American Company
(26 results)
No shipping to countries within the European Union.
|
European Companies
(20 results) |
1 |
1 |
|
| Marche opus (guitare, vibraphone, trompette, saxophone tenor, trombone, saxophone bar, basse, batterie) Orchestra Martin, Robert
Combo (guitar, vibraphone, trumpet, tenor saxophone, trombone, baritone saxophon...(+)
Combo (guitar, vibraphone, trumpet, tenor saxophone, trombone, baritone saxophone, bass, drumset) SKU: RM.SL10506 Composed by Jean Courtioux. Combo. Orchestra. Editions Robert Martin #SL10506. Published by Editions Robert Martin (RM.SL10506). ISBN 9790231095067. $54.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Siedi. Concerto for solo percussion and orchestra (score) Orchestra SATB, Orchestra Fennica Gehrman
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennic...(+)
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennica Gehrman #55011-315-2. Published by Fennica Gehrman (FG.55011-315-2). ISBN 9790550113152. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.
Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. $79.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto for Brass and Orchestra Orchestra [Score] Theodore Presser Co.
By Donald Erb. Orchestra. For Flute, Oboe, English Horn, Clarinet, Bass Clarinet...(+)
By Donald Erb. Orchestra. For Flute, Oboe, English Horn, Clarinet, Bass Clarinet in Bb, Bassoon, Contra Bassoon, Horn, Trumpet, Tenor Trombone, Bass Trombone, Tuba, Timpani, Vibraphone, Marimba, Crotales, Chimes, Harmonica (in C), Small Bass Drum, Tuned Drums, Gallon Jug, Small Mounted Wine Glass, Large Suspended Cymbal, Large Suspended Cymbal, Snare Drum, Glockenspiel, Roto-Toms, Harmonica (in B), Harmonica (in D), Medium Bass Drum, Medium Bass Drum, Wine Glasses (Partially Filled with Water), Medium Mounted Wine Glass, Medium Suspended Cymbal, Medium Tam-Tam, Vibraphone (Normal Mallets and 2 Double Bass Bows), Xylophone, Harmonica (in Bb), Nipple Gong (in C), Bass Drum, Tom-Tom, Wine Glass, Small Suspended Cymbal, Small Tam-Tam, Harp, Violin I, Violin II, Viola, Cello, Contrabass, Piano, Celesta, Yamaha Dx7 with Phase Shifter. Full Score - Large. 90 pages. Published by Theodore Presser Company.
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Contextures: Riots - Decade '60 Orchestra Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S). UPC: 680160683208. Contextures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death. $43.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Deep Field Orchestra [Score and Parts] Hal Leonard
Full Orchestra Score and Parts Choral; Concert Band; Full Orchestra; Orchestra...(+)
Full Orchestra Score and Parts
Choral; Concert Band; Full
Orchestra; Orchestra (Score and
Parts)
For Full Orchestra, with Choir
and Smart Phone App. Composed
by Eric Whitacre (1970-). Eric
Whitacre Orchestra. Concert.
Softcover. Published by Hal
Leonard
$525.00 - See more - Buy online | | |
| Thumbelina (Ballet Suite) Orchestra Subito Music
Orchestra SKU: SU.28120010 For Orchestra. Composed by Alla Pavlova...(+)
Orchestra SKU: SU.28120010 For Orchestra. Composed by Alla Pavlova. Orchestra. Study Score. Subito Music Corporation #28120010. Published by Subito Music Corporation (SU.28120010). Ballet Suite in 5 movements (revised version)3222; 4331; timp, perc, hp, pno; stgs Duration: 24' Composed: 2008 Published by: Alla Pavlova Music Although it maintains the charm of the original Hans Christian Andersen tale, Alla Pavlova's Thumbelina is a considerable musical, visual and narrative expansion of the story to make it suitable as a full-length ballet and family-programming alternative to The Nutcracker. Musically, it is scored for full symphony orchestra ([3,2,2,2]-[4,3,3,1]-[timp.,perc.]-[Hp]-[Strings], Percussion: Bass dr., Snare dr., Wooden Block, Tambourine, Triangle, Glock., Vibraphone, Celesta) and contains not only many beautiful, lyrical and moving waltzes and other classical themes, but also rhythms such as tango, boogie-woogie and ragtime. Narratively, the story has been adapted to include a varied and colorful cast of characters. The Thumbelina Suite (which has been recorded by the Tchaikovsky Symphony Orchestra for Naxos) can be heard at http://www.allapavlova.com/listen.html or by clicking on the image below. She has created a synopsis of the ballet, which is of course based on the Andersen fairy tale. We’ll gladly send this synopsis on request. Recording: 21st Century Classics – Naxos 8.579003 Performance materials available on rental only:. $43.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Isaac Albéniz : Asturias Orchestra [Score and Parts] - Intermediate/advanced Belwin
By Isaac Albéniz. Orchestra. For full (vibraphone opt marimba, bells, timp, sna...(+)
By Isaac Albéniz. Orchestra. For full (vibraphone opt marimba, bells, timp, snare, bass, tamb, triangle, crashcym, castinets, fingercym, pno). Full Orchestra; Masterworks; Part(s); Score. Belwin Concert Full Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Grade 4.5. 228 pages. Published by Belwin Publishing
$73.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Sea Hawk Orchestra [Score and Parts] - Intermediate/advanced Alfred Publishing
(Suite for Orchestra). By Erich Wolfgang Korngold (1897-1957). Arranged by Jerry...(+)
(Suite for Orchestra). By Erich Wolfgang Korngold (1897-1957). Arranged by Jerry Brubaker. Orchestra. For full (vibraphone, timp, snare, bass, crashcym/triangle/tamb, suscym/tamtam, harp). Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Movie. Grade 4. 226 pages. Published by Alfred Music Publishing
