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FOR VIOLIN - FIDDLE
century Violin
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The Passing Storm - miniature for three violins
The Passing Storm - miniature for three violins
$3.00
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String Trio: 3 violins
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Tom Swafford
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Tom Swafford
Five Sacred Songs - Violin duet with piano accompaniment
Five Sacred Songs - Violin duet with piano accompaniment
$24.99
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2 Violins, Piano
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Traditional
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Bragi Thor Valsson
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Bragi Thor Valsson
Carol of the Bells arranged for Violin Trio
Carol of the Bells - Violin Trio
$4.99
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String Trio: 3 violins
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M Leontovich
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Andrew Middleton
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Andrew Middleton
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Henryk Wieniawski Pablo de Sarasate: Violin Concerto No. 2 in D Major Op. 22:
Violin
[Sheet music + CD]
Music Minus One
Music Minus One Violin-This album contains two of the Romantic Era's neglected t...
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Music Minus One Violin-This album contains two of the Romantic Era's neglected treasures. Henryk Wieniawski though little known today was a potent figure in the 19th century an almost unparalleled virtuoso violinist and a respected composer. His D minor concerto op. 22 was premiered in St. Petersburg in 1862 and is a Romantic-era treasure. Pablo de Sarasate's 'Zigeunerweisen' ('Gypsy ways') is a wonderful fantasia on Romany themes composed in 1878. Both of these concerti are wonderful and often overlooked. But take our advice and discover them - they will not disappoint! Contains a printed score and a compact disc featuring both concerti in split-channel stereo with the violinist on the rightchannel then again in a stereo accompaniment version minus the solo violin part. Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn
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Cyril Scott: Lotus Land for Violin And Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Novello & Co Ltd.
Lotus Land was undoubtedly the work for which Scott is best known. Written in 1...
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Lotus Land was undoubtedly the work for which Scott is best known. Written in 1905 Lotus Land achieved great popularity and was arranged for a vast array of instruments. It is a dreamy impressionistic piece and extremely innovative for its era. Cyril Scott was a British composer active from the very late 19th century and through the 20th whose work could be termed late Romantic with elements of impressionism with free use of exotic harmonies. Scott was an extremely prolific composer who left more than four hundred works ranging from symphonies operas and concertos to many works for smaller ensembles solo instruments and short songs.Virtuoso Violinist Fritz Kreislerwas the premier Violinist of his day and some believe the greatest Violinist of all time. In addition to his original compositions Kreisler often transcribed or arranged the work of other composers.
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Johannes Brahms: Sonata in G major for Violin and Piano op. 78: Violin:
Violin and Piano
Barenreiter
A pioneering set of Urtext editions.String editions include an Urtext solo part ...
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A pioneering set of Urtext editions.String editions include an Urtext solo part and a second part with fingering as well as performance markings.Each edition offers a preface on performance practice aspects pertaining to the respective works.A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms? chamber music.Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offertoday?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim?s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms? associate Franz Kneisel. A similar approach has been used for the Violoncello sonatas drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major) Hugo Becker with whom Brahms performed it and Julius Klengel who was also close to his circle.
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Dinicu G. - Hora Staccato E Allodola - Violon Et Piano
Violin and Piano
Emb (editio Musica Budapest)
Instrument: Violon et piano Genre: 20th Century Music Langue: Hungarian, French ...
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Instrument: Violon et piano Genre: 20th Century Music Langue: Hungarian, French Pages: 12 pp Date du parution: 1959
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Otakar Sevcik: School Of Bowing Technique Op 2 Book 1: Violin: Instrumental Work
Violin
-
Intermediate
Barenreiter
New edition of a tutor that generations of violinists have grown up with.Fundame...
