SKU: HL.14009546
8.25x11.75x0.058 inches.
Composed in 1884 for Violin or Cello and small Orchestra, this is one of Elgar's most popular works for accompanied soloist and has been transcribed for a variety of instruments This arangement is for the original solo instrument - the Violin, with a Piano reduction of the Orcherstral accompaniment.
SKU: BT.DHP-1012670-401
ISBN 9789043150200. International.
The four dances featured in this new volume aim to complement individual instrumental teaching and to develop the studentsâ?? taste for ensemble playing. De vier dansen in Four by Four zijn bedoeld als aanvulling op de individuele studie, en vooral gericht op de ontwikkeling van de belangstelling van de student voor het ensemblespel. De arrangementen zijn speciaal geschrevenvoor instrumentalisten die al twee of drie jaar spelen. In deze kwartetten heeft elke partij een specifieke, essentiële rol te vervullen op het melodische, ritmische en harmonische vlak.Vier Tänze für vier Violinen. Die Tänze in Four by Four sollen vor allem den SpaÃ? am gemeinsamen Musizieren wecken. In diesen Quartetten kommt jeder Stimme eine besondere Rolle zu, sowohl in melodischer als auch in rhythmischer und harmonischer Hinsicht. Les quatre danses qui composent ce recueil ont pour objectif de compléter la formation individuelle et, surtout, de faire aimer la musique dâ??ensemble. Les arrangements ont été spécialement écrits pour des violonistes ayant déj 2 ou 3 années de pratique. Dans ces quatuors, chaque partie a un rôle précis et indispensable, que ce soit au niveau mélodique, rythmique, ou encore harmonique.MULBERRY BUSHCette célèbre danse traditionnelle anglaise, caractérisée par un 6/8 allant, débute par une exposition du thème, dâ??abord lâ??unisson octavié, puis sous forme de mélodie harmonisée. Contrastant avec lâ??introduction, un développement de la mélodie sâ??ensuit, soutenu par des notes en valeurslongues. Une reprise du thème mène le développement vers une conclusion colorée.HAURRAK IKA SUZUELa gaieté se manifeste dès lâ??introduction de cette danse traditionnelle caractère ostinato ternaire. Lâ??accompagnement de la quatrième voix nous plonge dans un mouvement de valse malgré le chiffrage de mesure en 6/8. La mélodie est alternativement exposée par les première et quatrième voix tandis que les deuxième et troisième voix, plus discrètes, développent un soutien harmonique.BOUBLITCKHYCette danse aux accents typiquement russes est particulièrement intéressante dans la mesure où elle permet aux instrumentistes dâ??élaborer une lecture très personnelle. Malgré les indications de tempos, lâ??interprétation reste libre, dégageant un charme unique mêlant joie et nostalgie.DANSE BASQUE ESPAGNOLEDès les premières mesures de cette charmante Danse basque espagnole, la musique dépeint lâ??ambiance de cette magnifique région dâ??Espagne. Lâ??introduction lâ??unisson affirme admirablement le mode mineur quand survient, le mode Majeur. Le contraste est saisissant. La mécanique dâ??opposition entre Majeur et mineur sâ??installe et se répète avant dâ??aboutir une conclusion brève mais déterminée. Lâ??insegnamento di uno strumento è spesso individuale. Seppure necessario, questo approccio resta insufficiente per rispondere alle esigenze pedagogiche di oggi. Le quattro danze (Mulberry Bush, Haurrak Ika Suzue, Boublitchky, Danza basca spagnola) di questa raccolta hanno lo scopo di completare lâ??insegnamento individuale e, soprattutto, di far amare la musica dâ??ensemble.
SKU: BA.BA07567
ISBN 9790006544097. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza†were first mentioned as a collection of “Concerti a 4†in the 1711 Foreword of “L’Estro Armonico†op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, “La Stravaganza†is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).The many reprints of “La Stravaganza†bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.This edition of “La Stravaganza†is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh & Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).
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MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA07566
ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).
SKU: HL.14027700
Violin or Cello with Piano Accompaniment.
Hakon Børresen's Romance Op. 4 for Cello and Orchestra (1903), arranged for Violin or Cello with Piano Accompaniment.
SKU: HL.14008374
ISBN 9781846096150. UPC: 884088435202. 8.25x11.75x0.105 inches.
The Full Score for Peter Maxwell Davies' fourth in a series of ten string quartets commissioned by the Naxos Recording company, first performed by the Maggini Quartet on 20th August 2004 at the Chapel of the Royal Palace, Oslo, Norway, as part of the Olso Chamber Music Festival. Composer Note: The fourth Naxos quartet was written in January and February of 2004, with the intention of producing something lighter and much less fierce than its predecessor, an unpremeditated and spontaneous reaction to the illegal invasion of Iraq. I returned to the well-known Brueghel picture of children's games (1560, now in Vienna), which had been the inspiration for my sixth Strathclyde Concerto, for flute and orchestra. These illustrations liberated my musical imagination, but I feel it would limit the listener's perception to be too specific about which game relates to exactly which section of the work. Suffice it to say that there is vigorous play - leap-frog, bind the devil with a cord, truss, wrestling - alongside quieter pastimes - masks, guess whom I shall choose, courting, odds and evens. The single movement juxtaposes these activities as abruptly and intimately as they occur in Brueghel. Rather as the eye is taken into different perspectives and proportions of scale within the picture, taking liberties which would never be present in, for instance, Brunelleschi architectural drawings, so here, with a constant sequence of transformation processes, I have distorted the neat, precise implications of modal progression, expressed in the unison opening phrase (from F to B through A sharp/B flat), so that the ear is led, en route, into the sound equivalents of strange passageways and closed rooms: sicut exposition ludus. As work on the quartet progressed I became aware that I was reading into, and behind the games, adult motives and implications, concerning aggression and war, with their consequences. It was impossible to escape into innocent childhood fantasy. The nature of the F to B progression underlying the whole construction derives from a passage in the development of the first movement of Mahler's Third Symphony, and the opening of Schoenberg's Second String Quartet. However, unlike in these models, here a real - if temporary - sense of resolution occurs at the close of the quartet: as when the curtain falls on the reconciled Count and Countess in 'Figaro' one wonders how long the F/B truce will hold, and games break out again. The quartet is dedicated to Giuseppe Rebecchini, Roman architect, and friend since the nineteen-fifties.
SKU: LM.VV273
ISBN 9790560052731.
Nocturne Op.4 No. 4 - Danse Op.4 No. 2 - Nocturne Op.4 No. 1 - Danse Op.5 No. 1 - Danse Op.8 No. 1 - Danse Op.4 No. 5.
SKU: LM.VV274
ISBN 9790560052748.
Danse Op.5 No. 3 - Populaire Op.4 No. 3 - Populaire Op.5 No. 4 - Populaire Op.4 No. 6 - Populaire Op.20 No. 1 - Nocturne Op.8 No. 5 - Danse Op.5 No. 6 - Populaire Op.20 No. 2.
SKU: HL.49013009
ISBN 9790001127158. UPC: 196288157427. 9.0x12.0x0.256 inches.
String quartet.
SKU: BA.BA08348-75
ISBN 9790006530304. 32.5 x 25.5 cm inches. Key: F major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA08348-74
ISBN 9790006530298. 32.5 x 25.5 cm inches. Key: F major.