$75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| World of Warcraft Orchestra [Score and Parts] - Intermediate/advanced Alfred Publishing
(From the Hit Video Game (featuring: Wrath of the Lich King / Lament of the High...(+)
(From the Hit Video Game (featuring: Wrath of the Lich King / Lament of the Highborne / Lion's Pride)). By Russell Brower, Derek Duke, and Jason Hayes. Arranged by Jerry Brubaker. Orchestra. For full (Vibraphone, tambourine, timp, anvil/bass drum/triangle/sus cymbal/finger cymbal, tam tam/crash cymbals/med low tom toms, pno/synth harp). Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Form: Medley. Novelty; Pop; Rock; Video Game. Grade 4. 228 pages. Published by Alfred Music Publishing
$90.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Harry Potter and the Deathly Hallows, Part 1, Suite from Orchestra [Score and Parts] - Intermediate Alfred Publishing
(Featuring: Obliviate / Polyjuice Potion / Harry and Ginny / Ministry of Magic /...(+)
(Featuring: Obliviate / Polyjuice Potion / Harry and Ginny / Ministry of Magic / Ron Leaves). By Alexandre Desplat (1961-). Arranged by Victor LÌ_pez. Orchestra. For full (Vibraphone/Bells/Marimba, timp, Snare Drum/Wind Chimes/ Hi-Hat Cymbals, Bass Drum, Finger Cymbals/Suspended Cymbals/Triangle/Ride Cymbal, Low Tom, pno). Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Form: Medley. Light Concert; Movie; Pop. Grade 3.5. 240 pages. Published by Alfred Music Publishing
$72.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rhapsody On A Theme of Paganini Orchestra [Study Score|Conductor Score] Theodore Presser Co.
(For Piano and Orchestra). By Lowell Liebermann. Orchestra. For Piccolo, 2 Flute...(+)
(For Piano and Orchestra). By Lowell Liebermann. Orchestra. For Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in B-Flat, 2 Bassoons, 4 Horns, 2 Trumpets in C, 3 Trombones, Timpani, Percussion (3 Players): Tubular Bells, Glockenspiel, Cymbals, Triangle, Xylophone, Vibraphone, Wood Block, Suspended Cymbal, Snare Drum, Bass Dr. World Premiere: Stephen Hough, piano; The Indianapolis Symphony; Raymond Leppard, conductor. Contemporary. Full score (study). Standard notation. Opus 72. 101 pages. Duration 20 minutes. Published by Theodore Presser Company
$65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Carol of the Bells Orchestra [Score] Carl Fischer
Ukrainian Christmas Carol. By Peter Wilhousky, Mykola Leontovich. Edited by Shar...(+)
Ukrainian Christmas Carol. By Peter Wilhousky, Mykola Leontovich. Edited by Shari Lewis. Arranged by Richard Hayman. Orchestra. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Trumpet III, Tenor I, Tenor II, Tenor III, Tuba, Timpani, Glockenspiel, Chimes, Swiss Hand Bells, Suspended Cymbal, Vibraphone, Harp, Celesta, Piano, Violin I, Violin II, Viola, Cello, Double Bass. Carl Fischer Orchestra Edition. Classical. Full Score - Large. 29 pages. Published by Carl Fischer.
$20.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sweet Dreams, Elizabeth Lee Orchestra [Score and Parts] C. Alan Publications
By Gabe Musella. For Full Orchestra (Flute 1 & 2, Oboe, Clarinet in Bb 1 & 2, Ba...(+)
By Gabe Musella. For Full Orchestra (Flute 1 & 2, Oboe, Clarinet in Bb 1 & 2, Bass Clarinet, Bassoon, Alto Saxophone (optional), Horn in F, Trumpet in C 1 & 2, Trombone 1 & 2, Tuba, Glockenspiel, Vibraphone, Percussion (Suspended Cymbal, 2 Triangles), Piano, Violin I, Violin II, Viola, Violo). Orchestra Music. Score and parts. Duration 4:20. Published by C. Alan Publications
$70.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Far From Home Orchestra [Full Score - Study] Theodore Presser Co.
(Concerto For Cello And Orchestra). Composed by Narong Prangcharoen. For orchest...(+)
(Concerto For Cello And Orchestra). Composed by Narong Prangcharoen. For orchestra (3 flutes (3 dbl. picc.), 2 oboes, english horn, 2 clarinets in Bb, bass clarinet, 2 bassoons, contrabassoon, 4 horns in F, 2 trumpets in Bb, trombone, bass trombone, tuba, timpani, 3 percussion:, percussion 1: vibraphone, crotales, glockenspiel, xylophone). Contemporary. Full Score - Study. Standard Notation. Composed 2014. 43 pages. Duration 20 minutes. Theodore Presser Company #416-41531. Published by Theodore Presser Company
$34.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Illuminations Orchestra [full score - study (9x12)] Theodore Presser Co.
(For Orchestra (9x12 score)). Composed by Narong Prangcharoen. For orchestra (3 ...(+)
(For Orchestra (9x12 score)). Composed by Narong Prangcharoen. For orchestra (3 flutes (3rd double piccolo), 3 oboes, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in Bb, 2 trombones, bass trombone, tuba, timpani, 3 percussion:, I: glockenspiel, xylophone, marimba, sand block, II: vibraphone, large). Contemporary. Full score - study (9x12). Standard Notation. 44 pages. Duration 12 minutes. Theodore Presser Company #416-41483. Published by Theodore Presser Company
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ruders Listening Earth Score Book Orchestra Wilhelm Hansen
Orchestra SKU: HL.14027993 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra SKU: HL.14027993 Composed by Poul Ruders. Music Sales America. Classical. Score. Composed 2006. 164 pages. Edition Wilhelm Hansen #WH30602. Published by Edition Wilhelm Hansen (HL.14027993). ISBN 9788759811832. English. Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.