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New edition of a tutor that generations of violinists have grown up with.Fundamental work by a leading Violin educator.Three volumes in increasing order of difficulty: easy moderate difficult.Methodological notes by the editor (Cz/Eng/Ger)The School of Bowing Technique Op.2 is the second important Violin tutor by Otakar Šev k (1852 1934) and deals with the elementary technical demands of the right hand. Divided into three sections the tutor contains more than 4 000 systematically arranged bowing exercises in increasing order of difficulty.This new edition of the School of BowingTechnique combines the original six volumes in groups of two. It is largely based on the first edition published in the early 20th century and on other sources from Šev k’s estate. The editor Jaroslav Foltýn is a professor of Violin at the Prague Conservatory as was Šev k himself.Already published:Otakar Šev kSchool of Violin Technique Op.1Book 1 1st Position BA 9552Book 2 2nd 7th Position BA 9553Book 3 Changing Positions BA 9554Book 4 Exercises in Double Stops and Harmonics BA 9555
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Jean Sibelius: Humoresque IV Op. 89b: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Among the best of Jean Sibelius’ oeuvre are his 1917 compositions the Hu...
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Among the best of Jean Sibelius’ oeuvre are his 1917 compositions the Humoresques. This fabulous and charming concerto was divided into two groups for publication Opus 87 and Opus 89 and demonstrates his sublime skill with the Violin. He used a considerably smaller Orchestra accompaniment to the Violin in the second group but maintained the subtlety of depth and texture. Though there are traditional elements to all parts of this opus Humoresque No. 4 harks back to the past the most reminiscent of the delicacy of mid-nineteenth century musical miniatures. Virtuosic and challenging the soloist has the opportunity to indulge in a more traditionallyexhibitionistic display. This work features a seperate Violin part with a Piano reduction of the String Orchestra by Karl Ekman.
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Quatuor VIII "Topeng" for string quartet (JOLAS BETSY)
String Quartet: 2 violins, viola, cello
[Score and Parts]
Leduc, Alphonse
Par JOLAS BETSY. 'Almost half a century after 'B for sonata', here is another mu...
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Par JOLAS BETSY. 'Almost half a century after 'B for sonata', here is another musical evocation of my intriguing trip to Bali. Yannis Xenakis and Toru Takemitsu were there, among others, and we were walking around in the dark one evening when a Topeng appeared to us, in full action: Balinese musical theatre with one actor successively playing several legendary characters by means of mask changes carried out in extreme agitation behind a curtain, accompanied by a raging gamelan. The memory of these little dramas has naturally lost much of its violence when it is evoked today in my 'Quartet VIII'. So we shall hear it here as if in a dream...'' Betsy Jolas / Date parution : 2022-06-08/ Répertoire / Quatuor à Cordes
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Wolfgang Amadeus Mozart: Violin Sonatas Volume 2: Violin: Instrumental Album
Violin and Piano
[Sheet music]
Peters
This complete edition of the Mozart sonatas for violin and keyboard has been res...
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This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen one of the most distinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasies of Mozart's notation are perfectly deliberate and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface '...the notion that the classical style represents a model of symmetry balance and clarity is for the most part an 19th-century fiction...it has little to do with Mozart's actual practice which is basedprimarily on variety of both content and articulation.' So in this new edition alternative readings found in parallel passages are preserved rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of this edition to indicate how far this freedom of musical expression can extend and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.Contents: Sonatas K296 K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler).
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Glenn Asch David Reiner: Deluxe Anthology of Jazz Violin Style: Violin:
Violin
Mel Bay
For more than a century, violinists have played jazz, swing, blues and similar i...
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For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists.
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
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D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Edvard Grieg: Sonata For Piano And Violin In C Minor Op.45: Violin: Instrumental
Violin and Piano
G. Henle
Grieg?s third Violin Sonata is one of his major creations and stands alongside t...
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Grieg?s third Violin Sonata is one of his major creations and stands alongside the sonatas of Johannes Brahms and César Franck at the pinnacle of late nineteenth century chamber music. One small measure of the work?srenown is its occurrence in Thomas Mann?s novel 'Doktor Faustus'. The sonata has been growing more popular ever since its first publication and it is now high time for it to appear in an urtext edition from Henle. A preface anddetailed editorial notes provide interesting background material on the work?s source tradition.
