SKU: CL.CTS-8036-01
The powerful opening of Table Rock Festival leads to bright flute solo. Composed in a traditional ABA’ overture form, the serene middle section is surrounded by lively 6/8 sections with a jaunty melody that sticks with the listener. This will complement any concert or festival program.
SKU: CL.CTS-8036-00
SKU: HL.4006635
UPC: 840126925371. 9.0x12.0x0.063 inches.
The poignant lament “Mo Chile Mear†(My Gallant Hero) was authored after the defeat of the Scots and their Celtic allies at the Battle of Culloden in 1746, ending dreams of independence from English rule. Michael's emotional setting opens with a flute solo then builds gradually as layers of instrumental groups are added. The piece shifts to a lilting 6/8 style, propelled by the percussion section, and culminates in a majestic statement by the entire ensemble.
SKU: RM.DUTR02980-BA
ISBN 9790231029802.
SKU: RM.BEET00062-CO
SKU: RM.DUTR02980-CO
SKU: RM.BEET00062-BA
ISBN 9790231000627.
SKU: BT.DHP-1053846-040
English-German-French-Dutch.
Concerto Cappricioso begins with a short fanfare-like opening. It?s three movements then develop with exciting dialogues between the soloist and the main concert band, which both answers and accompanies the soloist, in addition to adding their own new material. The musical game between the solis and accompaniment will captivate and delight your audience every time. Concerto Cappricioso beginnt mit einer kurzen fanfareähnlichen Einleitung. Dann entwickeln sich drei Sätze voll von spannenden Dialogen zwischen dem Solisten und dem übrigen Blasorchester, das mal kommentierend, mal antwortend und mal begleitend agiert. Das musikalische Spiel zwischen Solist und Begleitung wird Ihr Publikum immer wieder aufs Neue begeistern. La brève introduction prépare l’entrée du soliste qui explore le tissu musical travers un solo joué rubato. La musique adopte ensuite la forme concertato. L’accompagnement dévoile ses réponses et commente le sujet par intervalles. Le deuxième mouvement est une douce rêverie tandis que le troisième développe un dialogue entre le soliste et l’accompagnement. Le jeu musical est particulièrement plaisant et captivant pour l’auditoire. La breve introduzione prepara l’entrata del solista che esplora il tessuto musicale attraverso un assolo eseguito rubato. La musica adotta in seguito la forma del concertato. L’accompagnamento svela le sue risposte e commenta il soggetto con intervalli. Il secondo movimento è una dolce fantasia, mentre il terzo sviluppa un dialogo tra il solista e l’accompagnamento. Il gioco musicale si dimostra per il pubblico particolarmente piacevole e accattivante.
SKU: CL.012-4303-01
Open Thy Heart is an exciting and showy solo work for flute with band. Excerpted from a tone-poem by French composer Georges Bizet, and originally for soprano with orchestra, this arrangement for solo flute with concert band can also be performed by a soprano soloist. Subtitled Spanish Serenade, this lively dance will showcase your soloist as well as delight and charm audiences. Brilliant and entertaining!
About C.L. Barnhouse Spotlight Series
The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments
SKU: BT.DHP-1084447-010
9x12 inches. English-German-French-Dutch.
The Butterfly that Stamped is a story from the anthology Just So Stories, written by Rudyard Kipling for his daughter who suffered constant bad health. The book inspired composer Maxim Aulio to compose this work which is in a French impressionistic style. The piece opens with a beautiful palace surrounded by the impressive gardens of King Solomon. It is in these gardens that the baritone saxophone makes its appearance representing King Solomon himself, the flute representing the butterfly couple, the clarinet representing Queen Balkis and the trumpet the djin.The Butterfly that Stamped - Der Schmetterling, der aufstampfte“ - ist eine von zwölf Erzählungen aus dem Band Just So Stories, den Rudyard Kipling, der berühmte Autor des Dschungelbuchs, Ende des 19. Jahrhunderts für seine kranke Tochter schrieb. Der französische Komponist Maxime Aulio ließ sich von dieser bezaubernden Geschichte zu einer Komposition im Stil des französischen Impressionismus inspirieren. Vor der wundervoll orchestrierten musikalischen Kulisse des Palastes und der Gärten König Salomons treten das Baritonsaxophon als König Salomon, die Flöten als Schmetterlingspärchen, eine Klarinette als Königin Balkis und die Trompeten als Dschinnsauf. Vorhang auf! Rudyard