3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo 3 Oboes, 3rd also Cor Anglais in F 3 Clarinets in Bb, 3rd also Bass Clarinet in Bb 3 Bassoons, 3rd also Contra Bassoon
4 Horn in F 3 Trumpets in Bb 3 Trombones 1 Tuba
Timpani
4 Percussion, four players Player 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium) Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese Cymbal Player 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle Cymbal Player 4 - Bass Drum, Glockenspiel, Xylophone
1 Harp
1 Piano, also Celesta
Strings - 16/14/12/10/8
All transposing instruments are notated in their relevant transpositions. Any accidental apply only to the note that it immediately precedes, except tied notes. Naturals appear occasionally 'for safety'.
'LISTENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon. The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical. $131.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Roger Huntington Sessions (1896-1985) : Divertimento Orchestra [Study Score / Miniature] Theodore Presser Co.
(For Orchestra). By Roger Huntington Sessions (1896-1985). Orchestra. For Piccol...(+)
(For Orchestra). By Roger Huntington Sessions (1896-1985). Orchestra. For Piccolo, Flute, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Horn, Trumpet, Tenor, Tuba, Timpani, Triangle, Cymbal, Tam-Tam, Tam-Tam, Tambourine, Snare Drum, Chinese Drum, Military Drum, Tenor Drum, Bass Drum, Wood Block, Vibraphone, Xylophone, P. Classical. Full Score - Study. Standard notation. 127 pages. Published by Theodore Presser Company
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| American Fanfare Orchestra [Score] Carl Fischer
By Lukas Foss (1922-). Orchestra. For Flute I, Flute II, Oboe I, Oboe II, Clarin...(+)
By Lukas Foss (1922-). Orchestra. For Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Bassoon I, Bassoon II, Contra Bassoon, Horn I, Horn II, Horn III, Horn IV, Trumpet in C I, Trumpet in C II, Trumpet in C III, Tenor I, Tenor II, Tenor III, Tuba, Timpani, Vibraphone, Chimes, Cym. Premiered July 6, 1990 at Tanglewood, Seiji Ozawa, conducting. Full score (large). Standard notation. 31 pages. Duration 4 minutes. Published by Carl Fischer
$25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Folia daliniana Orchestra Trito
By Xavier Montsalvatge (1912-2002). For orchestra (1111 - 1000 - 1 percussion - ...(+)
By Xavier Montsalvatge (1912-2002). For orchestra (1111 - 1000 - 1 percussion - strings) (percussion: whip, snare drum, temple blocks, flex-a-tone, bongo, guiro, tamtam, vibraphone, xylophone, maracas, windchimes). 20th century. Orchestral. Full Score. 43. Full Score. Orchestral.
$42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Inventions-Instruments Divers Orchestra Heugel
Orchestra SKU: BT.ALHE31787 Composed by Amy. Classical. Study Score. 41 p...(+)
Orchestra SKU: BT.ALHE31787 Composed by Amy. Classical. Study Score. 41 pages. Heugel & Cie #ALHE31787. Published by Heugel & Cie (BT.ALHE31787). French. For flute, piano (or celeste), harp and vibraphone (or marimba). $36.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Something Connected with Energy Orchestra Chester
Orchestra (Full Score) SKU: HL.238319 (2008). Composed by Michael ...(+)
Orchestra (Full Score) SKU: HL.238319 (2008). Composed by Michael Nyman. Music Sales America. Classical. Softcover. Composed 2017. 324 pages. Chester Music #CH74756. Published by Chester Music (HL.238319). UPC: 888680888442. 9x12 inches. Something Connected with Energy was composed in 2008 and was commissioned by the Festival Della Scienza 2008, Genova, Italy with financial support by ERG.
Scored for Flute/Piccolo, Clarinet/Bass Clarinet, Alto/Tenor Saxophone, Horn, Trumpet, Vibraphone, Piano and Strings. Duration is approximately: 48 minutes. $125.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Duetto pour basse,vibraphone et big band Orchestra Martin, Robert
Jazz ensemble SKU: RM.SL10380 Composed by Michel Legrand. Jazz ensemble. ...(+)
Jazz ensemble SKU: RM.SL10380 Composed by Michel Legrand. Jazz ensemble. Orchestra. Editions Robert Martin #SL10380. Published by Editions Robert Martin (RM.SL10380). ISBN 9790231093803. $89.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Inventions (ph261) (quartet-mixed) Orchestra Heugel
Orchestra SKU: HL.48187893 Composed by Gilbert Amy. Leduc. Classical. Sof...(+)
Orchestra SKU: HL.48187893 Composed by Gilbert Amy. Leduc. Classical. Softcover. Heugel & Cie #HE31787. Published by Heugel & Cie (HL.48187893). UPC: 888680830700. 7.5x10.75x0.174 inches. for flute, piano (or celeste), harp and vibraphone (or marimba). $37.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mother Earth Orchestra [Score and Parts] Carl Fischer
(A Fanfare): for Band. By David Maslanka. Concert Band. For Piccolo, Flute, Oboe...(+)
(A Fanfare): for Band. By David Maslanka. Concert Band. For Piccolo, Flute, Oboe, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Horn, Tenor I, Tenor II, Tenor III, Baritone (Bass Clef), Baritone (Treble Clef in Bb), Tuba, Timpani, Orchestra Bells, Xylophone, Vibraphone, Chimes, Tom-Toms, Large Suspended Cymbal, Large Suspended Cymbal, Tenor Drum, Bass Drum, Tam-Tam. Carl Fischer Classic Band Editions. Score and Set of Parts. 32 pages. Published by Carl Fischer.
