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Don Violoncello, Basso continuo
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Sonata No. 3 A Minor
Sonata No. 3 A Minor
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Violoncello, Basso continuo
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Benedetto Marcello
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Two Sonatas
Two Sonatas
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Benedetto Marcello
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6 Sonatas Op. 5 for Violoncello and Basso Continuo (H. 103-108) - 6 Sonatas Op. 5 for Violin and Basso Continuo (H. 109-114)
Violoncello, Basso continuo
Ut Orpheus
(Francesco Geminiani - Opera Omnia. Critical Edition directed by Christopher Hog...
(+)
(Francesco Geminiani - Opera Omnia. Critical Edition directed by Christopher Hogwood). Composed by Francesco Geminiani (1687-1762). Edited by Christopher Hogwood. For Violoncello and Basso Continuo; Violin and Basso Continuo. Opera Omnia - Vol. 5. Early Music. Critical commentary. Op. 5 (H. 103-108, H. 109-114). 152 pages. Published by Ut Orpheus
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Two (2) Sonatas For Violoncello And Basso Continuo, No.1 F Major, No.4 G Minor
Violoncello, Basso continuo
Schott
No. 1 F Major and No. 4 G Minor. Composed by Benedetto Marcello (1686-1739). Edi...
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No. 1 F Major and No. 4 G Minor. Composed by Benedetto Marcello (1686-1739). Edited by Gerhart Darmstadt. This edition: Saddle stitching. Sheet music. Cello Library. Classical. 24 pages. Schott Music #CB 64. Published by Schott Music
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6 Cello Sonatas op. 15 (London, senza anno)
Violoncello, Basso continuo
[Score and Parts]
Musedita
By Giovanni Battista Cirri. Edited by Alessandro Bares. For cello and basso cont...
(+)
By Giovanni Battista Cirri. Edited by Alessandro Bares. For cello and basso continuo. This edition: Paperback. Minghen dal Viulunzel. Baroque, Galant. Score and set of parts. Published by Musedita Edizioni Musicali
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6 Cello Sonatas (London, [1748 ca.])
Violoncello, Basso continuo
[Score and Parts]
Musedita
Edited by Alessandro Bares. For cello and basso continuo. This edition: Paperbac...
(+)
Edited by Alessandro Bares. For cello and basso continuo. This edition: Paperback. Minghen dal Viulunzel. Baroque, Galant. Score and set of parts. Published by Musedita Edizioni Musicali
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Sonate D-Dur 'Der Getreue Musikmeister' Für Violoncello Und Basso Continuo
Français
Violoncello, Basso continuo
[Sheet music]
Leduc, Alphonse
La référence HM13 de l'éditeur Leduc dont l'auteur célèbre est Taffanel, qu...
(+)
La référence HM13 de l'éditeur Leduc dont l'auteur célèbre est Taffanel, qui a pour titre Allegretto Et Allegro, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Classique. / Divers / Partition
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6 Sonates Pour Le Violoncelle Et Basse - Oeuvre IVe
Violoncello, Basso continuo
Anne Fuzeau Productions
Edition : Paris, 1774La préface donne une biographie de Jean-Baptiste Janson et...
(+)
Edition : Paris, 1774La préface donne une biographie de Jean-Baptiste Janson et une explication détaillée de sa notation.Présentation de :Philippe Lescat : Biographie de Jean-Baptiste JansonJean Saint-Arroman : Lecture de la partition / Violoncelle Et Basse Continue / 38 pages / niveau : 1 / Fac-Similés - Format: 24.5 X 33.5
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Janson J.b. - Six Sonates, Oeuvre Iv - Violoncelle, Basse - Fac-simile Fuzeau
Français
Violoncello, Basso continuo
Anne Fuzeau Productions
Partition pour violoncelle et basse continue. Edition : Paris, 1774 La préfac...
(+)
Partition pour violoncelle et basse continue. Edition : Paris, 1774 La préface donne une biographie de Jean-Baptiste Janson et une explication détaillée de sa notation. Présentation de : Philippe Lescat : Biographie de Jean-Baptiste Janson Jean Saint-Arroman : Lecture de la partition Compositeur : JANSON Jean-Baptiste Auteur : LESCAT Philippe - SAINT-ARROMAN Jean Collection : Musique Française classique de 1650 à 1800 Titres : Sonata I en sol majeur : allegro, adagio, tempo di minuetto - Sonata II en ré majeur : allegro, adagio, rondo - Sonata III en ut majeur : allegro moderato, andante, aria con variatione - Sonata IV en sol majeur : allegro moderato, adagio, rondo - Sonata V en si b majeur : andante, allegretto - Sonata VI en ré majeur : allegro moderato, adagio, aria con variatione. Nombre de pages : 38 Format : 24,5 x 33,5 Parution : 02/2000
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Gioachino Rossini: Duetto for cello and double bass: Trombone: Instrumental
Violoncello, Basso continuo
Yorke Edition
It was a chance visit to a second hand bookshop in Nottingham that set me on the...
(+)
It was a chance visit to a second hand bookshop in Nottingham that set me on the trail of Rossini's now well-known Duetto for cello and double bass. But the story begins earlier than that. In the 1960s I was studying the double bass at the Royal College of Music with Adrian Beers who was at that time principal of the English Chamber Orchestra on the front desk of the Philharmonia Orchestra and a member of the Melos Ensemble of London (then one of the leading ensembles of the world). I was working on the 'Dragonetti Concerto' as most young players do and I wanted to find out a bit about it. My teacher said he thought the autograph manuscript might be in the British Library which was all the encouragement I needed to secure a pass to the Reading Room so I could go and see for myself. There sure enough I found a large collection of Dragonetti's autograph manuscripts together with other bound volumes relating to his life. The papers had been lovingly collated and annotated by Vincent Novello one of Dragonetti's closest friends then deposited in the library before his departure to Italy in 1848 two years after Dragonetti's death. One of the volumes included a lot of letters about various engagements and music festivals copies of orders for strings Dragonetti wanted from Italy details about paintings he wanted to buy and numerous invitations to private functions. The manuscript of the 'Dragonetti Concerto' of course wasn't among the papers we now know it to have been written by Edouard Nanny a century or so later. One name that came up regularly in the documents was that of Sir George Smart. Smart had been a violinist in Salomon's orchestra and had played for Haydn at his London concerts in the 1790s. As a child he had learnt much about music from his father who had in turn been present at many of Handel's rehearsals when he was preparing some of his major works for the first time. Smart was also a fine keyboard player becoming organist of the Chapel Royal in 1822. As a conductor
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Sonates A Deux Violoncelles (Violoncelle Et B.C.)
Violoncello, Basso continuo
Anne Fuzeau Productions
Edition : Paris, l'Auteur, Boivin, Leclerc, 1736.Présentation de Maëlle TrouvÃ...
(+)
Edition : Paris, l'Auteur, Boivin, Leclerc, 1736.Présentation de Maëlle Trouvé : Biographie de Jean-Baptiste-Joseph Masse - Lecture de la partition (notation, ornementation, phrasé, terminologie, basse-continue, forme)Ces sonates, dites 'à deux violoncelles', sont en fait écrites pour violoncelle et basse-continue.Ce recueil de très jolies sonates a l'avantage d'être techniquement très abordable. Il sera donc un élément intéressant d'initiation au style de cette époque. - / Violoncelle Et Basse Continue / 36 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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