Performed by Janet Grice bassoon Accompaniment: Harriet Wingreen piano This collection of classic pieces scored for solo bassoon with piano accompaniment covers a huge span of time and musical styles from Bach (Bourrée I and II) to Dukas's Sorcerer's Apprentice. Includes selections from Carmen L'Elisir d'amore Pictures at an Exhibition and many many more! Includes a high-quality printed solo part and a compact disc containing a complete performance presented in split-channel format with the piano accompaniment on the left channel and bassoon soloist on the right channel. This affords the player the ability to easily dial in or out the reference solo part. (Notethat due to publisher's restrictions there is no printed part included for the two Grice selections.)

This first volume of Bassoon Solos includes nine solos with Piano accompaniment edited by William Waterhouse. Suitable for intermediate players. Contents include Three Easy Pieces No.1 (Milde) Minuet From Quartet For Bassoon And Strings Op.1 No.6 (Ritter) Scherzo - Kolomyjka (Vojacek) Three Easy Pieces No.3 (Milde) Three Easy Pieces No.2 (Milde) Minuetto Giocoso (FranzJoseph Haydn) Bruit De Chasse (Corrette) Vivace And Largo Poco Andante - Sonata In E Minor Op.3 No. 3 (Michel Blavet) and Trois Sonates (Anton Diabelli).  

Music Minus One Bassoon-The E-flat Beethoven quintet is a wonderful example of Beethoven at his best. Beautiful sonorities in one of the great classics of chamber music. The Andante is especially beautiful with an almost perfect integration of all the instruments.

Timeless Cornish Melodies Cooked Up For Hungry Brass Players-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture - I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Riduzione per fagotto e pianoforte-Ermanno Wolf-Ferrari's Suite-concertino In F Op.16 for Bassoon with a Piano reduction of the original orchestral material by Ugo Solazzi.

There are songbirds and birds whose bird calls are less than cantabile. In the garden of Rome's Villa Massimo, the one and the other birds (ucelli) and songbirds (ucelletti) inspired composer Manfred Trojahn to write this adventurous and very charming piece for bassoon solo. This is a valuable addition to the small repertoire for this fantastic instrument. ucelli e ucelletti captivates with its vitality and musical richness. / Basson

Les flûtistes sont toujours heureux de trouver des ?uvres pour musique de chambre dont l?instrumentation originale comprend leur instrument. Ainsi se réjouiront-ils sans doute de la présente édition urtext du trio pour piano flûte et basson de Beethoven. Cette édition s?appuie sur la partition de la nouvelle édition complète des ?uvres de Beethoven. Beethoven a probablement écrit ce trio concertant virtuose dès l?âge de 15 ans. La singularité de cette formation s?explique par le fait que la composition était destinée à la famille Westerholt-Gysenberg. Le baron Westerholt-Gysenberg jouait du basson son fils de la flûte et sa fille Maria Anna Wilhelmine était l?élève deBeethoven au piano. De la musique de chambre ravissante!

La boule masquée par Pam Wedgwood est ici arrangé pour Quintette de basson et présenté avec conducteur et parties. / Basson

La référence FP 079 de l'éditeur Fertile Plaine dont l'auteur célèbre est Matuchet E., qui a pour titre Jeux de cloches ( basson et piano ), a été écrite et composée pour Basson et plus particulièrement pour Basson Et Piano. Cette partition musicale appartient à la catégorie Classique. / Basson Et Piano / Partition

Par BOULESTREAU GEORGES. D?abord un peu lents et patauds, les lutins esquissent quelques pas légers et sautillants, puis se reposent dans un mouvement lent propice à la rêverie, et se lancent ensuite dans une danse effrénée et virevoletante qui se termine en apothéose. Les jeunes bassonistes trouveront dans cette pièce l?occasion d?exprimer leur agilité, leur sensibilité et leur humour, voire les prémisces de leur virtuosité future... / Date parution : 2018-04-17/ Répertoire / Basson et Piano

Brings aspiring bassonists from Adam and Eve to Mozart. Completely revised and happily optimized edition, fully packed with great bassoon pieces.- Slow and steady wins the bassoon race! The beautiful little pieces are progressing slowly but continuously for an effortless learning experience.- lovely and tasty exercises, etudes and duets that delight childrens' (and big childrens') ears- pitch range book 1: F-g + bb, f#, eb, c# ab, E-C (bass register)- original music from various renaissance and baroque composers, Anselma Veit and Julius Weissenborn- traditional pieces and entertaining music are combined for enjoyment and variety- in many duets both parts can be mastered by the student- chapters with rhythm only exercises for gettin' the groove- chapters with study pieces to apply and train newly introduced notes and rhythms- chapters with sight reading tests to see what sticksHumorously illustrated by the amazing Fritz Kotrba, who even made a google search for 'stylish girl's hairstyle? for a special contemporary look and artwork.A bassoon method that makes progress easy and learning fun and effortlessly. The new standard method! / Basson