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Joaquín Turina: El Poema De Una Sanluquena: Violin: Instrumental Work
Español
Violin and Piano
[Sheet music]
Unión Musical Ediciones
In the relatively sparse Spanish repertoire for Piano and Violin El Poema De Un...
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In the relatively sparse Spanish repertoire for Piano and Violin El Poema De Una Sanluqueña is considered by many a key work of 20th century Spanish chamber music. Turina was a frequent visitor to the seaside town of Sanlúcar in his youth and his love for the town shines through in these four movements. The work Is dedicated to the ?muchachas? the girls of Sanlúcar who it is said ?don?t get married? because the boys of Sanlúcar marry outsiders. Turina wrote the work for ?those beautiful Andalusian girls living in a sad and never-ending dream.? Unlike earlier works of Turina this one was not descriptive but rather suggestive of an emotional state. The piece requires thegreatest technical expertise of both Violinist and pianist as well as sensitivity and humour. Joaquin Turina is often contrasted with Albéniz and Granados those two proponents of a Spanish national style. Turina strove to write music of a European standard in the conventional major forms. In his work it is possible to hear the influence of Turina?s years studying in Paris as well as his native Spain combined with the composer?s own unique Voice.
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The Quartet Collection Volume 1: String Quartet: Score & Parts
String Quartet: 2 violins, viola, cello
Fentone Music
String quartet with optional 3rd violin part-With this new series string playe...
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String quartet with optional 3rd violin part-With this new series string players of moderate standard can explore chamber music in one of its greatest forms - the string quartet. Each volume contains four beautifully arranged pieces all with an optional third violin part. Covering a wide range from Baroque period right up to the 20th Century you can experience playing music by great composers whilst enlarging your repertoire. These four pieces of individual character will show you the whole spectrum of the string quartet!
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Drew Beisswenger Roy Andrade: Appalachian Fiddle Music: Fiddle: Instrumental
Violin
Mel Bay
Featuring 43 Fiddlers and 188 of Their Tunes. Appalachian fiddle music, based on...
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Featuring 43 Fiddlers and 188 of Their Tunes. Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
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Joaquín Turina: La Oracion Del Torero: String Quartet: Instrumental Work
Español
String Quartet: 2 violins, viola, cello
[Sheet music]
-
Intermediate/advanced
Unión Musical Ediciones
La Oracion del torrero para cuarteto de cuerda. In the pantheon of 20th century ...
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La Oracion del torrero para cuarteto de cuerda. In the pantheon of 20th century Spanish composers: I. Albeniz M. De Falla E. Granados and the Catalan F. Mompou Joaquin Turina was the only one to devote a considerable part of his compositional talents to chamber music. Like each of the aforementioned composers he lived and studied music in Paris where he was encouraged by the likes of D’Indy Ravel and Debussy. In this brief tone poem for string quartet La Oración del Torero 'The Bullfighter’s Prayer' the influence of Debussy can be heard especially in the use of lush descending parallel ninth chords. The influence of music of the Andalusian Gypsies is also quiteevident. This piece became one of the composer’s most popular works often performed in an arrangement for string orchestra.
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Albert Markov: Duo Sonata: Violin Duet: Instrumental Work
2 Violins (duet)
Schirmer
Albert Markov migrated to the United States from Russia in 1975 and was the onl...
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Albert Markov migrated to the United States from Russia in 1975 and was the only concert violinist of the 20th century to create major compositions which were performed internationally and commercially recorded. This Duo Sonatais in two movements the first marked Andantino and the second
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Golliwogg's Cakewalk (BIRTEL WOLFGANG)
Trio avec Piano
[Score and Parts]
Schott
from Children's Corner. Par BIRTEL WOLFGANG. The famous Golliwogg’s Cakewalk i...