$110.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ride Through the Valley Orchestra - Intermediate Alfred Publishing
Concert Band; Orchestra - Grade 3 SKU: AP.49122 Composed by Chris M. Bern...(+)
Concert Band; Orchestra - Grade 3 SKU: AP.49122 Composed by Chris M. Bernotas. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Young Symphonic. Score and Part(s). 170 pages. Duration 4:26. Alfred Music #00-49122. Published by Alfred Music (AP.49122). UPC: 038081563558. English. This version of Ride Through the Valley by Chris Bernotas is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.
The fast-paced opening of Bernotas' Ride Through the Valley builds momentum, leading to a bright and tuneful main theme. A lyrical contrasting section follows featuring a warmth of colors enhanced by vibraphone and gracefully cascading arpeggiated pyramids. A brief transition leads to a return of the main theme including a key change, bringing the piece to a driving conclusion. (4:26)
Percussion Accompaniment Track Downloads: with click. without click.
This title is available in MakeMusic Cloud. $75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ride Through the Valley Orchestra - Intermediate Alfred Publishing
Concert Band; Orchestra - Grade 3 SKU: AP.49122S Composed by Chris M. Ber...(+)
Concert Band; Orchestra - Grade 3 SKU: AP.49122S Composed by Chris M. Bernotas. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Young Symphonic. Score. 28 pages. Duration 4:26. Alfred Music #00-49122S. Published by Alfred Music (AP.49122S). UPC: 038081563565. English. This version of Ride Through the Valley by Chris Bernotas is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.
The fast-paced opening of Bernotas' Ride Through the Valley builds momentum, leading to a bright and tuneful main theme. A lyrical contrasting section follows featuring a warmth of colors enhanced by vibraphone and gracefully cascading arpeggiated pyramids. A brief transition leads to a return of the main theme including a key change, bringing the piece to a driving conclusion. (4:26)
Percussion Accompaniment Track Downloads: with click. without click.
This title is available in MakeMusic Cloud. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
1 |
|
| Witold Lutoslawski: Trois
Poemes D'henri Michaux:
Orchestra: Instrumental
Work Orchestra [Sheet music] Chester
Trois po?mes d?Henri Michaux was written for the Zagreb Biennale and first perfo...(+)
Trois po?mes d?Henri Michaux was written for the Zagreb Biennale and first performed there by the orchestra and choir of Radio Zagreb conducted by the composer and Slavko Zlatic on 9 May 1963. It is composed for 20-part choirand an orchestra similar to that of the Symphony of Psalms though without the lower strings of the latter.Lutoslaswski has said that the general outline of the work came to him first and only then did he choose the threepoems. These reflect his Francophile taste: Henri Michaux was born in Belgium in 1899 and later became a painter: the trenchant Le Grand Combat with its onomatopoeic invented words dates form the 1920s; the other two texts which are more philosophic than pictorial form the 1930s. Choir and orchestra need separate conductors even though throughout they alternate more often than they combine.A description of the course of the music itself will bemore useful than any discussion of its technical processes or of its notation. A quiet section of orchestral polyphony which brass sforzandi punctuate with increasing frequency frames the beginning and end of Pens?es. Afterthe choir?s first unaccompanied passage the woodwind have a staccato section over which the female voices singing downward glissandi are superimposed (?Ombre de mondes infimes??). Then the woodwind and both pianos join in alapping ostinato which illustrates the text of the next forte choir entry ?Pens?es la nage merveilleuse?? The climax of the movement comes as these characteristic woodwind figures alternate with the tintinnabulation of agamelan-like ensemble of vibraphone c?leste harp and pianos.
22.99 GBP - Sold by Musicroom UK | |
| Poul Ruders: Final
Nightshade - An Adagio Of
The Night: Orchestra:
Score Orchestra [Sheet music] Wilhelm Hansen
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fish...(+)
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be
60.99 GBP - Sold by Musicroom UK | |
| John Williams: Harry
Potter Symphonic Suite:
Orchestra: Instrumental
Work Orchestra [Score and Parts] Alfred Publishing
The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. ...(+)
The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. This medley based on the endearing themes from the box office smash hit Harry Potter and the Sorcerer's Stone weaves the vivid imagery of the film with varied textures to produce a work that will be loved by all. Wonderful symphonic literature certain to be a hit on any concert program. Duration 7:20. Score and all parts. 1 Conductor 1 1st C Flute/C Piccolo (Alto Flute Opt. Recorder) 1 2nd C Flute (Opt. Recorder) 2 Oboe (English Horn) 1 1st Bb Clarinet 1 2nd Bb Clarinet 1 Bb Bass Clarinet 2 Bassoons 1 1st Horn In F 1 2ndHorn In F 1 3rd Horn In F 1 4th Horn In F 1 1st Bb Trumpet 1 2nd Bb Trumpet 1 3rd Bb Trumpet 1 1st Trombone 1 2nd Trombone 1 3rd Trombone 1 Tuba 4 Percussion 1 (Orchestra Bells Xylophone Antique Bells Marimba Glockenspiel) 1 Percussion 2 (Hand Drums Antique Bells Timpani) 4 Percussion 3 (Vibraphone Chimes Small Tuned Drums Tambourine Snare Drum Suspended Cymbal) 4 Percussion 4 (Suspended Cymbal Small Tambourine Small Triangle Tam-Tam Bass Drum Crash Cymbals) 1 Celeste 1 Harp 8 1st Violin 8 2nd Violin 5 Viola 5 Cello 5 String Bass
