Par UNGAR JAY. Adieu Ashoka est surtout connu comme le thème plaintif de Kenneth Burns ' très acclamé documentaire télévisé de la guerre civile. En plus de l'édition de solo autorisée de Jay Ungar effectuées dans la série documentaire, cette folio contient l'ère de la guerre civile touchante ' Sullivan Ballou lettre ' et Lincoln célèbre discours de Gettysburg. Arrangé pour violon avec accompagnement au piano et corde suggéré symboles pour facultatif guitare et basse. / Niveau : Intermédiaire / All Styles - Solos / Recueil / Violon

'Ashokan Farewell' is best known as the plaintive theme from Kenneth Burns' highly acclaimed Civil War television documentary. In addition to Jay Ungar's authorized solo edition as performed in the documentary series this folio contains the touching Civil War era 'Sullivan Ballou Letter' and Lincoln's famed Gettysburg Address. Arranged for violin with piano accompaniment and suggested chord symbols for optional guitar and bass.Separate pull-out violin part.

Composed and arranged by Jay Ungar and Molly Mason this beautiful romantic waltz is the title cut of their critically acclaimed CD on Angel Records. This melody has become one of their most requested tunes in concert. Perfectfor weddings this carefully prepared violin solo or duet arrangement with piano accompaniment presents the theme 3 times through beginning in G and modulating D. The piano/violin score also includes suggested guitar chords. Thearrangement accurately captures the rhythms harmonies and chord voicings of Jay and Molly's concert and recorded performances. Convenient pull-out parts are provided for the violinists. Jay Ungar is nationally recognized forhaving composed and performed Ashokan Farewell the theme of the PBS series 'The Civil War.' The Lover's Waltz is also available in a solo piano edition be Molly Mason.

Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Farewell. A Festival of Violin

Continuing the reissue of the classic Phillips Collection of Traditional American Fiddle Tunes - Volume 2 Favorite American Waltzes For Fiddle presents over 110 classic and lesser-known country waltzes fromall parts of the United States some with multiple versions.All the pieces are transcribed from performances of the greatest traditional fiddlers of the past and present including Benny Thomasson Howdy Forrester J. T.Perkins Lloyd Wanzer Jay Ungar Vivian Williams Skip Gorman Texas Shorty Kenny Baker and dozens more. Bowings and chord accompaniment are included. This book will also be of value to students of classical music and Suzukitrained children.Teachers are you looking for short pieces that will solidify scales yet won't bore your students? Tired of the same old classical etudes? Waltzes are played slowly enough to not be intimidating but alsoserve as effective and fun exercises for all Violin students not just fiddlers. The arrangements range from easy (single notes first position) to advanced (double stops and upper positions). And they illustrate America's greattradition of fiddling.

Fiddler Magazine en conjonction avec Mel Bay Publications, Inc. a compilé une merveilleuse collection des mélodies et des entrevues avec les contributions de 36 des violoneux plus grands du monde. Les artistes sont Charlie Acuff, Paul Anastasio, Randal baies, Byron Berline, Kevin Burke, Vassar Clements, Michael Doucet, Jackie Dunn, J.P. Fraley, Johnny Gimble, Bruce Greene, John Hartford, Richard Greene, Ivan Hicks, Jerry Holland, Olav Johansson, James Kelly, Barbara Lamb, Laurie Lewis, Sandy MacIntyre, Natalie MacMaster, Frankie McWhorter, Bruce Molsky, Juan Reynoso, Dale Russ, Oliver Schorer, Pierre Schryer, Bjorn StabiAlicia Svigals, Athena Tergis, and Laura Risk, Jay Ungar, Jean-Marie Verret, Claude Williams, George Wilson et Jennifer Wrigley. / Niveau : Intermédiaire / Acoustic Music - Solos / Recueil / Violon

Serenata Notturna by Edward Gregson was first performed by Helena Smart (violin) and Caroline Jaya-Ratnam (piano) at the String Final of BBC Young Musicians 2000 Royal Northem College of Music Manchester 23 February 2000.'As the title suggests my Serenata Notturna evokes the atmosphere of night music. Following a reflective opening where the pitch development outlines a twelve-note series the music gradually becomes more agitated developing into a kind of danse macabre eventually reaching a powerful climax. The music then subsides into a much more tranquil atmosphere and the previous dissonant material transposes itself into a simple melody(like a lullaby) uttered by the violin the outline of which both melodically and in terms of the accompaniment figuration has already been present in the piece since the beginning. Thus the turmoil of the first part of the work becomes transfigured into something much more peaceful - hence the quotation that prefaces the score: ?out of darkness cometh light?. After I finished the work it became apparent to me that it might become the sketch for the slow movement of a Violin Concerto on which I had just begun working. It did indeed form the basis of that slow movement and the concerto was premiered by Lyn Fletcher and the Halle Orchestra conducted by Kent Nagano at Bridgewater Hall Manchester in February 2000 the same month as Serenata Notturna itself was first played in public.'Edward Gregson