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from Children's Corner. Par BIRTEL WOLFGANG. The famous Golliwogg’s Cakewalk is the final piece from Debussy's cycle Children’s Corner which consists of 6 miniatures for piano, written for his daughter in the years 1906-1908. The style corresponds to that of ragtime, a dance which was in vogue around the turn of the century. In the middle section, he parodies several times the beginning of the opera Tristan and Isolde by Richard Wagner with whom Debussy had a rather ambiguous relationship. The present arrangement now allows musicians to play the popular movement in a version for piano trio./ Répertoire / Trio avec Piano
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Walton: Two Pieces For Violin And Piano: Violin: Instrumental Work
Violin
Oxford University Press
The Two Pieces for Violin and Piano Canzonetta and Scherzetto were written in ...
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The Two Pieces for Violin and Piano Canzonetta and Scherzetto were written in the late 1940s. The melody of the first is from a 13th-century troubadour song. This edition is based on the score published in the Walton Edition Chamber Music volume.
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Wolfgang Amadeus Mozart: Violin Concerto 5 in A KV 219: Violin: Instrumental
Violin
Simrock
The last of the authentic Violin concertos Concerto No. 5 in A major K. 219. W...
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The last of the authentic Violin concertos Concerto No. 5 in A major K. 219. With this piece Mozart had managed to create something very nearly in line with the instrumental concerto of the next century. Though the piece itself is clearly within the Classical chamber concerto tradition its scale and the degree of its technical demands mark the work as something new for the violin. A reprint of the original edition arranged for Violin and Piano.
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Edward Elgar: Rosemary ('Thats For Remembrance'): Violin: Single Sheet
Violin and Piano
[Sheet music]
Novello & Co Ltd.
Elgar bridged the nineteenth and twentieth century with his fine compositions. ...
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Elgar bridged the nineteenth and twentieth century with his fine compositions. 'Rosemary' is arranged for violin and piano.
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César Franck: Piano Quintet F Minor: Piano Quartet: Score and Parts
Piano Quintet: piano, 2 violins, viola, cello
[Sheet music]
G. Henle
This work composed in 1878/79 alternates between chamber music intimacy and sy...
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This work composed in 1878/79 alternates between chamber music intimacy and symphonic opulence and marks the beginning of a series of significant late works by César Franck. Its composition was partly prompted by the successfulperformance of Franck?s youthful piano trios at the ?Société nationale de musique? (founded in 1871) and probably also by a composition competition for works using this instrumental combination whose deadline Franck then went onto miss. The Quintet was received coolly at its first performance in January 1880 and it was performed just a few more times during the composer?s lifetime. It was only in the 20th century that audiences and critics came torecognise this work as a major milestone in the history of French chamber music and it now adorns the Henle catalogue in a new Urtext edition.
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Johann Strauss: Radetzky-Marsch And Other Favorite Dances: Viola
Violin
[Sheet music]
Universal
For Violin And Piano-Strauß in March and GallopThe artfully stylised Waltzes ...
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For Violin And Piano-Strauß in March and GallopThe artfully stylised Waltzes Marches Polkas Quadrilles and Gallops were part and parcel of middle-class concert life at the end of the 19th century. This is mostly to do with the works of Johann Strauß (father) who intrigued audiences with more than 250 works. Thus some of his compositions are still an integral part of the concert repertoire. The famous Radetzky March is the musical highlight of the present collection in a brilliant arrangement for violin and piano.
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Concertino G Major, Op. 11
Violin and Piano
Schott
Ferdinand Küchler is regarded as one of the great violin teachers of the 20th c...
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Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, due, in large part, to his popular violin method. His Concertino remains a popular entry-level piece for students to this day.The piece is characterized by simplicity, clarity and beauty. The themes and melodies are easily identifiable by children, yet never trite and plain. They are catchy and perfectly reflect Küchler's educational ideology - 'to always separate the difficulties and never demand that the pupil overcome two difficulties at once?. The work is also available in an arrangement for solo violin with string quartet accompaniment (with double-bass ad lib.)(Schott, SE 1002). The viola part can be replaced by a third violin if necessary. By using the parts for multiple players, this can also be performed by a beginner string orchestra.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasure:Accompanying tracks of the pieces available as downloads / Violon Et Piano
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Ludwig van Beethoven: Late String Quartets And Grosse Fuge: String Quartet:
String Quartet: 2 violins, viola, cello
Dover Publications
Opp. 127 130-133 135-Beethoven's late String Quartets are universally regarded...