79.50 GBP - Sold by Musicroom UK | |
| Joby Talbot: Worlds
Stars Systems Infinity
(Full Score): Orchestra:
Score Orchestra Chester
Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Univers...(+)
Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Universe of Sound project.First perfromed at the Royal Festival Hall on 8th July 2012 by the Philharmonia Orchestra and PhilharmoniaVoices conducted by Esa-Pekka Salonen.Instrumentation.4 Flutes (3rd doubling Alto Flute Piccolo; 4th doubling Piccolo)3 Oboes (3rd doubling Bass Oboe)Cor Anglais2 Clarinets in BflatClarinet in A BassClarinet in B flat3 BassoonsContrabassoon6 Horns in F4 Trumpets in C2 Tenor TrombonesBass TromboneTenor Tuba in B flat (Euphonium)Bass Tuba2 Timpani (2nddoubling Suspended Cymbals China Cymbal)4 Percussion (Meditation Bowls Bass Drum Crotales Marimba Vibraphone Small & Large Tam-tam Glockenspiel Xylophone Side Drum Mark Tree SizzleCymbal)CelestaOrgan2 HarpsChorus (SSSAAAA)Strings
22.99 GBP - Sold by Musicroom UK | |
| Poul Ruders: Listening
Earth - A Symphonic Drama
for Orchestra: Orchestra:
Score Orchestra [Sheet music] Wilhelm Hansen
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchest...(+)
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical
102.99 GBP - Sold by Musicroom UK | |
| Alexandre Desplat: Suite
from Harry Potter:
Orchestra: Score and
Parts Orchestra [Score and Parts] Alfred Publishing
A fabulous medley to celebrate the penultimate episode in the Harry Potter journ...(+)
A fabulous medley to celebrate the penultimate episode in the Harry Potter journey. Remaining true to the soundtrack this piece is perfect for school orchestras.For full orchestra.Instrumentation includes Vibraphone Bells Marimba Timpani Snare Wind Chimes Hi-Hat Cymbals Bass Drum Finger Cymbals Suspended Cymbals Triangle Ride Cymbal Low Tom and Piano.
70.50 GBP - Sold by Musicroom UK | |
| Malcolm Arnold: Whistle
Down The Wind (Full
Score): Orchestra: Score Orchestra Novello & Co Ltd.
Whistle Down The Wind Small Suite For Small Orchestra is three-movement suite ...(+)
Whistle Down The Wind Small Suite For Small Orchestra is three-movement suite Prelude The Three Kings Finale played as one continuous piece. Its melodic charm and instrumentation including vibraphone glockenspiel and chimes effectively evokes the innocence of the main characters of the film. Malcolm Arnold was a British composer who earned an international reputation both as a composer of serious works including nine symphonies and as a composer of light music. He composed more than one hundred film scores among them the Oscar-winning music for The Bridge on the River Kwai the award-winning music for The Inn of the Sixth Happiness and Hobson’s Choice. Malcolm said that his favourite film composition however was the one for Whistle Down the Wind.
23.99 GBP - Sold by Musicroom UK | |
| Thea Musgrave: Loch Ness
- A Postcard From
Scotland: Orchestra:
Score Orchestra [Sheet music] Novello & Co Ltd.
Commissioned by BBC Radio 3 for the 2012 BBC Proms.First performed on 5th August...(+)
Commissioned by BBC Radio 3 for the 2012 BBC Proms.First performed on 5th August 2012 at the Royal Albert Hall London by the BBC Scottish Symphony Orchestra conducted by Donald Runnicles.Instrumentation3 Flutes 3rd doubling Piccolo3 Oboes 3rd doubling Cor Anglais2 Clarinets in BbBass Clarinet2 BassoonsContrabassoon4 Horns in F3 Trumpets in Bb3 TrombonesTubaHarpTimpaniPercussion (3 Players):Vibraphone Crotales 2 Suspended Cymbals (High Medium) Tam-Tam Chinese Bell Tree 5 Tom-Toms Bass DrumStrings (at least16.14.12.10.8)
24.99 GBP - Sold by Musicroom UK | |
| Anders Brødsgaard:
Procession II: Orchestra:
Score Orchestra Wilhelm Hansen
Procession II for small Orchestra was composed by Anders Brødsgaard in 1986. Pr...(+)
Procession II for small Orchestra was composed by Anders Brødsgaard in 1986. Programme note: The title Procession refers to the process going on throughout the piece where a two-part 'formula' (played by two groups of instruments) gradually 'turn inside out' as the short ornamental grace notes becomes long and vice versa. The title also suggests the ritual in the experience of the imperceptible changes in the 25 transformations the possibility of ignoring the 13 'events' that regularly interrupt the progressive procession. The piece is a rewriting of Procession for Two Clarinets and Vibraphone from1979. Instr.:1.1.2.sx.0/1.1.1.0/3perc/pf/str(1.1.3.2.1)
72.99 GBP - Sold by Musicroom UK | |
| Michael Nyman: Something
Connected With Energy:
Orchestra: Score Orchestra [Score] Chester
Full Score-Something Connected With Energy was composed in 2008 and was commissi...(+)
Full Score-Something Connected With Energy was composed in 2008 and was commissioned by the Festival Della Scienza 2008 Genova Italy with financial support by ERG. Scored for Flute/ Piccolo Clarinet/ BassClarinet Alto/ Tenor Saxophone Horn Trumpet Vibraphone Piano and Strings. Duration is approximately: 48 minutes.
