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| String Quartet No. 1 String Quartet: 2 violins, viola, cello [Score and Parts] Theodore Presser Co.
(For 2 Violins, Viola, and Violoncello). By Adolphus Hailstork. String quartet. ...(+)
(For 2 Violins, Viola, and Violoncello). By Adolphus Hailstork. String quartet. For 2 Violins, Viola, Cello. Contemporary. Score and part(s). Standard notation. Composed MARCH 2002. 48 pages. Duration 17 minutes. Published by Theodore Presser Company
$55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Exploration String Quartet: 2 violins, viola, cello [Score and Parts] Stijl Music
By Jack Curtis Dubowsky. String Quartet. For String Quartet. Contemporary. Full ...(+)
By Jack Curtis Dubowsky. String Quartet. For String Quartet. Contemporary. Full score and set of parts. Composed 2000. Duration 3:15. Published by De Stijl Music
$12.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 3 String Quartet: 2 violins, viola, cello Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed by Dan Welcher. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Full score. With Standard notation. Composed 2007. WRT11142. 52 pages. Duration 24 minutes. Theodore Presser Company #164-00272S. Published by Theodore Presser Company (PR.16400272S). UPC: 680160588442. 8.5 x 11 inches. My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change. I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania] The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla. Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional. II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts] This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture. This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream. III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts] The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this. Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1. String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet. $38.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 3 String Quartet: 2 violins, viola, cello Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed by Dan Welcher. Spiral and Saddle. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Set of Score and Parts. With Standard notation. Composed 2007. WRT11142. 52+16+16+16+16 pages. Duration 24 minutes. Theodore Presser Company #164-00272. Published by Theodore Presser Company (PR.164002720). UPC: 680160573042. 8.5 x 11 inches. My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change. I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania] The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla. Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional. II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts] This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture. This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream. III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts] The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this. Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1. String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet. $53.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Gran Torso String Quartet: 2 violins, viola, cello Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet(+)
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet. Composed by Helmut Lachenmann. This edition: 2 Violins, Viola, Cello. Chamber music; Folder. Kammermusik-Bibliothek (Chamber Music Library). World premiere: Bremen (pro musica nova), May 6, 1972Have a look into KM 2261. Music post-1945; New music (post-2000). Set of parts. Composed 1971/78/88. 112 pages. Duration 23'. Breitkopf and Haertel #KM 2261. Published by Breitkopf and Haertel (BR.KM-2261). ISBN 9790004501658. 16.5 x 11.5 inches. Gran Torso, for string quartet, was composed in 1971 and revised in 1978. It belongs to a series of works, including Air, Kontrakadenz, Pression and Klangschatten, whose concept of material attempts to free itself from convention. That is, instead of using the sound itself as a point of departure, structural and formal hierarchies are derived from the mechanical and physical conditions present during the process of sound production. It is clear that such a radical break with tradition is not easily achieved: the instrument, the given means, the resonating body itself (as the embodiment of convention) all work against such attempts (with the extended performance techniques representing only the tip of the iceberg of deep-seated contradictions where the bourgeois artist is concerned). Implicit in such a challenge, however, is a claim to aesthetic pregnance: an offer, if one would have it, of uncomprosing beauty.