Par WILLIAMS ROBBIE. Le plusieurs millions de dollars de vente superstar pop Robbie Williams prend une pause dans le courant dominant avec cet album, présentant une collection dont certains des plus grands succès swing et big band, réalisés dans le style charismatique de Robbie. Ce volume contient un score ornithologiques pour les flûte pour tous les titres de l'album et comprend un CD avec les titres de soutien, idéales pour pratiquer à la maison ou de scène./ Recueil / Flûte Traversière et Piano

Composed between 1920 and 1921 this set of Histoires is a suite of four short movements by Jacques Ibert selected out of the ten initial ones for Flute and Piano. This publication was commissioned by the Alphonse Leduc editors and increased Jacques Ibert’s popularity. This four pieces are as followed : 3. Le vieux mendiant (The old beggar) 4. “A Giddy girl” 6. Le palais abandonné (The abandoned palace) 7. Bajo la mesa (Under the table) The difficulty of these works will fit intermediate to upper intermediate players. Jacques Ibert(1890-1962) also composed many symphonic suites operas and seven orchestras including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the French Academy in the Villa Médicis (Roma) and became later administrator for the Paris Opera.

With Online Audio-Easy to intermediate Christmas solos scored for Flute solo with Piano accompaniment. Includes memorable Christmas songs such as Ding Dong Merrily on High; I Saw Three Ships; Silent Night; We Wish You a MerryChristmas and many more.The online audio recording contains four full sets of Piano accompaniments for all the pieces in the book. The first practice set is played at a slow tempo and the solo Flute line is played onthe Piano. The second practice set is performed once again at a slow tempo this time without the inclusion of the melodic line. The third performance set is played at a faster tempo once again without the melodic line. Thisfaster tempo is intended for use in both the practice setting and the studio performance setting. The fourth and final performance set contains non-stop accompaniment tracks and links all pieces in the book together to form aChristmas suite that can be played at recitals or festive gatherings. Includes access to online audio and pdf file for Piano accompaniment.

Book/CD Pack. Master Solos book/CD packs are a fresh source of solo literature in a comprehensive package for developing instrumentalists. The collections for the various instruments were personally selected and performed by world-famous performing artists and educators (see below) and each features a specially prepared lesson. Every Master Solos pack includes 8 selections by renowned composers - different for each instrument - and a piano accompaniment book. The accompanying CDs are uniquely designed to serve in practice and performance situations and offer immeasurable benefits for the intermediate soloist and for the instrumental instructor. The first trackfeatures the solo performance with piano accompaniment providing tempo and musical style and the second track is the piano accompaniment only designed for rehearsal. The recorded accompaniment can also be used in performances. Flute by Gary Sigurdson Oboe by Don Jaeger Bassoon by Leonard Sharrow Bb Clarinet by Ramon Kireilis Eb Alto Saxophone by Larry Teal Bb Trumpet/Cornet by Robert Getchell Horn by Louis Stout Trombone by Buddy Baker Baritone Horn by Larry Campbell Tuba by Daniel Perantoni Percussion by Peter Magadini. All books edited by Linda Rutherford.

With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.

Between the late 19th century and the early 1960s French music experienced a Golden Age during which the flute played a prominent role: this age-old instrument played by fauns and shepherds spun numerous arabesques whose sensuous contours seemed to celebrate ?the mysterious connections between nature and the imagination? (Debussy). It was therefore quite tempting to draw on the rich catalogue of French works from the Editions Leduc and Heugel and put together this collection of pieces for flautists in the fourth year of study and up. It?s simply impossible to resist the compelling lyricism that floats up from such celebrated pages asFauré?s Sicilienne or the Pièce en forme de Habanera a composition by Ravel superbly transcribed by Theodore Doney. Philippe Gaubert?s Orientale and Sicilienne ? two bestsellers ? are also included. Original pieces such as the Aria for flute and piano by Roussel rub shoulders with delightful arrangements such as the one by Marcel Moyse based on Jacques Ibert?s gentle Histoires or the successful adaptation of Hahn?s À Chloris; while famous pieces ? like Debussy?s Le Petit Nègre ? nestle against a few rare gems (Pierné Bozza) that are utterly charming.

Italian Classics Favourite Italian melodies Com­po­si­teur: Diverse, Adap­ta­teur: Zamarin, Arnold Italian culture infects many art forms and perhaps none more so than music. In this album, Arnold Zamarin has arranged, for flute and piano, eleven well-known pieces that simply shout ?ITALY? at you! ?Italian Classics? includes the unforgettable ?O Sole Mio?, ?La Donna è Mobile?, ?Funiculi, Funicula? and Verdi?s ?Chorus of the Hebrew Slaves?. For intermediate players, ?Italian Classics? should complement your repertoire collection just as a glass of Soave accompanies Pasta alla Carbonara. And for antipasto, try Zamarin?s ?Classical Favourites from Russia? for two flutes (and maybe a glass of vodka!)

Mathias' Sonatina, originally composed in 1953 but revised in 1986, is a slighter yet more approachable work. A considerable amount of straight repetition renders the music easily assimilable. For instance, both main themes in the opening sonata movement are repeated during the exposition; similarly a large stretch of the development consists simply of a transposed version of a previous passage. Only in the third and final movement does the structure become more complex, with the combination of variants of the main themes of the first movement. But such subtleties pale into insignificance when compared with the rhythmic ebullience and good humour of the outer movements, and the suave, urbane lyricism of the central Andante. If the listener is entertained agreeably, the Sonatina has done its job well. © Trevor Bray

Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano