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It don String Quartet: 2 violins, viola, cello
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Leos Janacek: Streichquartet 2 Intime Briefe: String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Set of Parts]
Barenreiter
Janá ek?s 2nd String Quartet Intimate Letters is regarded as a highlight of ...
(+)
Janá ek?s 2nd String Quartet Intimate Letters is regarded as a highlight of the modern string quartet literature. It was written during the composer?s last year of life between 29 January and 19 February 1928 inspired by the ageing Janáèek?s exceptional love for Kamila Stösslová. The Moravian Quartet devoted themselves to this impressive work; Janá ek attended a total of three of their rehearsals in May and June 1928. This had several consequences including his abandoning his original idea of using a viola d?amore. After Janá ek?s unexpected death (12 August 1928) the uncertain genesis of the work became the greatest problem of the IntimateLetters : the surviving copies were not definitively authorised. The editors of this new edition have reverted to Janá ek?s autograph sketches as the main most reliable source and using these as a basis have reconstructed the work as it stood at the point of Janá ek?s death. The musical text taken from the Critical Complete Edition of the Works of Leo? Janá ek (Vol. E/4) therefore contains clear differences in comparison with older editions.
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Leos Janacek: Streichquartet 2 Intime Briefe: String Quartet: Study Score
String Quartet: 2 violins, viola, cello
Barenreiter
Janácek's 2nd String Quartet Intimate Letters is regarded as a highlight of ...
(+)
Janácek's 2nd String Quartet Intimate Letters is regarded as a highlight of the modern string quartet literature. It was written during the composer?s last year of life between 29 January and 19 February 1928 inspired by the ageing Janáèek's exceptional love for Kamila Stösslová. The Moravian Quartet devoted themselves to this impressive work; Janácek attended a total of three of their rehearsals in May and June 1928. This had several consequences including his abandoning his original idea of using a viola d'amore. After Janácek's unexpected death (12 August 1928) the uncertain genesis of the work became the greatest problem of the IntimateLetters : the surviving copies were not definitively authorised. The editors of this new edition have reverted to Janácek's autograph sketches as the main most reliable source and using these as a basis have reconstructed the work as it stood at the point of Janácek's death. The musical text taken from the Critical Complete Edition of the Works of Leo? Janácek (Vol. E/4) therefore contains clear differences in comparison with older editions.
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Fiser Lubos - Variations On An Unknown Theme - For String Quartet
String Quartet: 2 violins, viola, cello
Barenreiter
Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music i...
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Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music in the 20th century and composed the Variations on an Unknown Theme in 1976. The ?unknown theme? was a prankish eight-bar theme from Fi?er?s student days. In the elation following the home-team win over Canada on 15 March 1959, he made a bet with his colleague Kalach to compose a concert piece for violin and orchestra with the working title ?Canada-Rondo?. The whimsical contest was abandoned, but Fi?er did not forget the theme and he later created variations on it for his new composition for the Talich Quartet. The Variations on an Unknown Theme have now been published for the first time ever. This edition is based on the autograph of the score which is housed in the Czech Museum of Music in Prague.
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Quatuor A Cordes #2 Bitume (PESSON GERARD)
Français
String Quartet: 2 violins, viola, cello
[Sheet music]
Lemoine, Henry
Par PESSON GERARD. Le sténopé est l'appareil photographique le plus élémenta...
(+)
Par PESSON GERARD. Le sténopé est l'appareil photographique le plus élémentaire. Une boîte bien fermée, faisant office de camera oscura, un trou d'épingle pour laisser passer la lumière. L'image inversée du réel, du fait de l'absence de focalisation, se déposera sur le papier photosensible, reproduisant ainsi le système même de la vue. La petitesse d'entrée de la lumière permet une profondeur de champ presque infinie. Elle nécessite, ou plutôt autorise, des temps de pose très longs. Non des centièmes de seconde, mais des minutes, des heures, des semaines, voire des années. Ce temps de pose extrême, l'épingle de la lumière, sont une écriture du temps. Ils parlent de l'invention. Ils sont le sujet de cette musique à laquelle je songe depuis presque dix ans - temps minimum si l'on veut encourager les bougés et être bien sûr que les figures se déposeront toutes sur le bitume de judée. Ainsi toute 'impression' pourra muter vers sa complication. Selon la loi optique, dehors devient dedans, mais à l'envers. La musique glisse vers une sérénade accélérée, indéfiniment reprise, secouée par un traitement 'brutaliste', lancée à marches forcées à travers le panorama, révélée enfin sur des nudités de cantilène qui dessinent le point de fuite de ce galop. La lenteur de la 'chercherie', comme dit Philippe Beck, fait que le chercheur est lui-même cherché. Il devient à son tour photosensible et se voit contraint, sans orgueil, mais non sans présomption, de s'appliquer le principe connu: Chevauchée bien ordonnée commence par soi-même. / contemporain / Répertoire / Quatuor à Cordes
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String Chamber Music I-2
String Quartet: 2 violins, viola, cello
Schott
Le travail de Paul Hindemith est encyclopédique dans la nature. Dès le départ...
