Phaedra by German composer Hans Werner Henze is a 'concert opera' in two acts whose first performance was given at the Berlin State Opera in 2007. Phaedra was Henze's penultimateopera and this item presents the full score with the entire work lasting around 75 minutes. Featuring a unique libretto by Christian Lehnert and sound effects by Francesco Antonioni this opera presents thewonderful story of Phaedra filled with drama and fantastic music. This Full Score?presents the work in German and English language and features detailed instructions for the supplied CD onwhich some sound effects are included that are to be used in conjunction with the instruments. Phaedra was co-commissioned and co-produced by Staatsoper Unter den Linden Berlin BerlinerFestspiele Thé tre de la Monnaie Brussels Alte Oper Frankfurt and Wiener Festwochen. Hans Werner Henze?was a hugely prolific composer who drew influences from a wide number of sources. Phaedra isregarded as among his greatest works and would certainly make for a stunning performance.

Dr. Jekylls Advokat - An Opera in 2 Acts by Niels Marthinsen (2012). Libretto by Eva Littauer inspired by Robert Louis Stevensons 'Dr. Jekyll og Mr. Hyde'.

“Rodrigo” was premiered in autumn 1707 in Florence and is therefore one of Handel’s early stage works. The composer only 22 years old wrote a densely-woven musical scenario for his first opera composed in Italy. It masterfully portrays the dramatic states of mind of the protagonists surrounding the Iberian tyrant Rodrigo and the plot full of deception betrayal adultery war as well as the transformation wrought by Rodrigo’s abdication. The work was not as was long thought a commission from the Prince of Medici. Despite this “Rodrigo” seems to have been so popular thatHandel extended his stay in Italy and was able to compose several operas during the following period. In “Rodrigo” the mastery which made Handel’s succeeding opera “ Agrippina” such a success is already clearly evident. “Agrippina” consequently made Handel’s name famous throughout Europe and soon led to his first journey to London. The new vocal score is based on Volume II/2 of the “Halle Handel Edition” (BA 4083). The appendix contains the surviving variants in the versions of the first performances from Handel’s lifetime. Performance material available for hire. Based on the Urtext of the “Halle Handel Edition”. Original Italian text underlaid with German singing translation. Basso continuo and editorial additions in small print. Foreword in two languages (Ger/Eng)

Libretto for Bedrich Smetana's comic Opera The Bartered Bride. This edition contains English only and was translated by Tony Harrison.

Vocal score for Andre Bygninger - a Chamber Opera in 2 acts by Andy Pape (2011-2014). Libretto by Rasmus Zwicki. Commissioned and premiered by Den Fynske Opera in April 2015.

Per Sequenze Video, Soli, Coro, Orchestra E Live Electronics (2000 - 01). Par GUARNIERI ADRIANO. Italian / Musique contemporaine / Date parution : 1905-06-25/ Répertoire / Opéra

Conductor composer and pianist André Previn continues to redefine the possibilities in his extraordinary career already one of the most distinguished musicians of our time. This wonderful opera in three acts is based onthe famous play by Tennessee Williams and with the libretto by Philip Littell Previn has beautifully created music which truly evokes a sense of place and setting and reflects the fragility violence and passions of thecharacters. Available here is the piano/vocal score of Previn?s marvelous work which was commissioned by San Francisco Opera and premiered on 19th September 1998.

Par AVENA ANDREA. Analyse et manipulation des mélodique mélodiques guide en ligne, le concept de variation, la consonance et la dissonance, l'adaptation du rythme, Record, cordes rapport, les échelles, de limiter le registre basse, exemples, exercices et solutions./ Méthode / Opéra Théorique ou Didactique

A Fairytale Opera In Two Acts-The Thirteenth Child - A Fairytale Opera In Two Acts by Poul Ruders (2014-15). Libretto by Becky Starobin and David Starobin. Scenario by Becky Starobin. Suggested by 'The Twelve Brothers' by the Brothers Grimm. SYNOPSIS Act 1 Scene 1 The neighboring Kingdoms of Frohagord and Hauven are in crisis. Following a warning by his embittered cousin Drokan Regent of Hauven King Hjarne of Frohagord is convinced that his twelve sons are plotting to overthrow him. The twelve princes oblivious to their father's paranoia play in the courtyard. The enraged King threatensthe safety of his sons telling his pregnant wife Queen Gertrude that she must provide him with a female heir  as 'only she shall wear the crown'.  Gertrude calms Hjarne and they sing of the Lilies of Frohagord magical flowers that protect the kingdom.  When Benjamin the youngest prince innocently plucks a lily from the garden Hjarne flies into a mad rage and strikes Gertrude.  Drokan observing the encounter  admits his love for Gertrude and feels 'the trembling of the earth'. Act 1 Scene 2 Eighteen years have passed and King Hjarne has just died. At Hjarne's funeral Frederic Drokan and the mourners tell of the mysterious disappearance of the King's thirteen children and the shadows that haunt the kingdom. Queen Gertrude now mortally ill and her daughter Princess Lyra enter the Royal Chapel. Gertrude is repelled by the sight of Drokan  while Frederic is drawn to Lyra. Drokan plots to usurp the Kingdom of Frohagord and Frederic dreams of the day when Lyra will be his. Act 1 Scene 3 Queen Gertrude is on her deathbed attended by Princess Lyra.  Lyra asks her mother why she was sent away.  Gertrude has Lyra open a secret drawer where Lyra finds twelve shirts

Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two dozen operas he had written for Venice had helped establish Venice as the world’s first operatic superpower. “Scipione Affricano” (Venice 1664), Cavalli’s first opera after returning from France, was one of his most successful compositions. In a period that valued new works over familiar ones, “Scipione” was one of a handful of operas to live on after its premiere season: it was revived eight times and chosen to inaugurate Rome’s Teatro Tordinona in 1671. Cavalli’s librettist, Nicolò Minato, was inspired by historical accounts of the life of the Roman general Scipio, whose defeat of Carthage in 202 BCE earned him the honorary agnomen “Africanus.” In setting Minato’s libretto, Cavalli drew upon the lyrical gifts that have made operas like “La Calisto” and “Giasone” so popular today. But at the same time “Scipione Affricano” also shows the composer embracing aspects of his two years in France, and responding to musical changes that, in the 1660s, were rapidly altering the face of Italian opera: the growing dominance of arias, a clearer sense of aria organization, and increased interplay between voice and instruments. The first goal of this edition is a practical one: to develop a version of the opera suited to the needs of both professional and student performers. A second goal is to reconstruct the opera’s complete performance history. An amply documented appendix reconstructs earlier versions of 21 arias. Other appendices print the surviving additional music from revivals in Rome and Venice. The edition is framed by a substantial Introduction, covering the drama, the musical style, the composition, premiere, and revivals, and a guide for performance today, plus a detailed “decoding” of the sources. - series Francesco Cavalli – Opere / Date parution : 2022-11-08/ Répertoire / Opéra