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Missa In Honorem Sanctae Ursulae (HAYDN JOHANN MICHAEL)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
[Sheet music]
Carus Verlag
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings o...
(+)
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
70.60 EUR - Sold by LMI-partitions
(Seller in french langage)
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Details
Missa In Honorem Sanctae Ursulae (HAYDN JOHANN MICHAEL)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
[Sheet music]
Carus Verlag
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings o...
(+)
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
14.50 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Details
Missa In Honorem Sanctae Ursulae (HAYDN JOHANN MICHAEL)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
[Sheet music]
Carus Verlag
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings o...
(+)
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
14.50 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Missa In Honorem Sanctae Ursulae (HAYDN JOHANN MICHAEL)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
[Sheet music]
Carus Verlag
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings o...
(+)
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
14.50 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Details
Terra Tremuit (EBERLIN JOHANN ERNST)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
[Sheet music]
Carus Verlag
Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic...
(+)
Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling silent are Eberlin’s basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word “tremuit”. The Resurrection is depicted musically by ascending figures at the words “dum resurgere”. An Alleluia concludes the work./ Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
24.60 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Details
Terra Tremuit (EBERLIN JOHANN ERNST)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
[Sheet music]
Carus Verlag
Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic...
(+)
Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling silent are Eberlin’s basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word “tremuit”. The Resurrection is depicted musically by ascending figures at the words “dum resurgere”. An Alleluia concludes the work./ Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
13.70 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
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Details
Missa In Honorem Sanctae Ursulae (HAYDN JOHANN MICHAEL)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
[Sheet music]
Carus Verlag
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings o...
(+)
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
28.80 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
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Missa In Honorem Sanctae Ursulae (HAYDN JOHANN MICHAEL)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
Carus Verlag
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings o...
(+)
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
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Terra Tremuit (EBERLIN JOHANN ERNST)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
Carus Verlag
Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic...
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Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling silent are Eberlin’s basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word “tremuit”. The Resurrection is depicted musically by ascending figures at the words “dum resurgere”. An Alleluia concludes the work./ Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
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Missa In Honorem Sanctae Ursulae (HAYDN JOHANN MICHAEL)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
[Sheet music]
Carus Verlag
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings o...
(+)
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
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Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of...
(+)
Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belong far more to the 'missa brevis'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
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Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of...
(+)
Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belong far more to the 'missa brevis'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
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Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of...
(+)
Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belong far more to the 'missa brevis'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
34.00 EUR - Sold by LMI-partitions
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Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
[Sheet music]
Carus Verlag
Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of...
(+)
Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belong far more to the 'missa brevis'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
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Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
Carus Verlag
Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of...
(+)
Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belong far more to the 'missa brevis'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
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Vesperae Solennes De Dominica (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Kv 321. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei...
(+)
Kv 321. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Psalmvertonungen, Stundengebet - Langue : Latin / Musique religieuse / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
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Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is it...
(+)
Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
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Vesperae Solennes De Confessore (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Kv 339. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei...
(+)
Kv 339. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Psalmvertonungen, Stundengebet - Langue : Latin / Psaumes / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
24.60 EUR - Sold by LMI-partitions
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Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is it...
(+)
Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
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Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Der Beiname dieser Messe verdankt s...
(+)
Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Der Beiname dieser Messe verdankt sich der eigenständig-solistischen Präsenz des Orgelinstruments während des 'Benedictus'-Abschnittes. Damit steht KV 259 in einer bis in die 1730er Jahre zurückreichende Tradition, die sich durch Komponistennamen vor allem aus dem Wiener Raum, wie Georg Reuter, Joseph Haydn, Karl Ditters von Dittersdorf oder Johann Baptist Vanhal belegen lässt. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
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Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is it...
(+)
Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
13.70 EUR - Sold by LMI-partitions
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Vesperae Solennes De Dominica (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Kv 321. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei...
(+)
Kv 321. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Psalmvertonungen, Stundengebet - Langue : Latin / Psaumes / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
46.60 EUR - Sold by LMI-partitions
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Vesperae Solennes De Dominica (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Kv 321. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei...
(+)
Kv 321. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Psalmvertonungen, Stundengebet - Langue : Latin / Psaumes / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
20.80 EUR - Sold by LMI-partitions
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Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Der Beiname dieser Messe verdankt s...
(+)
Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Der Beiname dieser Messe verdankt sich der eigenständig-solistischen Präsenz des Orgelinstruments während des 'Benedictus'-Abschnittes. Damit steht KV 259 in einer bis in die 1730er Jahre zurückreichende Tradition, die sich durch Komponistennamen vor allem aus dem Wiener Raum, wie Georg Reuter, Joseph Haydn, Karl Ditters von Dittersdorf oder Johann Baptist Vanhal belegen lässt. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
15.80 EUR - Sold by LMI-partitions
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Vesperae Solennes De Confessore (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Kv 339. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei...
(+)
Kv 339. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Psalmvertonungen, Stundengebet - Langue : Latin / Psaumes / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
48.60 EUR - Sold by LMI-partitions
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Vesperae Solennes De Confessore (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
SATB, Orchestra
[Sheet music]
Carus Verlag
Kv 339. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei...
(+)
Kv 339. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Psalmvertonungen, Stundengebet - Langue : Latin / Psaumes / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
8.20 EUR - Sold by LMI-partitions
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Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
[Sheet music]
Carus Verlag
Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is it...
(+)
Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
12.40 EUR - Sold by LMI-partitions
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Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
Carus Verlag
Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is it...
(+)
Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
16.10 EUR - Sold by LMI-partitions
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Missa In Honorem Sanctae Ursulae (HAYDN JOHANN MICHAEL)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
[Sheet music]
Carus Verlag
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. MH 546/ Répertoire / Solistes SATB, C...
(+)
Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. MH 546/ Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
8.90 EUR - Sold by LMI-partitions
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Vesperae Solennes De Confessore (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
Carus Verlag
Kv 339. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei...
(+)
Kv 339. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Psalmvertonungen, Stundengebet - Langue : Latin / Psaumes / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale
20.30 EUR - Sold by LMI-partitions
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