Kipling (1865-1936) est l’un des plus célèbres écrivains de langue anglaise. Né Bombay en Inde, ce journaliste, poète et romancier reçoit le prix Nobel de littérature en 1907. On lui doit notamment les célèbres ouvrages Le Livre de la Jungle (1894), Histoires comme ça (1902) et Kim (1901), entre autres. Rudyard Kipling a sillonné le monde, glanant de-ci de-l des mots et des merveilles raconter aux petits et aux grands. Aujourd’hui encore ses Histoires comme ça enchantent par leur drôlerie et leur poésie ; de délicieux récits d’animaux entre l’Inde et l’Afrique initialement écrits pour sa fille, Joséphine, qui mourut en 1899 des suites d’unegrippe.Le Papillon qui tapait du pied est un des douze contes du recueil Histoires comme ça. Maxime Aulio s’en est inspiré pour créer une œuvre qui s’inscrit dans la tradition de l’impressionnisme musical français. Le saxophone baryton solo incarne le Roi Salomon, fils de David ; les fl tes jouent le couple de papillons ; une clarinette est la Reine Balkis - la Sage Balkis de Saba - tandis que les trompettes et les cornets représentent les Djinns. Les personnages évoluent dans un décor orchestral merveilleux l’image des jardins et du palais du Roi Salomon. / The Butterfly That Stamped (Le Papillon qui tapait du pied) est une œuvre de commande pour la Fédération Musicale d’Auvergne (France) avec le soutien du Conseil Régional d’Auvergne, l’occasion du 10e anniversaire de l’Orchestre Régional d’Harmonie École. L’œuvre a été donnée en création le 30 avril 2006 au Thé tre Municipal d’Aurillac. L’Orchestre Régional d’Harmonie École d’Auvergne était placé sous la direction de Claude Kesmaecker, avec en soliste, Alexandre Doisy, saxophone baryton. The Butterfly That Stamped è una delle dodici novelle della raccolta Just So Stories, del celebre scrittore britannico Rudyard Kipling (1865-1936). Maxime Aulio se ne è ispirato per creare un brano che di iscrive nella tradizione dell’impressionismo musicale francese. Il sax baritono solo rappresenta il Re Salomone, figlio di David. I personaggi si muovono in uno sfondo orchestrale meraviglioso e incantano per la loro poesia.
SKU: BT.DHP-1084447-140
SKU: CL.012-4403-75
This lively Hungarian folk dance, originally set for solo violin and piano by Italian composer Vittorio Monti, has been arranged for solo instrument and concert band for the Barnhouse Spotlight series by Andrew Glover. This rhapsodical work allows the soloist to display great lyrical skills as well as technical virtuosity! Includes solo parts for violin or flute, b-flat clarinet (or any b-flat instrument in similar range), e-flat alto saxophone, or euphonium (bass clef). Band accompaniment parts grade 3; solo part grade 4+. A great way to feature your outstanding soloist or guest artist, and guaranteed to astonish your audience!
SKU: SU.80603530
Grade 2; Condensed scoreSolo Flute or Piccolo with Band Composed: 1956 Published by: E.B. Marks Set of parts available. Quote given upon request.
SKU: CL.012-4492-01
Sir Edward Elgar’s beautiful Salut d’Amour has been skillfully arranged for the Barnhouse Spotlight series by Andrew Glover. Designed to feature your choice of solo instrument with concert band accompaniment, parts are included for solo flute/oboe/violin, clarinet/trumpet, alto saxophone, horn, or euphonium/cello. A great choice for a lyrical solo feature for your outstanding instrumentalist or guest soloist. Lovely music!
SKU: CL.012-4492-75
Sir Edward Elgar's beautiful Salut d'Amour has been skillfully arranged for the Barnhouse Spotlight series by Andrew Glover. Designed to feature your choice of solo instrument with concert band accompaniment, parts are included for solo flute/oboe/violin, clarinet/trumpet, alto saxophone, horn, or euphonium/cello. A great choice for a lyrical solo feature for your outstanding instrumentalist or guest soloist. Lovely music!
SKU: CL.012-3351-75
Unique! This new and fresh Ed Huckeby composition is an interpretive piece based on the Lewis and Clark Expedition of the early 19th century. Incorporating creative melodic ideas as well as experimental rhythmic concepts and instrumentation, this piece opens the door to new opportunities for creative performance. Includes flute (or recorder), oboe and tympani solos. A bold and exciting selection which your more advanced ensemble and audiences will love! Outstanding choice for concert or contest performance.
SKU: HL.44010560
UPC: 884088481704. 9x12 inches. English-German-French-Dutch.
