SKU: BP.1343
The idea of our souls rising to meet our Savior is a perfect image for All Saints Sunday. This SATB arrangement by Mark Hayes will compliment the poignant message of the occasion.
SKU: CL.024-4096-01
Stately, dignified, and stirring! This powerful and moving fanfare by Matt Conaway is an ideal concert or festival selection for school and community groups alike. A brilliant opener for Memorial Day and Veterans Day performances, this new addition to the developing band repertoire is suitable for any occasion!
SKU: KJ.JO2004F
UPC: 8402702559.
Beginning in a mood of peaceful serenity and rising up to ecstatic glory in the conclusion, Mr. Mahr's composition is a touching and sophisticated metamorphosis in sound. Full Score.
SKU: KJ.JO2004C
Beginning in a mood of peaceful serenity and rising up to ecstatic glory in the conclusion, Mr. Mahr's composition is a touching and sophisticated metamorphosis in sound.
SKU: BT.EMBZ15083
English-German-Hungarian.
Bartók probably first played pieces by Domenico Scarlatti in public in 1911. During the next two decades he featured them in his piano recitals more than 60 times. His dedication to Italian and French Baroque music is also illustrated by the fact that, in 1920, he signed a contract with the Budapest publisher Rozsnyai to edit seven volumes of Baroque keyboard music. His plan was to select compositions by Couperin and Rameau in addition to pieces by Scarlatti, but during the 1920s it ended up being only two volumes of Couperin and another two comprising ten compositions by Scarlatti. In editing these masterpieces, Bartók's aim was primarily to counterbalance or evenovershadow the works by the Mendelssohn-Schumann epigones used in primary and secondary music education. The present, single-volume collection comprises Bartók's two Scarlatti volumes, complete with an editorial preface, his detailed performing instructions, and his commentary. The editor recommends these compositions for pianists with at least five years' experience, and gives practical recommendations for the grouping of individual items to form charming sonatina-like sets of pieces. Bartók spielte wahrscheinlich 1911 erstmals Werke von Domenico Scarlatti öffentlich und in den folgenden zwei Jahrzehnten ließ er sie an seinen Klavierabenden mehr als sechzig Mal erklingen. Seine Verbundenheit mit der italienischen und französischen Barockmusik beweist sich auch darin, dass er 1920 einen Vertrag mit dem Budapester Verlag Rozsnyai über die Herausgabe von sieben Heften mit Werken der Klaviermusik schloss. Geplant war, dass er das Material der Bände sowohl mit Werken Scarlattis als auch mit Kompositionen Couperins und Rameaus zusammenstellte. Im Laufe der 1920er-Jahre kam es schließlich zur Herausgabe einer Couperin-Auswahl in zwei Heften sowie - ebenso in zwei Heften - von zehn Scarlatti-Kompositionen. Mit der Veröffentlichung dieser Meisterwerke beabsichtigte Bartók in erster Linie, den Mendelssohn-Schumann-Epigonen bereits in der Musikausbildung in der Grund- und Mittelstufe entgegenwirken und ihre Werke in den Hintergrund treten zu lassen.
Die vorliegende Publikation versammelt in einem Band das Material der beiden mit Bartóks Vorwort, detaillierten Vortragsanweisungen und Anmerkungen erschienenen Scarlatti-Hefte. Der Herausgeber empfiehlt PianistInnen diese Kompositionen seit mindestens fünf Jahren zum Klavier spielen und gibt auch praktische Vorschläge dafür, wie man die einzelnen Stücke zu einem attraktiven Sonatina-artigen Ganzen gruppieren kann.
SKU: HL.48185360
1, 2, 3, Sun... is a well-illustrated, comprehensive and fun workbook for children. Containing a series of practical activities, the Jo Gougat book enhances enjoyable learning of music theory. The second volume of 1, 2, 3, Sun... is colourful, creative and easy to follow, providing high quality progression in music. Moreover, comprising two CDs to accompany activities, aural skills are also challenged and improved. Gougat's book is ideal and essential for young beginners showing an aptitude for music..
SKU: BP.HB661
Written for 3 to 5 octave handbell choir. Level 3-. Sandra Winter's jubilant original piece is as much a delight to ring as it is to hear. A bold, joyous opening gives way to a memorable melody filled with both rising and falling peals, reminiscent of tower bells in a belfry. A brief middle verse gives the melody to the lower treble bells, allowing them their moment in the sun before the entire ensemble resounds once more in effusive celebration. A wonderful addition to any worship, concert, or festival setting.
SKU: CL.024-3924-01
Leading to Command of the Concert Band! In the glorious rays of the sun, a pod of dolphins dance to the delight of those fortunate enough to experience it. Composer Rob Grice brings this blend of nature's motion and beauty to the concert stage with Danse De Dauphins for the developing band. Your students will love the musical interplay as they prepare the piece for concert or festival performance. Abundant teaching opportunities combined with rewarding musical content make this an excellent programming choice for any concert setting.
SKU: PR.UE038029
UPC: 803452073116.
In a true performance piece, Igudesman starts us off, appropriately, with Jingle Bells, but a Jingle Bells heard through his ears. This polite opening quickly morphs into an Igudesman-style Dance of the Sugar Plum Fairies, followed by other surprises of sacred and secular bent. His opening note, Kind of Christmassy with a touch of Hannukah, is apt, as his (recommended) sung We Wish You a Merry Christmas leads directly into I Have a Little Dreidel. Timid violinists are advised to stick with the generic Silent Night (which, surprisingly, also makes an appearance here, along with Auld Lang Syne). True performers of advanced skills will want to work this oddity into their holiday program this year. Christmas Confusion is challenging for both players, but will delight audiences with surprising quotes from familiar materials.