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Concerto pour violon en la mineur op. 53 (DVORAK ANTONIN) (DVORAK ANTONIN)
Violin and Piano
G. Henle
Par DVORAK ANTONIN. À l?été 1879, Dvorák coucha relativement vite sur papier...
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Par DVORAK ANTONIN. À l?été 1879, Dvorák coucha relativement vite sur papier le concerto demandé par son éditeur, mais ensuite, son achèvement dut attendre jusqu?en 1882. Il montra la partie de violon au célèbre violoniste virtuose Joseph Joachim, qui était d?ailleurs le dédicataire de l??uvre. De nombreux remaniements s?ensuivirent. Finalement, Joachim se désintéressa de l??uvre, si bien que la création en fut reprise par le violoniste tchèque Franti?ek Ondrícek. Cette ?uvre à la forme inhabituelle, qui commence et se termine par un rondo de sonate, est entièrement maintenue dans un caractère slave. Après le lyrisme du mouvement central, l??uvre se termine par des rythmes de danses tchèques. Cette édition Urtext est fondée certes sur les premières éditions de la partition, de la partie de soliste et de la réduction pour piano, mais aussi sur le manuscrit autographe. Les indications concernant la partie de soliste ont été confiées à la star du violon Augustin Hadelich, qui est actuellement l?un des meilleurs connaisseurs de l??uvre. / Date parution : 2023-03-11/ Répertoire / Violon et Piano
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Wolfgang Amadeus Mozart: Violin Concerto No. 5 In A: Violin: Score
Orchestra, Violin
[Sheet music]
Barenreiter
A major-Mozart composed the majority of his works for solo String Instruments an...
(+)
A major-Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 1779. Especially important are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773.Urtext of the New Mozart EditionFull score and performance material (BA4712) Violin and Piano reduction (BA4712-90) and study score format 22.5 x 16.5cm (TP20) available for sale.The new Urtext performing editions to Mozart’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part an extra Violin part prepared with bowings and fingerings by M. Wulfhorst.A brochure with cadenzas lead-ins and fermata embellishments by Joseph Joachim Sam Franko Leopold Auer Eugène Ysaye and Martin Wulfhorst is also included.
33.50 GBP - Sold by Musicroom UK
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
(+)
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestra, Violin
Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...
(+)
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard. The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard. The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice. This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
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Sonata in D minor for Violin and Piano op. 108: Violin: Instrumental Work
Violin and Piano
Barenreiter
Brahms composed his ?Violin Sonata In D Minor? during the summer of 1886. The wo...
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Brahms composed his ?Violin Sonata In D Minor? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.
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Max Bruch: Violin Concerto No. 1 in G Minor Op. 25: Violin Solo: Instrumental
Violin
[Sheet music + Audio access]
Music Minus One
Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orches...
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Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn Max Bruch's sumptuous Romantic masterpiece has remained an audience favorite since it was published in 1868. Its dedicatee the great violinist Joseph Joachim had considerable input and as in the Brahms concerto his contributions add to its unstoppable lustre. In typical three-movement form it is a spectacularly lush concerto of the highest order and its intoxicating spell usually takes a firm grip on even the most jaded cynics. Guaranteed to please both player and audience! Contains a printed score and a compact disc featuring the concerto in split-channel stereo withthe violinist on the right channel; then again in a stereo accompaniment version minus the solo violin part.
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Felix Mendelssohn Bartholdy: Konzert In E: Violin: Instrumental Work
Violin
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
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Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Felix Mendelssohn Bartholdy: Konzert In E - Performing Edition: Violin:
Violin and Piano
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
(+)
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Johannes Brahms: Scherzo For Violin And Piano In C Minor: Violin: Instrumental
Violin
Breitkopf & Härtel
Johannes Brahms' Scherzo For Violin And Piano In C Minor edited by Ulrich Mahler...
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Johannes Brahms' Scherzo For Violin And Piano In C Minor edited by Ulrich Mahlert. It is the 3rd Movement of the F-A-E sonata composed by Schumann Dietrich and Brahms for Violinist Joseph Joachim. Breitkopf Urtext Edition.
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Felix Mendelssohn Bartholdy: Performance Practices
Barenreiter
In The Violin Concerto Op. 64 and Chamber Music For Strings-Mendelssohn’s ...
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In The Violin Concerto Op. 64 and Chamber Music For Strings-Mendelssohn’s Violin Concerto Op.64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard.The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard.The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099) available for sale- Parts of both early and late versions (BA9050) available for sale- Violin & Piano in the revised late (popular) version (BA9099-90)
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Antonín Dvo?ák: Violin Concerto In A Minor Op.53: Violin: Instrumental Work
Violin
Simrock
Dvorak's Violin Concerto in A Minor Op.53 was originally written at the request ...
