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"Canon" by Pachelbel - EASY version for CELLO SOLO with PIANO
"Canon" by Pachelbel - EASY version for CELLO SOLO with PIANO
$3.99
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Cello, Piano
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Johann Pachelbel
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Iury Cardoso
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Iury Cardoso
"Canon" by Pachelbel - EASY version for CELLO SOLO with PIANO
"Canon" by Pachelbel - EASY version for CELLO SOLO with PIANO
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Cello, Piano
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Johann Pachelbel
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Iury Cardoso
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Iury Cardoso
"Canon in D" by Pachelbel - Version for CELLO SOLO with PIANO
"Canon in D" by Pachelbel - Version for CELLO SOLO with PIANO
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Cello, Piano
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Johann Pachelbel
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Iury Cardoso
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Iury Cardoso
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Sonata E Minor For Violoncello And Basso Continuo
Violoncello, Basso continuo
Schott
Sonata in E Minor RV 40 (Cello and Basso Continuo). By Antonio Vivaldi (1678-174...
(+)
Sonata in E Minor RV 40 (Cello and Basso Continuo). By Antonio Vivaldi (1678-1741). Edited by Walter Kolneder. For Cello, Piano. Cello-Bibliothek (Cello Library). Book only. 16 pages. Schott Music #CB204. Published by Schott Music
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Sonate C-dur fur Violoncello und Basso continuo
Violoncello, Basso continuo
[Score and Parts]
Barenreiter
By Picinetti, Felice Maria. Edited by Walter Upmeyer. For Violoncello, Piano. Vi...
(+)
By Picinetti, Felice Maria. Edited by Walter Upmeyer. For Violoncello, Piano. Violoncello. Playing Score; Single Part. Published by Baerenreiter-Ausgaben (German import).
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Sonatas For Cello And Basso Continuo (VIVALDI ANTONIO)
Violoncello, Basso continuo
Wiener Urtext
Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbaue...
(+)
Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co
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Johann Sebastian Bach: Three Sonatas For Violoncello And Harpsichord: Cello:
Violoncello, Basso continuo
[Sheet music]
Barenreiter
for Violoncello and Harpsichord-Three Sonatas For Cello And Piano by Johann Seba...
(+)
for Violoncello and Harpsichord-Three Sonatas For Cello And Piano by Johann Sebastian Bach (1685-1750) edited by Hans Eppstein. Set of performance parts (includes separate pull-out cello part) for cello and piano (or harpsichord). Urtext of the New Bach Edition. 71 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5210)
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Jean-Baptiste Bréval: Sonate C-dur Opus 40 Nr. 1: Cello: Instrumental Work
Violoncello, Basso continuo
G. Henle
fur Violoncello und Bass (Klavier). At the end of the eighteenth century, cellis...
(+)
fur Violoncello und Bass (Klavier). At the end of the eighteenth century, cellist and composer Jean-Baptiste Bréval wrote not only virtuosic concerti for his instrument, but also easier sonatas and duets that still belong to the core repertoire of pedagogical cello literature. Opening with impressive chords, the Sonata in C-major op. 40 no. 1 also offers beginners the chance to savour beautiful melodies and master smaller shifts in position. The Parisian first edition of 1799 leaves the choice of accompanying instrument open. For this reason, this Urtext edition offers several options: a two-part score from which a second cello may comfortably provide accompaniment during lessons, as well as a moderate setting for piano that may be used in concerts. Rounding off this starter kit for cello literature is a carefully marked solo part.
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Sonata #2 G Major
Violoncello, Basso continuo
[Sheet music]
-
Easy
Schott
Un grand nombre d'oeuvres de l'Italien Giovanni musicien Cirri Battista (1724-18...
(+)
Un grand nombre d'oeuvres de l'Italien Giovanni musicien Cirri Battista (1724-1808) de Forli ont été imprimés au cours de sa vie. Le virtuose du violoncelle occupé composé de cours en particulier pour 'son' instrument, les deux concertos et sonates, mais aussi un certain nombre de pièces de musique de chambre dans des instrumentations d'autres, en dehors de travaux occasionnels pour orchestre ou pour des occasions sacrés. La Sonate en sol majeur publié ici est parfaitement adapté pour des leçons d'initiation, d'être un accrocheur, belle pièce à consonance et enrichissante pour les jeunes violoncellistes qui est amusant à jouer (et à écouter). La partie de basse d'accompagnement a été volontairement organisé comme une partie de piano facile de sorte qu'il peut aussi être joué par les élèves. / Violoncelle Et Basse Continue / 18 pages / niveau : Facile / Partition
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6 Cello Sonatas Op. 8
Violoncello, Basso continuo
Peters
/ Violoncelle Et Piano
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Sonata #3 F Major
Violoncello, Basso continuo
Schott
Un grand nombre d'oeuvres du musicien italien Giovanni Battista Cirri (1724-1808...
(+)
Un grand nombre d'oeuvres du musicien italien Giovanni Battista Cirri (1724-1808) de Forlì ont été imprimés de son vivant. Le virtuose du violoncelle occupé composé de cours particulier pour 'son' instrument, les deux concertos et sonates, mais aussi un certain nombre de morceaux de musique de chambre dans les instrumentations d'autres, en dehors des travaux occasionnels pour orchestre ou pour des occasions sacrées. La Sonate en fa majeur publié ici est parfaitement adapté pour les cours d'initiation, d'être un accrocheur, belle pièce à consonance et enrichissante pour les jeunes violoncellistes qui est amusant à jouer (et à écouter). La partie de basse d'accompagnement a été volontairement organisé comme une partie de piano faciles, qu'ils peuvent également être lus par les élèves. / Violoncelle Et Basse Continue
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