Marsyas ist ein Satyr aus den Metamorphosen des griechischen Dichters Ovid (43 v. Chr.-17 n. Chr.). Er findet eine von der Gottin Athene weggeworfene Flote und spielt bald so gut, dass ihn Apollo zu einem musikalischen Wettstreit zwischen Flote und Lyra herausfordert. Durch einen üblen Trick verliert Marsyas und erleidet eine grausame Strafe. Diese Sage bot eine ausgezeichnete Vorlage für ein spannendes Solowerk für Flote, in welchem auch die Harfe (Lyra) erklingt.Si les recits de metamorphoses furent tres populaires dans l'Antiquite greco-romaine, le recueil du poete latin Ovide [43 av. J.-C./17 apr. J.-C.] est de loin le plus celebre. Les quinze livres des Metamorphoses racontent la formation du monde et les transformations legendaires des dieux et des hommes en animaux, en plantes ou en objets. Parmi les nombreuses histoires de metamorphoses relatees par Ovide, on trouve celle de Marsyas, un satyre originaire de Celenes en Phrygie. Fils d'Hyagnis, considere comme l'inventeur de l'harmonie phrygienne, Marsyas excellait dans la musique. Un jour, Athena fit une flute double et en joua a un banquet des dieux. Tournee en derisionpar Hera et Aphrodite, et ayant constate elle-meme, en voyant le reflet de son visage dans l'eau, que l'instrument, quand elle en jouait, lui deformait les traits, elle jeta la flute en maudissant quiconque la ramasserait. Cette malediction frappa le satyre Marsyas qui la trouva et en joua magnifiquement, au grand plaisir des paysans des contrees phrygiennes qui l'ecoutaient et qui pretendirent que le dieu Apollon en personne n'aurait pu mieux faire avec sa lyre. Apollon entra dans une colere formidable et proposa a l'insolent satyre un concours musical dont le vainqueur pourrait faire subir au vaincu le chatiment de son choix. Les Muses et le roi Midas, choisis comme juges, ne reussirent pas a departager les concurrents. Alors, Apollon joua de la lyre a l'envers et demanda a Marsyas d'en faire autant avec son instrument. Cela etait impossible. Marsyas n'y parvint pas, et Apollon fut declare vainqueur. Il se vengea du satyre de la plus cruelle facon : il l'attacha a un pin et l'ecorcha vif.Certains racontent qu'Apollon, se repentant de sa vengeance, metamorphosa en fleuve le corps de Marsyas. D'autres pretendent que le sang de Marsyas ou les larmes versees par les nymphes et les satyres, prives des enchantements de sa flute, formerent le fleuve de Phrygie qui porte son nom. / Marsyas fut cree le 22 juillet 2005 a Bordes sur Arize en Ariege par le.
SKU: CL.012-3551-01
This famous Allegro movement from a Vivaldi concerto for two trumpets is presented here in an arrangement loaded with flexibility as to choice of soloists and even the accompanying ensemble. May be performed as a solo or as a duet, and it includes solo/duet parts for Bb instruments: Trumpets or Clarinets; C Instruments: Flutes, Oboes, or Violins; Eb Instruments: Alto Saxophones; F Instruments: Horns; and Bass Clef instruments: Bassoons or Trombones. The accompaniment is cleverly scored so that it is playable by a full, traditional concert band; or by a chamber wind ensemble of woodwinds, horns, and timpani (ideal for accompanying upper woodwind soloists.) A great way to feature outstanding soloists from your band!
SKU: CF.CPS224
ISBN 9781491152508. UPC: 680160910007.
Rainbow in the Clouds is based on an old traditional spiritual, possibly an African-American song from the 19th century, entitled God Put a Rainbow in the Clouds. Composer Carol Brittin Chambers was inspired by poetic Maya Angelou to create of setting of this beautiful song. It is lush and beautiful throughout and will highlight the musicianship of your students. This would serve as a welcome change of pace piece on your program for concert or contest.Rainbow in the Clouds was commissioned by the Pflugerville Middle School Wind Ensemble in Pflugerville, Texas, directed by Shauna Satrom. The piece premiered in May 2017, in memory and celebration of Luis Ham, who was an Assistant Principal at Pflugerville Middle School.This piece is based on an old traditional spiritual, possibly an African-American song from the nineteenth century, entitled God Put a Rainbow in the Clouds. The first time I heard reference to this song was in a Maya Angelou video, in which she sings a portion of it: “When it looked like the sun wouldn’t shine anymore, Oh, God put a rainbow in the clouds.†In the video, Dr. Angelou honors those who have demonstrated kindness to her in the past, and she suggests that we all try to be a blessing to others. The Pflugerville community believed that Mr. Ham, with his positive outlook, was definitely a “rainbow in the clouds†for other people.The piece begins with a full ensemble introduction, followed by a woodwind treatment of the first verse with a fairly reserved tempo and straight eighth-note rhythm. When brass pick up the melody on the second phrase, we start to hear the song more like the original spiritual, with dotted-eighth, sixteenth rhythms. The middle section of the piece at m. 22 begins to move at a slightly quicker tempo, and the mood becomes lighter. This section becomes a call-and-response between a euphonium solo and upper woodwinds. The final section of the piece involves everyone playing together joyously and full, eventually winding down with two more solo statements in flute and euphonium.Note to the Conductor:Use this piece to introduce or reinforce the following musical concepts:Lyrical, expressive playing varied stylesSolo responsibilitiesKey changes, tempo changes.
SKU: CF.CPS224F
ISBN 9781491153185. UPC: 680160910687.