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Opp. 127 130-133 135-Beethoven's late String Quartets are universally regarded as supreme transcendent works - among the greatest and most intimate music in chamber literature. Composed in the last years of the master's life - between 1823 and 1827 - these quartets contain astonishing experiments in thematic development and musical form that laid the foundation for innovations in 20th Century string quartet writing especially in the important works of Bartok and Shostakovich.This volume reprinted from the definitive Breitkopf and Hartel edition includes:String Quartet No.12 In E Flat Op.127String Quartet No.13 In B Flat Op.130String Quartet No.14 In C Sharp MinorOp.131String Quartet No.15 In A Minor Op.132String Quartet No.16 In F Op.135 and theGrosse Fuge In B Flat Op.133This convenient affordable volume is the ideal edition for study in the classroom at home or in the concert hall.
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Otakar Sevcik: School Of Violin Technique Op. 1 (Book 4 ): Violin: Instrumental
Violin
-
Intermediate
Barenreiter
?evc k?s complete work covers every area of Violin technique from the most elem...
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?evc k?s complete work covers every area of Violin technique from the most elementary level and special exercises concerning individual technical problems right through to analytical studies of the standard concertos. Today more than 130 years later his ?Violin School? still numbers among the most important teaching methods for violinists.This revised edition of ?evc k?s ?School of Violin Technique? Op.1 comprises four books and is essentially based on the first edition published at the beginning of the twentieth century. Other sources from ?evc k?s posthumous papers have also been taken into account.Jaroslav Foltýn Violin professorat Prague Conservatory (like ?evc k at one time) has provided an accurate methodological commentary.A revised edition of a Violin method which has been used by generations of violinists.Seminal work by a leading Violin educator.Each book contains a methodological commentary by the editor (Cz/Eng/Ger).
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Kodaly - Gavotte - String Quartet
String Quartet: 2 violins, viola, cello
Emb (editio Musica Budapest)
partition et parties Édité par Farkas Ferenc Instrument: Quators Genre: 20th ...
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partition et parties Édité par Farkas Ferenc Instrument: Quators Genre: 20th Century Music Langue: Hungarian, English, German Pages: 16 pp Date du parution: 1982
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestra, Violin
Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...
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E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard. The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard. The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice. This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
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Niccolò Paganini: Sonata a violino solo: Violin
Violin
Ricordi
Edizione critica di Italo Vescovo-Paganini’s Sonata a violino solo (M.S. ...
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Edizione critica di Italo Vescovo-Paganini’s Sonata a violino solo (M.S. 6) composed during his Lucca period (1805-1809) forms part of a series of music written for solo violin that has failed to attract the attention of both performers and scholars interested in Genoa’sfamous violinist. This work – published several times in the nineteenth century (especially outside Italy with various titles: Duetto per un violino solo Duo Merveille Meraviglia di Paganini word etc.) – is divided into twomovements (Adagio – Allegro molto). Paganini used a two-staff system of musical notation to produce two distinct levels of sound as well as graphically: pizzicato on the lower line arco on the upper. It is a short pleasing piece containing all the typical characteristics one expects from Paganini: melody and instrumental virtuosity.This critical edition based on the autograph kept at the Biblioteca Casanatense in Rome as part of a collection of the most important editions from the 1800s and 1900s is intended to provide scholars and performers a philologically reliable textthat revives the original version.
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Reza Vali: String Quartet No. 2: String Quartet: Score
String Quartet: 2 violins, viola, cello
Lauren Keiser Music Publishing
Full Score-Written for Cuarteto Latinoamericano this 4-movement work marks a st...
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Full Score-Written for Cuarteto Latinoamericano this 4-movement work marks a stylistic shift from Vali's first quartet which followed mid-20th Century atonal and serial techniques. In contrast String Quartet No. 2 is a fusion oftraditional Persian melodic modes with Western classical harmonic and formal sensibilities.
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