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Le travail de Paul Hindemith est encyclopédique dans la nature. Dès le départ, il a travaillé dans tous les genres musicaux et a élaboré plusieurs de ses idées et de projets individuels, non pas comme des oeuvres autonomes musicales, mais aussi des cycles de travailavec différents rapports fonctionnels. Ces pièces contrastées complètent mutuellement si connu dans le cadre de la structure globale. Hindemith lui-même ne voulait pas seulement une édition complète de ses oeuvres complètes, mais avait commencé à planifier cela, à sa mort, il a laissé une liste détaillée des, morceaux inédits pour une éventuelle édition complète '.Les oeuvres complètes contiennent tous les travaux finis dans toutes les versions existantes, nouvellement gravés pour l'édition. Esquisses et fragments sont publiés dans les annexes du volume concerné, et sont évalués dans l'introduction et le commentaire critique par l'éditeur du volume respectif.Chaque volume contient une préface par les directeurs de rédaction et une introduction par l'éditeur de volume, la délimitation de la genèse et l'histoire de l'exécution des travaux, avec des instructions de performances authentiques, une évaluation des enregistrements existants par Paul Hindemith lui-même et un commentaire critique.Les oeuvres complètes de Paul Hindemith sont donc présentés dans une édition critique, scientifique qui est également appropriée pour l'étude et la performance. Hindemith chercheurs vont accueillir les nombreuses premières publications des oeuvres du compositeur et les musiciens pratiques apprécieront le matériau de performance philologique commandé récemment préparé. / Quatuor A Cordes
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Kevin Volans: String Quartet No. 1 White Man Sleeps: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
Born in South Africa but now an Irish citizen Kevin Volans? musical idiom has ...
(+)
Born in South Africa but now an Irish citizen Kevin Volans? musical idiom has been shaped by an unusually diverse range of experiences including studies with Stockhausen in Cologne field trips to South Africa tostudy traditional music his own involvement with the New Simplicity movement his collection of contemporary art and African textiles friendships with composers like Morton Feldman and Gerald Barry as well as a love of virtuosopiano music which he performs broadcasts and records. While having an easily recognised unique voice Volans? music resists compartmentalisation. He is as comfortable working in conventional genres as embarking oninnovative collaborations with artists of other disciplines. String Quartet No.1 (White Man Sleeps) was written for the Kronos Quartet and was first performed by them in July 1986 London.The title?White Man Sleeps? comes from a moment in nyanga Panpipe music where the performers leave off playing their loud pipes for a few cycles and dance only to the sound of their ankle rattles to let the whitelandowner sleep for a minute or two.'In composing this piece I drew from the following sources: the first movement owes something to the style of Basotho concertina music; the second and fourth movements are drawnfrom traditional Nyungwe music played by Makina Chirenje and his Nyanga panpipe group at Nsava Tete Mozambique recorded and transcribed by Andrew Tracey (to be found in an article entitled ?The nyanga Panpipe dance? in AfricanMusic Vol.5 No.1 (1971); the third movement derives from the San bow music (recorded by Tony Traill of the University of Witwatersrand) and from Basotho lesiba music transcribed by myself; in the fifth movement I added my owninvented folklore. My approach to the original music was anything but purist it is played in Western tuning filtered slowed down by a few ?time-octaves? cast into non-African metres (like the 13-beat pattern of the first
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Michael Nyman: String Quartet No.3: String Orchestra: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
-
Intermediate/advanced
Chester
The composer made this arrangement of the Third String Quartet for string orches...