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Dvorak's Violin Concerto in A Minor Op.53 was originally written at the request of the famous violinist Joseph Joachim. This work is a wonderful addition to any accomplished violinist's repertoire. This version is for solo Violin with Piano Accompaniment.
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Johannes Brahms: Clarinet Quintet In B Minor Op. 115: Clarinet: Score and Parts
Clarinet Quintet: Clarinet, String Quartet
[Score and Parts]
G. Henle
für Klarinette 2 Violinen Viola und Violoncello-1890 est l?année où Brahms ...
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für Klarinette 2 Violinen Viola und Violoncello-1890 est l?année où Brahms envisagea d?arrêter de composer. Heureusement sa rencontre avec Richard von Mühlfeld clarinettiste du célèbre orchestre de la cour de Meiningen le détourna de ce projet et l?incita dès 1891 à composer le trio avec clarinette op. 114 ainsi que le quintette avec clarinette op. 115 ? deux des ?uvres les plus extraordinaires qui soient parmi le répertoire de cet instrument. Les premières exécutions publiques eurent lieu à Berlin et un peu plus tard à Vienne et furent couronnées d?un tel succès que Joseph Joachim désigna le quintette avec clarinette comme l?une des meilleures ?uvres jamais composées par Brahms. Comme toujours la présente édition urtext deséditions Henle a donné lieu à l?analyse approfondie de toutes les sources pertinentes. Les corrections personnelles de Brahms y ont également été intégrée.
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Johannes Brahms: Brahms - Violin Concerto in D Major Op. 77: Violin Solo:
Violin
[Sheet music + Audio access]
Music Minus One
Music Minus One Violin-Little need be said for what may be the most beautiful vi...
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Music Minus One Violin-Little need be said for what may be the most beautiful violin concerto ever put to paper. With its soaring melodies broad lyricism beyond compare this masterwork is pure magic. An essential for every serious violinist. Brahms dedicated this piece to Joseph Joachim the famous violinist who contributed much to its solo part. An often technically difficult masterwork but well worth the effort to learn it it is a magnificently rewarding concerto. Contains a printed score and a compact disc featuring the concerto in split-channel stereo with the violinist on the right channel then again in a stereo accompaniment version minus the solo violin part. Performed by GeoffreyApplegate violin Accompaniment: Vienna Symphony Orchestra Conductor: Franz Litschauer
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Violin Concerto In D Op.61: Violin: Instrumental Work
Violin
Simrock
This arrangement is for violin with a piano reduction of the original orchestral...
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This arrangement is for violin with a piano reduction of the original orchestral score. Cadenzas by Joseph Joachim.
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Max Bruch: Concert g-moll Opus 26: Violin: Instrumental Work
Violin and Piano
G. Henle
It made its creator world-famous and added a towering masterpiece to the standar...
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It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch’s First Violin Concerto In G Minor. Now it’s appearing at last in an urtext edition from Henle.Bruch himself was not always overjoyed at his work’s popularity: 'I can’t listen to this concerto anymore ' he once complained to his publisher Simrock 'do you suppose I’ve only written one concerto?' By now theBruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part but a preface that alone is worth the price of the volume: who could haveguessed that the concerto went through a convoluted genesis with multi-layered revisions and that some of the changes go back to the famous violinist Joseph Joachim?
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Ludwig van Beethoven: Cadenzas To Beethoven's Violin Concerto Op.61: Violin:
Violin
[Sheet music]
Barenreiter
Beethoven himself left no cadenzas for his Violin Concerto. This edition is uniq...
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Beethoven himself left no cadenzas for his Violin Concerto. This edition is unique in drawing together for the first time a selection of cadenzas to one of the most famous works in the history of music written by composers and violinists over 150 years. This publication contains not only the well-known cadenzas by Leopold Auer and Joseph Joachim but also several which are seldom performed such as those by Ferdinand David (the first surviving cadenza to op. 61) Louis Spohr Eugène Ysaÿe Camille Saint-Saëns Henri Vieuxtemps Jakob Dont and for the first time one by Henryk Wieniawski.Commentaries (German/English) on the composers and on performancepractice are included. The edition complements the new piano reduction BA901990 and will be invaluable for all violinists studying Beethoven’s Violin Concerto.- Indispensible for all violinists studying this masterpiece- First publication of a cadenza by Wieniawski- With notes on performance practice- With an informative detailed preface (Ger/Eng)- For full score performance material and violin & piano reduction see BA9019
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Ludwig van Beethoven: Sonata In F Op.24 'Spring': Viola: Instrumental Work
Violin and Piano
[Score and Parts]
Peters
For Violin and Piano. Edited by Joseph Joachim.