104.99 GBP - Sold by Musicroom UK | |
| Kaija Saariaho: Lumière
et Pesanteur: Orchestra:
Score Orchestra [Sheet music] Chester
Orchestral Score. Instrumentation. 3 Flutes (3=Piccolo) 2 Oboes 2 Cla...(+)
Orchestral Score. Instrumentation. 3 Flutes (3=Piccolo) 2 Oboes 2 Clarinets in B - 2 Bassoons(2=Contrabassoon) 4 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani (1 set) Percussion (3 players) TamtamCrotales Vibraphone Glass Chimes Bass Drum Tamtam Bass Drum Marimba 3 Gongs (G+ A B) Harp Celesta Strings The score is transposed.Crotales sound two octaves higher than writtenDuration: c. 6 minutesOrchestral parts areavailable on hire from the publisher
19.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Jacques Ibert: Diane de
Poitiers - Suite No.2:
Orchestra: Score Orchestra [Sheet music] Leduc, Alphonse
Introduction et Allegro; Intermezzo et Adage; Marche et Finale (wind (3444+4431)...(+)
Introduction et Allegro; Intermezzo et Adage; Marche et Finale (wind (3444+4431) 4 timpani percussion glockenspiel vibraphone (or celeste) 2 harps and strings)
52.99 GBP - Sold by Musicroom UK | |
| Laniakea (PEPIN CAMILLE) Orchestra [Sheet music] Jobert
Par PEPIN CAMILLE. Lorsque l'on m'a demandé d'écrire une ouverture pour la sé...(+)
Par PEPIN CAMILLE. Lorsque l'on m'a demandé d'écrire une ouverture pour la série 'Roulement de timbales', j'ai immédiatement eu à l'esprit quelque chose de vaste et puissant. J'ai alors pensé à la récente découverte de Laniakea, ce superamas de galaxies comptant parmi les plus grandes structures de l'Univers. Découvert en 2014 par Hélène Courtois (1), Laniakea signifie 'paradis céleste incommensurable' en hawaïen. A l'intérieur de ce superamas, les galaxies sont en mouvement et convergent vers un même point appelé le Grand Attracteur. Il faut imaginer des courants de galaxies dont toute la matière se déverse au même endroit - comme au coeur d'une vallée - à une vitesse folle de 630 km/s.
Immensité, mouvement, vitesse, lumière... ont été les mots qui m'ont guidée en composant. Ce scénario d'un horizon céleste si grand est une source d'inspiration foisonnante de couleurs pour mon imaginaire d'orchestratrice ! J'ai donc eu l'envie de trouver des résonances musicales à ce monde fascinant de l'infiniment grand.
Comme la Symphonie n°103 de Haydn, Laniakea s'ouvre sur un roulement de timbales. Il reviendra durant la pièce sous différents formes : parfois 'à nu', parfois en fond sonore ou encore en relais avec la grosse caisse.
Laniakea se présente comme une fresque cosmique articulée en trois épisodes précédés d'une introduction et achevés par une coda.
Puissante et majestueuse, l'introduction présente un thème aux cuivres et aux cloches sur un roulement de timbales. Les cordes constituent un 'mur du son' résonnant et vibrant. La matière se transforme progressivement. Les bois se fondent dans les cordes et deviennent liquides. Le thème de cuivres se déployant sur cette texture miroitante devient de plus en plus doux, finit par se dissoudre et laisse place à la lumière.
La première grande partie commence par un motif de hautbois, glockenspiel et harmoniques de cordes aiguës : autant de particules lumineuses tentant de percer dans ce ciel immense. Le vibraphone et les bois créent une nappe réverbérante et contribuent à donner à ce passage une couleur céleste et scintillante.
La texture devient plus rythmique avec la naissance d'un motif tournoyant et répétitif aux altos. Dans cet épisode hypnotique, le thème de l'introduction est rappelé aux cloches et aux cors. Il s'intensifie. La matière se répand. Glockenspiel et harmoniques - touches lumineuses - sont nimbés de vent stellaire avec le roulement de cymbale suspendue. Un thème plus lyrique et envoûtant apparaît aux violoncelles. Il sera présenté avec différentes couleurs en passant aux violons puis aux altos. L'apparition du glissando mib-ré aux trombones est un signal : nous passons progressivement dans la seconde partie. Le motif rythmique s'éteint et la matière devient de plus en plus nébuleuse.
Dans cette partie plus sombre, ce demi-ton est omniprésent : glissé aux cors, en harmoniques chez les cordes, plaintif chez les bois. Ici, j'ai voulu exprimer le mystère de ce Grand Attracteur, de ce glissement vertigineux de matière happée par le vide. Les amas en apesanteur deviennent de plus en plus épais et s'enrichissent. La matière finit par gronder et donne naissance à un passage flottant, brumeux et plus lyrique. Une quinte grave et mystérieuse aux trombones annonce la fin de cette partie. Les trompettes nous rappellent le thème de cuivres de l'introduction. A leurs impulsions correspondent des échos dans les bois - comme la queue d'une étoile filante qui brille encore après son passage.
Le dernier épisode est une danse cosmique lumineuse et festive, teintée de couleurs célestes. J'ai imaginé un ballet hypnotique de nuées d'étoiles nimbées de poussière stellaire. Pour créer ce halo lumineux, j'ai animé les fonds par des croches répétées en guise de tenues et de légers soufflets pour leur donner de la vie. En composant, j'ai également eu à l'esprit certaines textures des jeux d'orgue. Cette danse est basée sur un motif rythmique en boucle qui voyage entre les groupes : un ballet étourdissant et hypnotique d'étoiles se déplaçant à des vitesses hallucinantes. Il aboutit à un premier climax lyrique et flamboyant. Un dernier pas de deux d'étoiles se poursuit et exulte en s'embrasant dans un grand crescendo de lumière.
