Sonata per il Flauto, Violino e Basso. Trio fürs Clavier mit einer Violine oder Flöte. Deux oeuvres extraites de Musikalisches Vielerley publié par Carl Philipp Emanuel Bach.Edition : Hamburg, M.C. Bock, 1770oeuvres publiées en partition.La sonate peut de jouer, soit avec une flûte, un violon et une basse continue - soit avec une flûte et un clavecin.Le trio peut se jouer soit avec une flûte et un clavecin - soit avec un violon et un clavecin. / Flûte Traversière Et Clavecin, Oeuvres Pour Instruments Divers Ad Libitum Dont La Flûte Traversière, Sonates En Trio Pour Violon Et Instruments Divers, Violon Et Clavecin, Clavecin Et Violon / 28 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

While Pachelbel has been most admired as a composer of organ works and Lutheran church music his Canon in D has long been one of his most celebrated compositions. It combines two time-honored compositional devices. The first of these is of course the canon a procedure whereby a melody in one part is strictly imitated by one or more other parts; a round (such as for example Frère Jacques) is a type of canon. The second device involves a short bass line (refeered to as a ground bass) that is repeated constandly over which the composer writes continuous variations. In its original form the work consists of an initial statement of an eight note ground bass followed by27 variations in strict canonic style for three violins above that bass. In addition to these four essential parts an appropriate harmonic background would have been improvised on harpsichord lute or organ. In the present arrangement Pachelbel's note values have been doubled for greater ease of reading and the work's canonic structure has been somewhat modified in order to make it more readily playable by violinists and pianists at an intermediate level. Since dynamics bowing indications articulations and slurs were not customarily provided by composer of the Baroque era the arranger and the editor have added them here as well as a metronome indication and a few cadential trills. Obviously these editorial additions should be regarded only as suggestions.

A highly flexible series of books designed to encourage young people to play together in various combinations of numbers and instruments perfect for group tuition. Book 1 offers 19 easy-intermediate trios using familiar melodies arranged in classical folk and jazz styles including Country Garden God Rest Ye Merry Gentlemen Mexican Hat Dance Sailor's Hornpipe. This collection can be used for solo duet or trio playing and can also be used with matching arrangements of the same material in Book 1 for Brass Saxophone Clarinet Flute. An optional piano accompaniment book is available.

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences Aria for Violin or Flute and Piano being no exception. This Bozza piece adaptable for either Violin or Flute is lyrical and graceful displaying the beautiful lower register of both instruments accompanied by rich pulsating chords in the Piano. As music educationalist Paul Griffiths has writtenof Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.'

Par . This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate Violin part: Carmen Fantasy from the Opera by Georges Bizet, Op. 25, transcribed by Jenö Hubay. Fantasia on Themes from Gounod's Faust, Op. 20, transcribed by Henri Wieniawski. Fantasie from Mozart's The Magic Flute, Op. 54, transcribed by Pablo Sarasate. Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst. This collection is ideal for practice, performance, teaching, and independent study bystudents, professional performers, and amateur ensembles. / Date parution : 2023-03-15/ Recueil / Violon et Piano

aus dem Musikalischen Opfer-Bach Trio Sonata BWV1079 No8 & Canon Perpetuus BWV1079 No9 from the Musical Offering for Flute Violin & Con tinuo edited by Eppstein & Kirnberger.

Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - the perfect tools for building first improvisation skills on the violin. Methodically sound exercises train patterns and motifs to equip the student with a sense of confidence and an appetite for learning the art of improvisation. ? The perfect warm-up for groups and ensembles ? Elementary studies for developing confidence and an interest in learning to improvise ? Groovy tunes and motifs are combined with proven and tested playing pieces to guarantee fun and a positive attitude ? Includes a Play-Along CD to help students become well-acquainted with the concept The musical material is divided into three voices. This layout serves pedagogic purposes while facilitating ensemble playing. Voices can easily be doubled or switched in order to accommodate different ability levels and unite heterogeneous groups. The included CD provides the necessary drive while maintaining stability and authenticity - making this innovative volume even more effective. The sheet music editions for other instruments (Flute, Violin, Recorder, Clarinet, Trumpet, Tenor Saxophone, Alto Saxophone) can be freely combined and make various ensemble combinations possible. Click here for example videos and an overview of all available editions: www.universaledition.com/groove-connection/ Recueil / Violon

Nicholas Maw is one of Britain's most admired composers. He is also an acknowledged master in whatever genre he expresses himself and one whose musical language is instantly recognisable. This piece for Flute and String Trio was commissioned by the Nash Ensemble and first performed at St. John's Smith Square London.

For decades Henle’s edition of this masterpiece from the Violin repertoire has been de rigueur for all serious violinists. Now we are presenting it with a revised text reflecting the latest research findings from theBeethoven Complete Edition. A new preface provides a full account of the concerto’s convoluted genesis.

Vamoosh Christmas Violin. Vamoosh Christmas for young Violinists. 12 well known Christmas items arranged for Violin duo with optional accompanying backing-track or piano. Books are compatible with Vamoosh Christmas for Viola, Cello, Double Bass, Flute and Recorder so you can join friends for a Christmas feast of music making. Backing-tracks are available on many online platforms such as Spotify, iTunes, GooglePlay and YouTube. Search for Vamoosh Christmas Backing-tracks.

This volume contains a selection of the most appealing classical melodies for two violins. The parts make the most of the lower range of the violin and the player is not expected to read too many ledger lines for high notes.From the contentsMelody from ?La Traviata? (G. Verdi) Tales from the Vienna woods (J. Strauss) Polonaise (F. Chopin) Overture and Aria from ?The Magic Flute? (W. A. Mozart) Melody from the Ballet ?Swan Lake? (P. I. Tschaikowsky) In the Hall of the Mountain King (E. Grieg) Serenade (J. Haydn) Menuet (L. Boccherini) Halleluja Chorus from the ?Messiah? (G. F. Handel) Autumn (A. Vivaldi)The authorBorn in Belarus VladimirBodunov (1981) is an arranger composer and artist. He plays the violin piano and singing saw.

Here are 19 easy-intermediate arrangements of familiar melodies in classical folk and jazz styles. Each tune is presented as a trio but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the Flute Saxophone Brass and Brass editions in Book 2 of this series. This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one two or three violins - with or without accompaniment May also be used withmatching arrangements in Book 2 editions of this series for Flute Clarinet Saxophone and BrassOptional Piano Accompaniment book with guitar chord symbols available Ideal for individual or classroom use