(Helmut Lachenmann, 1978)CDs/LPs:Berner StreichquartettCD col legno 0647 277Berner StreichquartettLP col legno 5504Societa Cameristica ItalianaLP ABT ERZ 1003Arditti String QuartetCD KAIROS, 0012662KAIstadler quartettCD NEOS 10806The JACK QuartetCD mode 267Stadler Quartett, Rg. Caroline SiegersDVD NEOS 51001Bibliography:Alberman, David: Abnormal Playing Techniques in the String Quartets of Helmut Lachenmann, in: Helmut Lachenmann Music with matches, hrsg. von Dan Albertson, Contemporary Music Review 24 (2005), Vol. 1, pp. 39-51.Dulaney, Maxwell: Continuing the Tradition Untraditionally: Helmut Lachenmann's Restructuring of Musical Dialectic through an Analysis of his Three String Quartets, and an Original Composition, Harmonic Concerto, Diss. Brandeis University, MI 2013.Egger, Elisabeth: Kontinuitat, Verdichtung, Synchronizitat. Zu den grossformalen Funktionen des gepressten Bogenstrichs in Helmut Lachenmanns Streichquartetten, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 155-171.Hermann, Matthias: Helmut Lachenmann - Gran Torso, in: Analyse Musik XX. Jahrhundert (2). Postserielle Konzepte Klangflachen Aleatorik (= Materialien zur Musiktheorie 4), Saarbrucken: Pfau 2002, pp. 134-152.Hiekel, Jorn Peter: Die Streichquartett Gran Torso und Grido von Helmut Lachenmann, in: Lucerne Festival, Sommer 2005 Neuland, Konzertprogramm 6, pp. 65-69.Houben, Eva-Maria: Helmut Lachenmann: Gran Torso ..., in: dies., Musikalische Praxis als Lebensform (= Musik und Klangkultur 27), Bielefeld: Transcript 2018, S. 208-212Lehmann, Harry: Erhabenheit - Ereignis - Ambivalenz. Zur Asthetik der Neuen Musik, in: Neue Zeitschrift fur Musik 176 (2015), Heft 5, pp. 22-27.Mosch, Ulrich: Kunst als Medium der Ungeborgenheit. Streichquartette und soziale Funktion des Komponierens bei Helmut Lachenmann, in: Positionen 81 (November 2009), pp. 37-39.ders.: Was heisst Interpretation bei Helmut Lachenmanns Streichquartett ,,Gran Torso?, in: Wessen Klange? Uber Autorschaft in neue Musik, hrsg. Von Hermann Danuser und Matthias Kassel (= Veroffentlichungen der Paul Sacher Stiftung 12), Mainz u.a.: Schott 2017, S. 163-186Nonnenmann, Rainer: Werke als Schlussel zu Werken? Zur umstrittenen Kategorie ,,Schlusselwerke der neuen Musik, in: MusikTexte, Heft 147 (November 2015), pp. 35-46.Stork, Astrid: Materialbegriff und Strukturdenken. Untersuchungen zu den Streichquartetten von Helmut Lachenmann, Magisterarbeit Ruhr-Universitat Bochum 1992Tsao, Ming: Helmut Lachenmann's Sound Types, in: Perspectives of New Music 52 (2014), Heft 1, pp. 217-238.Velazquez, Rossana Lara: Composicion y escucha burguesa: Principios de continuidad y ruptura en el cuarteto Gran Torso de Helmut Lachenmann, Diss. Universidad Nacional Autonoma de Mexico 2011.Zenck, Martin: Die mehrfache Codierung der Figur: Ihr defigurativer und torsohafter Modus bei Johann Sebastian Bach, Helmut Lachenmann und Auguste Rodin, in: de figura. Rhetorik Bewegung Gestalt, Text und Bild, hrsg. von Gabriele Brandstetter und Sibylle Peters, Munchen 2003, pp. 265-288.
World premiere: Bremen (pro musica nova), May 6, 1972. $132.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Villains & Sweethearts for String Quartet String Quartet: 2 violins, viola, cello [set of 4 parts] Last Resort Music Publishing
(A Fairy Tale Depiction - 5 Short Movement). Composed by Daniel Kelley. Arranged...(+)
(A Fairy Tale Depiction - 5 Short Movement). Composed by Daniel Kelley. Arranged by Daniel Kelley. String quartet. For 2 Violins, Viola, Cello. Quartets. Contemporary Chamber Series. 5 Short Movements depicting Fairy Tale Favorites!. Contemporary. Advanced. Set of 4 parts. Published by Last Resort Music Publishing
$25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Michel Bosc : String Quartet String Quartet: 2 violins, viola, cello [Score and Parts] - Intermediate/advanced Wolfhead Music
By Michel Bosc. String quartet. For 2 violins, viola, violoncello. Chamber Musi...(+)
By Michel Bosc. String quartet. For 2 violins, viola, violoncello. Chamber Music. Contemporary French quartet, tonal. Contemporary. Score and parts. 34 pages. Duration 20:00. Published by Wolfhead Music. (WM101)
Level: Moderately advanced.