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Antonín Dvo?ák: String Sextet In A major Op.48: Ensemble: Parts
String Orchestra
Barenreiter
Based on the Complete Edition of the Works of Anton n Dvo ák volume IV/9.Compo...
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Based on the Complete Edition of the Works of Anton n Dvo ák volume IV/9.Composed in 1878 during the period when Anton n Dvo ák was beginning to become famous the String Sextet was Dvo ák's first work to be premiered abroad and was given during a private event at the home of Joseph Joachim in Berlin in 1879.The Czech folk spirit is evident in the Sextet enriched by Dvo ák's masterful compositional style with rich harmonies and melodies which resulted in this being the first of his chamber works to win international acclaim.This edition is based on the autograph copy as well as the first printed edition of 1879.
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Johannes Brahms: Sonata in A major for Violin and Piano op. 100: Violin:
Violin and Piano
Barenreiter
Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The wo...
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Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.
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Johannes Brahms: Sonatas for Piano and Violin: Violin: Instrumental Album
Violin and Piano
[Sheet music]
G. Henle
Sonatas for Piano and Violin-Johannes Brahms s?int?ressa tr?s t?t au genre de la...
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Sonatas for Piano and Violin-Johannes Brahms s?int?ressa tr?s t?t au genre de la sonate pour violon. ? l?automne 1853 il proposa ? un ?diteur de Leipzig une sonate pour violon en la mineur. L??uvre ayant ?t? refu-s?e il semble que le compositeur tr?s critique envers lui-m?me l?ait ensuite d?truite de ses propres mains. Ses trois grandes sonates datent de sa maturit? l?op. 78 des ?t?s 1878 et 79 les opus 100 et 108 de l??t? 1886. Le scherzo en ut mineur constitue la contribution de Brahms ? la sonate pour violon ?crite conjointement avec Robert Schumann et Albert Dietrich en 1853 en guise de cadeau surprise pour le violoniste Joseph Joachim. Elle est connue sous le nom de sonate F-A-E(fa-la-mi). Avec ses contrastes marqu?s entre l?Allegro v?h?ment et le Pi? moderato d?une grande sensibilit? ce mouvement de scherzo constitue un morceau de bravoure tr?s appr?ci?.
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Beethoven L. (van) - Sonate N°5 F-dur Op.24 Frühlings-sonate - Violon Et Piano
Violin and Piano
Peters
Édi: Joachim, Joseph
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Hector Berlioz: Rêverie Et Caprice: Violin
English
Violin and Piano
Faber Music Limited
Following the composition of Harold En Italie for Viola and orchestra in 1834 B...
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Following the composition of Harold En Italie for Viola and orchestra in 1834 Berlioz began work on the opera Benvenuto Cellini which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violin and Piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot the piece was quickly taken up by several celebrated violinists of the time including David Joachim and Wieniawski and was played all over Europe. This new edition for Violinand Piano by the musicologist and performer Neil Heyde is based on the first edition of the score.
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Rêverie Et Caprice (Violin And Piano)
Violin and Piano
Classical guitar
Faber Music Limited
Following the composition of Harold En Italie for Viola and orchestra in 1834, B...
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Following the composition of Harold En Italie for Viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini , which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision, and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violin and Piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot, the piece was quickly taken up by several celebrated violinists of the time, including David, Joachim and Wieniawski, and was played all over Europe. This new edition for Violin and Piano, by the musicologist and performer Neil Heyde, is based on the first edition of the score.
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Cavatina Violin And Piano
Violin and Piano
EMB (Editio Musica Budapest)
/ Violon Et Piano
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Joseph Joachim: Kadenzen: Violin: Instrumental Album
Violin
PWM (Polskie Wydawnictwo Muzyczne)
Kadenzen
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Joseph Joachim: Cadenzas to Violin Concertos: Violin: Instrumental Album
Violin
PWM (Polskie Wydawnictwo Muzyczne)
Cadenze Concerti Per Violino (Felinski)
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Cavatine Violon Seul
Français
Violin
Durand
/ Violon
6.40 EUR - Sold by LMI-partitions
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Cavatina Op. 85 #3
Violin and Piano
Peters
/ Violon Et Piano
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Violin School Vol.3
Violin
Simrock
/ Violon
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