The A Flying Start for Strings series presents a carefully graded sequence of music for teaching the beginning string player. The books are suitable for teaching individuals or groups of the same instrument. Many tunes in the series for violin viola and cello are in the same key and can be played together.Teachers can use this versatile series in a way that suits their own teaching style. There is ample room in all books for the teacher wishing to add more dynamics slurs bowing signs tempos instructions or explanations. The large easy-to-read notes and clear and simple layout help students concentrate on the notes they are learning. Lively folk and traditional tunesmake learning fun and lead to confident playing.With only one tune on most pages the young student gains a sense of achievement from turning the pages quickly and moving on.Book 2 starts with D string tunes to consolidate reading skills and provide the most comfortable pitch for singing. Students progress from one-string tunes to two-string tunes. The book introduces slurs simple dotted rhythms and dynamics. There is a page of bowing variations with rhythms and bowings to apply to a scale arpeggio or melody. Ensemble playing is brought in with canons and rounds.

This book contains 60 Scottish tunes for solo violin including slow airs strathspeys reels and jigs. The tunes are ideal for concert performances or informal sessions and will be enjoyed by players of intermediate to advanced standard. The introductory section provides an explanation of traditional playing styles ornamentation and bowing techniques and all the tunes are performed on CD by Iain Fraser.

50 Pieces-New Fiddle Tunes is the latest addition to the Schott World Music Series. Pete Cooper presents 50 new and original folk-inspired tunes for solo Violin however some of the tunes can be performed as duets.All of the pieces draw upon influences ranging from English Scottish and Balkan traditional music Polkas Blues Waltzes and more.Explanations of the playing style is included in the edition which covers ornamentation as well as bowing technique.Suitable for Grade 3 and above.All of the pieces are included on the accompanying CD and performed by Pete Cooper himself.

The Hal Leonard Fiddle Method is the perfect introduction to playing folk bluegrass and country styles on the Violin. Many traditional tunes are included to illustrate a variety of techniques.

The Hal Leonard Fiddle Method is the perfect introduction to playing folk bluegrass and country styles on the Violin. Many traditional tunes are included to illustrate a variety of techniques. The accompanying online audio includes 90 tracks for demonstration and play-along.Lessons cover:instrument selection

Dip into this stockingful of easy Christmas music for Violin! Unwrap a traditional carol dance to the \'Skaters\' Waltz\' and a \'Christmas Calypso\' and pull a cracker full of solos and duets. With words to sing along chords for Guitar or Keyboard and a fantastic play-along CD Fiddle Time Christmas is the perfect gift for any young violinist.   The CD includes performances to listen or play along to; the varied accompaniments use Piano Guitar Drums and Bass.

These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.

Lesson 2-Here are more great tunes and techniques from one of America's foremost old-time fiddlers!Brad Leftwich continues his exploration of traditional downbow fiddling taking early intermediate players to new levels as he teaches how to produce a truely authentic sound continue a vital tradition and have fun in the process!

Traditional fiddle music from around the world. Par HUWS JONES EDWARD (Arr.). Le répertoire complet de musique traditionnelle pour violon est maintenant à votre portée ! Avec ce grand choix de recueils vous pourrez recréer l'ambiance de votre propre 'ceilidh', des danses folkloriques, du club de jazz, des cafés concerts comme à Sarajevo. Certains de ces morceaux de musiques sont connus, d'autres sont plus exotiques, mais tous sont absolument authentiques et leurs arrangements sont faits sans compromis, mais ce qu?il y a de plus important, c'est qu'ils vous donneront énormément de plaisir. Chaque titre de la série est disponible en deux versions : la Violin Edition (avec en option une partie violon simplifiée et des accords de guitare), ou la Complete Edition qui comprend des accompagnements pour clavier et pour violon. Chaque version permet de jouer la musique en solo, en duo ou en trio aussi bien que dans des ensembles plus importants. Edward Huws Jones a beaucoup voyagé lors de sa recherche de styles traditionnels pour violon. Dans chaque livre il explique l'histoire d'un style particulier, offrant ses propres suggestions pour obtenir une exécution vivante. / Niveau : Moyen / Date parution : 2024-02-16/ Recueil / Violon

2014-2020-The fiddle syllabus 2014-2020 from the Royal Conservatoire of Scotland offers a great choice of tunes for your repertoire and will enable you to create a programme for the RCS Traditional Music Exams or SQA exams ceilidhs mods and concerts. The pieces were selected by Alistair McCulloch and Christine Martin and are from many well known players teachers and composers of Scottish fiddle music. For the Grade 3 fiddle syllabus 2014-2020 this offers you a choice of tunes to start you on your way to a rich and varied repertoire. Where appropriate tunes in this volume have been edited for guidance purposes. Syllabuses repertoires and entry guidelines can beviewed at The Royal Conservatoire of Scotland website. The arrangements represent the technical standard to be expected at the grade and as such should be adhered to by candidates when performing in the exam.

Par SZALONEK WITOLD. This work reveals the remarkable world of Szalonek?s imagination. Making use of the traditional form of the chaconne, he leaves the soloist ample possibilities for interpretation ? avec fantaisie ? particularly in terms of agogic shifts, and also in the way the narrative is led. In Chaconne-fantaisie, the soloist displays the whole spectrum of the violin?s sonoristic capac_x0002_ities, especially part playing, producing contrasts of sound through characteristic figurations juxtaposing playing in different registers, playing arco and pizzicato in alternation, double stops and chords / Date parution : 2022-12-12/ Répertoire / Violon