$24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Charles Martin Loeffler : Music for Four Stringed Instruments String Quartet: 2 violins, viola, cello [Score and Parts] - Advanced Wolfhead Music
By Charles Martin Loeffler. String quartet. For 2 violins, viola, violoncello. C...(+)
By Charles Martin Loeffler. String quartet. For 2 violins, viola, violoncello. Chamber Music. String quartet in late romantic/early contemporary style. Late Romantic/Contemporary. Score and parts. 52 pages. Duration 25:00. Published by Wolfhead Music. (WM107)
Level: Advanced.
$32.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 3rd Quartet String Quartet: 2 violins, viola, cello - Intermediate/advanced Chester
String Quartet (Parts) - Grade 4 SKU: HL.14043782 Parts. Composed ...(+)
String Quartet (Parts) - Grade 4 SKU: HL.14043782 Parts. Composed by Simon Holt. Music Sales America. Classical, Contemporary. Softcover. Chester Music #CH8277501. Published by Chester Music (HL.14043782). 8.5x11.75x0.3 inches. Simon Holt 's 3rd Quartet is the third of six pieces which make up a cycle with the overall title 'Terrain'. Lasting around 23 minutes, this wonderful work is arranged for String Quartet and was co-commissioned by The Radcliffe Trust, NMC Recordings, Internationales Musikfestival Heidelberger Fruhling and Wigmore Hall. The premiere was performed on 19th January 2015. This is the set of parts for 2 Violins, Viola and Cello. The six different compositions, of which 3rd Quartet is the third, are for different combinations of stringed instruments, featuring Piano in the second piece. The music that comprises 3rd Quartet is drawn from the other parts ofthe cycle as a whole, yet in a reverse order. In this way the piece develops what has come before, foreshadows what's to come, all the while encompassing the entire cycle in a single piece. $44.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| M.L. Daniels: String
Quartet No. 1: String
Quartet: Score String Quartet: 2 violins, viola,
cello Kjos Music Company
M.L. Daniels' String Quartet No. 1 is a contemporary three movement work for two...(+)
M.L. Daniels' String Quartet No. 1 is a contemporary three movement work for two Violins Viola and Cello.
9.25 GBP - Sold by Musicroom UK | |
| Mosaïque Français String Quartet: 2 violins, viola,
cello Billaudot
This string quartet is in five movements, of which the second and fifth are by f...(+)
This string quartet is in five movements, of which the second and fifth are by far the most elaborate. The remaining three movements are rather short, like brief vignettes.The second movement draws its inspiration from Schubert, albeit indirectly- the middle instruments in the quartet (violin 2, viola) play an accompaniment with a motif of two slurred notes, almost always in sixths.In spirit and style, the fifth movement is akin to Masques for violin and cello: a rather introspective piece, a simple compositional approach using few notes, obsessively repeated melodies, the absence of tonality, no modulation in the proper sense of the word, repetitive structures and hypnotic sequences.The movements may be played individually.Commissioned by the Spanish Center for the dissemination of Contemporary Music, 2009.Premiered on April, 27. 2009, at the Museo Nacional Centro de Arte Reina Sofia, Madrid (Spain), by the Capuçon Quartet. No direct sales to individuals: consult your music shop.2015 recommended retail prices excluding VAT.Works on hire: contact our Hire Department directly. / Quatuor A Cordes
32.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| 4 Strings - Pioneer Book
3: String Quartet:
Instrumental Tutor String Quartet: 2 violins, viola,
cello Boosey and Hawkes
Contemporary String Quartet Repertoire For Established Ensembles-The Pioneer ser...(+)
Contemporary String Quartet Repertoire For Established Ensembles-The Pioneer series is part of three progressive collections of contemporary string quartet repertoire from leading composers to encourage and facilitate the development of ensemble playing. Compiled and edited by Liz Partridge each volume contains graded works commissioned especially for this series designed for quartets formed of players of similar ability. Featuring a mixture of musical styles and genres each piece contains different elements and techniques to consolidate and enhance the players? skills as soloists and as ensemble members. An accompanying CD provides demonstration recordings of all included pieces. Minus-one tracks are available to downloadonline to allow for individual practice between rehearsals. Pioneer Series: Contemporary string quartet repertoire for established ensembles. Captivating contemporary concert repertoire for established quartets of grade 6-8 standard. Compositions are more pioneering in style and feature greater independence of parts and increased incorporation of extended techniques.