Un roulement de timbales soudain nous ramène à l'immensité et la puissance initiales. Cette grande coda nous rappelle que Laniakea est un horizon céleste immense que nous ne pouvons appréhender. Au loin, la lumière s'éteint progressivement. La matière se désagrège et finit par se perdre dans l'espace.
Camille Pepin / Date parution : 2020-08-21/ Répertoire / Orchestre
71.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Joby Talbot: February -
The Arctic Circle:
Chamber Ensemble: Score
and Parts Orchestra [Sheet music] Chester
POD-Released in 2005 the album Once Around The Sun is the outcome of Joby Talbo...(+)
POD-Released in 2005 the album Once Around The Sun is the outcome of Joby Talbot's residency with Classic FM. During his year in residence Talbot composed a new piece of music each month scoredfor up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. February - The Arctic Circle was the second piece to be composed and is scored herefor Ensemble (Violin Cello Vibraphone and Piano).
14.99 GBP - Sold by Musicroom UK | |
| ...Le Ciel, Tout A
L'Heure Encore Si
Limpide, Soudain Se
Trouble Horriblement...
(JARRELL MICHAEL)
Français Orchestra [Sheet music] Lemoine, Henry
Par JARRELL MICHAEL. De la nature... du musical
Michael Jarrell, né en 1958, e...(+)
Par JARRELL MICHAEL. De la nature... du musical
Michael Jarrell, né en 1958, est l'un des compositeurs les plus en vue de sa génération. Dans une démarche toute personnelle, qui ne s'est inféodée à aucun mouvement, et dans une quête intérieure inlassablement poursuivie, il a opéré une synthèse de l'héritage des musiques d'après-guerre dont il a extrait certaines caractéristiques techniques pour les mettre au service d'une véritable poétique musicale. En effet, contrairement à ses aînés, il explore moins le langage pour lui-même, faisant des nouvelles techniques le lieu d'une mutation dans la pensée musicale, qu'il ne cherche à le mettre au service de l'expression. Aussi se méfie-t-il d'une conceptualisation excessive, et de l'utopie dont l'oeuvre serait porteuse, préférant mettre en valeur les vertus d'un artisanat qu'il enseigne par ailleurs à Vienne et à Genève, ainsi que lors de nombreux séminaires à travers l'Europe. Ses oeuvres, facilement identifiables dans l'abondante production contemporaine, sont toutes liées les unes aux autres, non seulement par une certaine forme de sensibilité, leur tonalité propre, mais aussi par la récurrence de certains traits que Jarrell retravaille dans des contextes différents. Il s'est ainsi très tôt constitué un univers qu'il ne cesse de remodeler, visant moins l'originalité apparente de chacune des pièces qu'un déplacement constant des perspectives dans lesquelles les mêmes idées, en elles, peuvent être appréhendées. 'Cent fois sur le métier...' voilà quelle pourrait être sa devise. On trouve ainsi dans chacune de ses oeuvres quelque chose de familier qui acquiert en même temps une certaine étrangeté, sentiment qui constitue peut-être un élément essentiel de son expressivité. La musique de Jarrell arpente les régions du rêve et de l'irréalité, à la recherche de son moment de vérité, souvent situé dans les sonorités les plus graves et tes plus lentes, là où le temps, ailleurs agité, s'immobilise. C'est peut-être ce qui confère à sa musique une forme de tendresse inséparable de la beauté sonore, allant jusqu'à un esthétisme raffiné, loin des recherches extrêmes et des formulations autoritaires. Chez lui, même les techniques instrumentales les plus inhabituelles, ou les sonorités électroniques, auxquelles il a souvent recours, sont rapatriées dans un monde sensible emprunt de pureté où ce sont les qualités expressives qui dominent. Celles-ci ne renvoient pas forcément au moi du compositeur, qui tend au contraire à s'effacer, mais davantage à l'essence même du musical, au phénomène en soi, porteur d'une présence singulière au monde.
On retrouve de telles qualités dans sa dernière oeuvre, ...Le ciel, tout à l'heure si limpide, soudain se trouble horriblement..., commandée par l'Orchestre de la Suisse Romande. Elle fait appel à un grand orchestre symphonique standard: 3 flûtes (dont alto et piccolo, 2 hautbois et cor anglais, 2 clarinettes et clarinette basse, 2 bassons et contrebasson, 4 cors, 3 trompettes, 3 trombones, tuba, harpe, timbales, 4 percussions (vibraphone, glockenspiel, cloches tubes, cymbales, bongos, tam-tam, grosse caisse, temple blocks, tom grave, spring coils, triangle, mark tree) et cordes. Malgré un titre qui pourrait sous-entendre un élément programmatique, l'oeuvre appartient à la catégorie de la musique pure. L'orchestre y est traité de façon conventionnelle, mais avec une virtuosité d'écriture, un raffinement dans la sonorité qui exige beaucoup de ses interprètes.
D'un seul tenant, l'oeuvre se divise en quatre parties principales d'inégale longueur, les deux premières étant plus importantes que les deux suivantes: la première est constituée d'un continuum de notes rapides réparties entre les cordes et Les bois, tandis que les trompettes, doublées par différents instruments, lancent une figure d'appel incisive qui s'allonge progressivement. L'écriture est d'une grande virtuosité, les figurations en triples croches passant d'un instrument ou d'un groupe à un autre. Les notes rapides se figent une première fois dans des oscillations jouées notamment par les cordes divisées, puis à travers des notes répétées qui traversent toute la texture orchestrale. Après un passage intermédiaire privilégiant les sons graves, l'écriture vive reprend jusqu'à un sommet dramatique marqué par des trilles, aussitôt suivi d'une désintégration qui mène à la seconde partie.
