sonatas in Three Parts, Op. I [Sonate da Chiesa a trè] (ded. to Queen Christina of Sweden) Sonata No. 1 in F Major Sonata No. 2 E Minor Sonata No. 3 in A Major Sonata No. 4 in A Minor Sonata No. 5 in B-flat Major Sonata No. 6 in B Minor Sonata No. 7 in C Major Sonata No. 8 in C Minor Sonata No. 9 in G Major Sonata No. 10 in G Minor Sonata No. 11 in D Minor Sonata No. 12 in D Major Chamber Sonatas in Three Parts, Op. 2 [Sonate da Camera a trè] (ded. To Cardinal Benedetto Pamphili) Sonata No. 1 in D Major Sonata No. 2 in D Minor Sonata No. 3 in C Major Sonata No. 4 in E Minor Sonata No. 5 in B-flat Major Sonata No. 6 in G Minor Sonata No. 7 in F Major Sonata No. 8 in B Minor Sonata No. 9 in F-sharp Minor Sonata No. 10 in E Major Sonata No. 11 in E-flat Major Sonata No. 12 in G Major (Chaconne) Church Sonatas in Three Parts, Op. 3 [Sonate da Chiesa a trè] (ded. to Duke Francesco II of Modena) Sonata No. 1 in F Major Sonata No. 2 in D Major Sonata No. 3 in B-flat Major Sonata No. 4 in B Minor Sonata No. 5 in D Minor Sonata No. 6 in G Major Sonata No. 7 in E Minor Sonata No. 8 in C Major Sonata No. 9 in F Minor Sonata No. 10 in A Minor Sonata No. 11 in G Minor Sonata No. 12 in A Major Chamber Sonatas in Three Parts, Op. 4 [Sonate da Camera a trè] (ded. to Cardinal Pietro Ottoboni) Sonata No. 1 in C Major Sonata No. 2 in G Minor Sonata No. 3 in A Major Sonata No. 4 in D Major Sonata No. 5 in A Minor Sonata No. 6 in E Major Sonata No. 7 in F Major Sonata No. 8 in D Minor Sonata No. 9 in B-flat Major Sonata No. 10 in G Major Sonata No. 11 in C Minor Sonata No. 12 in B Minor Six Violin Sonatas, Op. 5, Part 1 [VI Sonate a Violino Solo] (ded. to Electress Sophie Charlotte of Brandenburg) Sonata No. 1 in D Major Sonata No. 2 in B-flat Major Sonata No. 3 in C Major Sonata No. 4 in F Major Sonata No. 5 in G Minor Sonata No. 6 in A Major Preludes, Allemandes, Correntes, Gigues, Sarabandes, Gavottes and Follia, Op. 5, Part 2 [Preludii, Allemande, Correnti, Gighe, Sarabande, Gavotte, e Follia] (ded. To Electress Sophie Charlotte of Brandenburg) Sonata No. 7 in D Minor Sonata No. 8 in E Minor Sonata No. 9 in A Major Sonata No. 10 in F Sonata No. 11 in E Major Follia in D Minor (Sonata No. 12)

Sonates Georg Friedrich Haendel pour violon et basse continue appartiennent à du répertoire de base de la musique de violon Baroque, certains d'entre eux même parmi les plus célèbres pièces de répertoire de leur temps. La nouvelle édition de la série de Wiener Urtext édition est basée sur des autographes de Handel, copies contemporaines et premier imprime. En plus de neuf sonates de violon de Handel, il contient deux Menuets pour violon et basse continue, qui ont été prononcées dans l'environnement des sonates. Hormis la partie de violon solo et un score de continuo avec réalisés, facilement jouable basse continue, l'édition comprend également une partie de la basse continue qui permet aux joueurs expérimentés continuo d'improviser sur la partie basse continue de basso. Les notes sur l'interprétation par le célèbre Baroque expert Reinhard Goebel donnent un aperçu d'une performance de Sonate qui était une pratique courante à l'époque de Haendel. / Violon Et Piano / Partition

Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue

for Violin and Piano-F. Schubert's Three Sonatas 'Sonatinas' For Violin And Piano Op. 137.Sonata in D major Op.post. 137 1: D 384.Sonata in A minor Op.post. 137 2: D 385.Sonata in G minor Op.post. 137 3: D 408.The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert's music.

Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].

Edited by Jeremy DibbleA key figure in the so-called English Musical Renaissance Parry was a considerable composer of chamber music. His three violin sonatas the first of which in d minor is here published for the first time along with the Fantasie-sonata and Sonata in D major date from the 1870s and 80s and are contemporary with his four symphonies and setting of Milton's Blest Pair of Sirens . They are fine additions to the string repertoire and will be greeted enthusiastically by violinists seeking new material for recitals. Performing editions of each sonata are available separately.First published in 2003. Hardback

4 Sonatas for Solo Viol by Schenck.     Sonata V in E minor   Sonata VI in A minor (from “L’Echo du Danube” Op. 9)   Sonata IV in A minor   Sonata V in D minor (from the Viennese Codex 16598.3)