39.99 GBP - Sold by Musicroom UK | |
| 4 Strings - Pioneer Book
3: String Quartet: Parts String Quartet: 2 violins, viola,
cello Boosey and Hawkes
Contemporary String Quartet Repertoire For Established Ensembles-The Pioneer ser...(+)
Contemporary String Quartet Repertoire For Established Ensembles-The Pioneer series is part of three progressive collections of contemporary string quartet repertoire from leading composers to encourage and facilitate the development of ensemble playing. Compiled and edited by Liz Partridge each volume contains graded works commissioned especially for this series designed for quartets formed of players of similar ability. Featuring a mixture of musical styles and genres each piece contains different elements and techniques to consolidate and enhance the players? skills as soloists and as ensemble members. An accompanying CD provides demonstration recordings of all included pieces. Minus-one tracks are available to downloadonline to allow for individual practice between rehearsals. Pioneer Series: Contemporary string quartet repertoire for established ensembles. Captivating contemporary concert repertoire for established quartets of grade 6-8 standard. Compositions are more pioneering in style and feature greater independence of parts and increased incorporation of extended techniques.
34.50 GBP - Sold by Musicroom UK | |
| 4 Strings - Pioneer Book
3: String Quartet:
Instrumental Tutor String Quartet: 2 violins, viola,
cello Boosey and Hawkes
Contemporary String Quartet Repertoire For Established Ensembles-The Pioneer ser...(+)
Contemporary String Quartet Repertoire For Established Ensembles-The Pioneer series is part of three progressive collections of contemporary string quartet repertoire from leading composers to encourage and facilitate the development of ensemble playing. Compiled and edited by Liz Partridge each volume contains graded works commissioned especially for this series designed for quartets formed of players of similar ability. Featuring a mixture of musical styles and genres each piece contains different elements and techniques to consolidate and enhance the players’ skills as soloists and as ensemble members. An accompanying CD provides demonstration recordings of all included pieces. Minus-one tracks are available to downloadonline to allow for individual practice between rehearsals. Pioneer Series: Contemporary string quartet repertoire for established ensembles. Captivating contemporary concert repertoire for established quartets of grade 6-8 standard. Compositions are more pioneering in style and feature greater independence of parts and increased incorporation of extended techniques.
17.50 GBP - Sold by Musicroom UK | |
| 4 Strings - Explore Book
2: String Quartet: Parts String Quartet: 2 violins, viola,
cello Boosey and Hawkes
Contemporary String Quartet Repertoire For Flourishing Ensembles-The Explore ser...(+)
Contemporary String Quartet Repertoire For Flourishing Ensembles-The Explore series is part of three progressive collections of contemporary string quartet repertoire from leading composers to encourage and facilitate the development of ensemble playing. Compiled and edited by Liz Partridge each volume contains graded works commissioned especially for this series designed for quartets formed of players of similar ability. Featuring a mixture of musical styles and genres each piece contains different elements and techniques to consolidate and enhance the players’ skills as soloists and as ensemble members. An accompanying CD provides demonstration recordings of all included pieces. Minus-one tracks are available to downloadonline to allow for individual practice between rehearsals. Explore Series: Contemporary string quartet repertoire for flourishing ensembles. Music for players of grade 4-5 standard with some ensemble playing experience. Featuring expanded key selections more complex rhythms and simple introductions to extended techniques.
