In Forme Of Etudes, In All 24 Keys. Par RODE PIERRE. Caprices pour violon solo ont une longue tradition - la liste des collections dans les témoignages de compositeurs-violoniste virtuose archivées de leurs violon virtuose art va Locatelli de Paganini, de Gaviniès à ne pas. Parmi eux est le violoniste français Pierre Rode (1774-1839), qui a ajouté son Capricen 24 en forme einer Etüde für Violine allein de ce genre. Encore aujourd'hui, ils font toujours partie du répertoire indispensable d'étudiants de violon, surtout depuis que, nonobstant l'aspect purement technique, ils sont aussi attrayant morceaux de musique. Comme professeur au Conservatoire de Paris célèbre, Rode, avec Pierre Baillot et Rodolphe Kreutzer, a jeté les bases pour violon complet didactique et de la méthodologie : les 24 Caprices sont d'importantes contributions à ce travail d'éducation à la musique. La présente édition nouvelle est basée sur la première édition de Paris de 1820, fournissant la partition originale, notamment deux variantes de doigté, une version normale et une version spécialement conçue f.../ Etude / Violon

Twenty Four Caprices for the violin by Pierre Rode a study version prepared in accordance with modern violin technique and provided with a preface by Harold Berkley.

Well known for his style of bowing his splendid tone and the clearness of his execution French violinist teacher and composer Rodolphe Kreutzer (1766-1831) composed nineteen Violin concertos and forty operas during his life time and is perhaps best known for his 42 Études or Capriccios 1796. Born in Versailles Kreutzer was initially taught by his German father who was a musician in the royal chapel with later lessons from Anton Stamitz. He quickly rose to fame as a Violinist appearing as a soloist until 1810. In 1798 when at Vienna in the service of the French ambassador Jean-Baptiste Bernadotte (later King ofSweden and Norway) Kreutzer the made the aquaintance of Beethoven and became the dedicatee of his Violin Sonata No. 9 Op. 47 (1803). Kreutzer however never played the work declaring it unplayable and incomprehensible. From 1795 until 1826 Kreutzer taught at the Conservatoire de Paris where he became co-author of the Conservatoire's Violin method with Pierre Rode and Pierre Baillot. He was also leader of the Paris Opera for a time. This volume contains Kreutzer's 42 Études which are to this day considered fundamental studies for student Violinists.