Celle-ci débute avec des quintes jouées par les cordes graves divisées et colorées par les percussions (les contrebasses, qui doivent modifier leur accord, jouent des sons harmoniques). La musique semble vouloir repartir d'un point originel, elle se réinvente à partir d'une structure élémentaire, dans une extrême douceur. L'impétuosité du début laisse place à une grande délicatesse des sonorités. C'est un trait que l'on retrouve dans de nombreuses pièces de Jarrell: après l'effervescence d'une écriture brillante, agitée, nerveuse, que l'auditeur suit dans sa course folle, vient un moment réflexif et profond, qui nécessite une réorientation de l'écoule, une plongée dans la nature même du phénomène sonore. La trame qui se déploie dans un tempo lent offre ainsi une autre image de la sonorité orchestrale, comme si une musique des origines, au caractère de litanie, était soudain dévoilée sous la couche éclatante du début. Elle donne le sentiment d'avoir commencé bien avant son moment d'apparition, comme si elle provenait des couches profondes de la conscience, d'une mémoire archaïque. D'ailleurs, Jarrell réélabore ici un passage d'une pièce antérieure, Music for a While, lui reprenant son matériau de base. Le sentiment de profondeur est dû au formidable ralentissement du temps, qui nous met soudainement en apesanteur, mais aussi à une forme en spirale, qui tranche avec la musique directionnelle qui précédait. L'effet que provoque la distance sensible entre de tels contrastes est onirique: on ne sait plus si la première partie, qui nous échappe en se projetant vers l'avant, n'était qu'une forme illusoire, ou si nous entrons, avec la partie lente, dans une sorte de rêve éveillé.
Un passage central, dans cette seconde partie, s'organise autour de guirlandes sonores à la harpe et aux cloches que tout l'orchestre remplit de sonorités suaves. Les arpèges descendants des vents doublés par des pizzicatos de cordes, que transpercent des notes répétées aux trompettes et aux cors, dans un climat encore doux, annoncent la reprise du mouvement frénétique. Mais cette fois, ce sont moins des figures virevoltantes qui passent à travers les pupitres que des blocs de notes joués par la masse des instruments: des figures qui s'élancent vers le haut aboutissent à des notes répétées, en une forme d'antiphonie, et mènent à un sommet d'intensité. Après quoi, en guise de coda, une quatrième partie nous conduit à une fin mourante: l'harmonie se fige, les polyrythmes annulent toute sensation de mesure, les longues tenues des instruments graves chutent chromatiquement, les percussions jouant des figures rituelles, en résonance, jusqu'à l'immobilité finale.
Le titre de la pièce provient de Lucrèce (De la nature). Il n'a pas de signification structurelle immédiate, comme souvent chez Jarrell, mais exprime en quelques mots l'idée qui avait présidé au morceau. Le trouble s'apparente ici à une forme d'étrangeté, à quelque chose d'inquiétant qui n'apparaît pas de façon narrative, tel un vent d'orage dans un ciel serein, mais comme l'essence même de l'articulation formelle entre deux types d'écriture, deux types d'expression qui exigent des temporalités opposées l'une à l'autre. La soudaineté, c'est le renversement entre les deux. Pourtant, on retrouve un même noyau entre les parties vives et les parties lentes, la quinte jouant dans les deux cas un rôle structurel, et le mib apparaissant comme une note polaire (toute la musique de Jarrell est aimantée par des pôles qui orientent l'écoute). Si le passage du limpide au trouble se traduit par la sonorité orchestrale, par le maniement très sensible des timbres qui provient en grande part de la tradition orchestrale française, il se manifeste aussi par des figures qui évitent tout profil thématique, toute forme mélodique au sens traditionnel du terme, et qui composent la texture. L'auditeur a directement à faire avec la matière sonore. Et celle-ci est composée de part en part.
L'adjectif poétique vient à l'esprit pour définir une invention qui s'écarte aussi bien des formes illustratives que des constructions schématiques, et qui repose essentiellement sur l'organisation des hauteurs au détriment des effets, des sonorités bruiteuses ou des gestes iconoclastes. Et malgré les passages brillants, malgré les explosions sonores toujours maîtrisées et un maniement virtuose de l'orchestre, cette poétique révèle un caractère fondamental plutôt intimiste.
Philippe Albèra / contemporain / Répertoire / Orchestre
46.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Joby Talbot: August -
Cloudpark: Chamber
Ensemble: Score and Parts Orchestra [Sheet music] Chester
POD-Released in 2005 the album Once Around The Sun is the outcome of Joby Talbo...(+)
POD-Released in 2005 the album Once Around The Sun is the outcome of Joby Talbot's residency with Classic FM. During his year in residence Talbot composed a new piece of music each month scoredfor up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. August - Cloudpark was the eighth piece to be composed and is scored here forEnsemble (Violin Cello Vibraphone and Piano).
14.99 GBP - Sold by Musicroom UK | |
| Vibraphone Fantaisie Orchestra IMD (International Music Diffusion) 64.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Vibraphone Fantaisie Orchestra IMD (International Music Diffusion) 43.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Losing Touch
Français Orchestra [Sheet music] Billaudot
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...(+)
Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Campion Edmund J. et éditée par Billaudot cette partition est idéale pour les joueurs de Orchestre. Si l'instrumentation Musique Symphonique correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Musique Symphonique / Partition
41.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Vibraphone Fantaisie Orchestra IMD (International Music Diffusion) 17.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
1 |
|