28.50 GBP - Sold by Musicroom UK | |
| 4 Strings - Explore Book
2: String Quartet:
Instrumental Tutor String Quartet: 2 violins, viola,
cello Boosey and Hawkes
Contemporary String Quartet Repertoire For Flourishing Ensembles-The Explore ser...(+)
Contemporary String Quartet Repertoire For Flourishing Ensembles-The Explore series is part of three progressive collections of contemporary string quartet repertoire from leading composers to encourage and facilitate the development of ensemble playing. Compiled and edited by Liz Partridge each volume contains graded works commissioned especially for this series designed for quartets formed of players of similar ability. Featuring a mixture of musical styles and genres each piece contains different elements and techniques to consolidate and enhance the players’ skills as soloists and as ensemble members. An accompanying CD provides demonstration recordings of all included pieces. Minus-one tracks are available to downloadonline to allow for individual practice between rehearsals. Explore Series: Contemporary string quartet repertoire for flourishing ensembles. Music for players of grade 4-5 standard with some ensemble playing experience. Featuring expanded key selections more complex rhythms and simple introductions to extended techniques.
16.50 GBP - Sold by Musicroom UK | |
| 4 Strings - Explore Book
2: String Quartet:
Instrumental Tutor String Quartet: 2 violins, viola,
cello Boosey and Hawkes
Contemporary String Quartet Repertoire For Flourishing Ensembles-The Explore ser...(+)
Contemporary String Quartet Repertoire For Flourishing Ensembles-The Explore series is part of three progressive collections of contemporary string quartet repertoire from leading composers to encourage and facilitate the development of ensemble playing. Compiled and edited by Liz Partridge each volume contains graded works commissioned especially for this series designed for quartets formed of players of similar ability. Featuring a mixture of musical styles and genres each piece contains different elements and techniques to consolidate and enhance the players’ skills as soloists and as ensemble members. An accompanying CD provides demonstration recordings of all included pieces. Minus-one tracks are available to downloadonline to allow for individual practice between rehearsals. Explore Series: Contemporary string quartet repertoire for flourishing ensembles. Music for players of grade 4-5 standard with some ensemble playing experience. Featuring expanded key selections more complex rhythms and simple introductions to extended techniques.
34.50 GBP - Sold by Musicroom UK | |
| 4 Strings - Discover Book
1: String Quartet:
Instrumental Tutor String Quartet: 2 violins, viola,
cello [Sheet music + CD] Boosey and Hawkes
Contemporary String Quartet Repertoire For New and Developing Ensembles-The Disc...(+)
Contemporary String Quartet Repertoire For New and Developing Ensembles-The Discover series is part of three progressive collections of contemporary string quartet repertoire from leading composers to encourage and facilitate the development of ensemble playing. Compiled and edited by Liz Partridge each volume contains graded works commissioned especially for this series designed for quartets formed of players of similar ability. Featuring a mixture of musical styles and genres each piece contains different elements and techniques to consolidate and enhance the players’ skills as soloists and as ensemble members. An accompanying CD provides demonstration recordings of all included pieces. Minus-one tracks are availableto download online to allow for individual practice between rehearsals. Discover Series: Contemporary string quartet repertoire for new and developing ensembles. An introduction to quartet ensemble playing for string players of grade 1-3 standard. Familiar keys common rhythms and transparent musical forms ensure the short pieces and miniatures featured within Discover are accessible to all. Emphasis is firmly focussed on playing together as a unit.
14.50 GBP - Sold by Musicroom UK | |
| 4 Strings - Discover Book
1: String Quartet:
Instrumental Tutor String Quartet: 2 violins, viola,
cello Boosey and Hawkes
Contemporary String Quartet Repertoire For New and Developing Ensembles-The Disc...(+)
Contemporary String Quartet Repertoire For New and Developing Ensembles-The Discover series is part of three progressive collections of contemporary string quartet repertoire from leading composers to encourage and facilitate the development of ensemble playing. Compiled and edited by Liz Partridge each volume contains graded works commissioned especially for this series designed for quartets formed of players of similar ability. Featuring a mixture of musical styles and genres each piece contains different elements and techniques to consolidate and enhance the players’ skills as soloists and as ensemble members. An accompanying CD provides demonstration recordings of all included pieces. Minus-one tracks are availableto download online to allow for individual practice between rehearsals. Discover Series: Contemporary string quartet repertoire for new and developing ensembles. An introduction to quartet ensemble playing for string players of grade 1-3 standard. Familiar keys common rhythms and transparent musical forms ensure the short pieces and miniatures featured within Discover are accessible to all. Emphasis is firmly focussed on playing together as a unit.
34.50 GBP - Sold by Musicroom UK | |
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