(+)
The composer made this arrangement of the Third String Quartet for string orchestra in March 2003. The first performance was given by the Eos Orchestra New York conducted by Ken Selden in the Concert Hall Ethical CulturalSociety New York City on 24 April 2003.Quoting composer: In the summer of 1989 I composed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responsesof some of the inhabitants of Leninakhan to the earthquake which devastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of KhorenMeykhanejian Alex Balanescu suggested turning Out of the Ruins into a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no lessprofound experience of witnessing the images of the Romanian revolution on television during the latter part of December 1989.Just as the structure of my Third String Quartet (1990) may connect it with the First so they alsoshare a debt to Thurston Dart (my professor at King’s College London between 1961 and 1965). It was Dart who had the inspiration to send me to Romania in 1965 ostensibly to study folk music. The volumes of transcriptions that Ibrought back with me had remained unopened until with this proposed ‘celebratory’ string quartet (though at the time it was difficult to know quite what to celebrate in postrevolutionary Romania) an occasion arose where I coulduse this material in what seemed to me was a non-exploitative manner. The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would besuperimposed quite often stretched into new intervallic shapes through the demands of the completely pre-formed harmonic structure.
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Easy Quartets (Mixed Media Ensemble)
String Quartet: 2 violins, viola, cello
EMB (Editio Musica Budapest)
Dans le volume des quatuors facile, en plus de mouvements indépendants un certa...
(+)
Dans le volume des quatuors facile, en plus de mouvements indépendants un certain nombre de travaux peut être trouvé qui peut être effectuée en même temps aux suites de la forme. Ainsi, de petits mouvements qui peuvent également être utilisés séparément cycles peuvent être formés qui peuvent animer un petit concert domestique, une manifestation de l'instrument ou le programme d'un spectacle pour une occasion festive. outre des séquences de danses Renaissance, arrangements de chorals de Bach, des oeuvres chorales et danses classiques, le contenu varié comprend aussi des mouvements romantiques appropriés pour agréable musique de décision nationale. volumes de cette nouvelle série contient des duos, trios et quatuors, de leur degré de difficulté allant de facile à travers intermédiaire à avancé. Chaque pièce est une transcription ou un arrangement, puisque dans l'édition des volumes notre principale préoccupation était d'offrir une collection de compositions intéressantes et utiles, comme librement variables que possible en ce qui concerne l'instrumentation, pour les élèves des écoles de musique et aussi pour les adultes qui font de la musique pour leur propre plaisir. L'étendue et la hauteur des pièces permettent les travaux devant être réalisés sur n'importe quelle combinaison des instruments donnés nécessaire ou possible. / Ensemble Mixte
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Take Your Bow: String Ensemble: Score
String Quartet: 2 violins, viola, cello
[Sheet music + Audio access]
Trinity College London
Take Your Bow is a collection of 20 concert pieces for beginner string players w...
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Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series in any combination making it an excellent resource for individual or group teaching. Take Your Bow is available in 4individual editions — for violin viola cello and double bass each with piano accompaniment — and as a separate full score.
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Quatuor A Cordes #3 Ombra Felice (CAMPO REGIS)
Français
String Quartet: 2 violins, viola, cello
Lemoine, Henry
Par CAMPO REGIS. Ce troisième quatuor à cordes termine une trilogie et, étran...
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Par CAMPO REGIS. Ce troisième quatuor à cordes termine une trilogie et, étrangement, rejoint cette idée crépusculaire de la fin de la 9e Symphonie de Mahler ou de son Chant de la terre. Le premier quatuor Les Heures maléfiques était un grand mouvement en continuel 'fondu enchaîné', sollicitant plusieurs tempi différents et simultanés: il était basé sur le rythme et la danse. Le second quatuor flirtait avec La Flûte enchantée de Mozart: une oeuvre liée à l'opéra, à une dramaturgie ludique. Ce troisième quatuor à cordes est bien plus introspectif et laisse respirer le discours musical, délaisse un temps la virtuosité de l'écriture et se réduit à un seul chant. Commande du festival du Périgord Noir, l'oeuvre est dédiée au quatuor Diotima dont j'admire le travail depuis longtemps. Elle voit le jour grâce au président de ce festival, Jean-Luc Soulé, avec lequel je partage en toute amitié la même vision musicale. Régis Campo / contemporain / Répertoire / Quatuor à Cordes
34.70 EUR - Sold by LMI-partitions
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Bent Sørensen: Schreie Und Melancholie - String Quartet No.4: String Quartet:
String Quartet: 2 violins, viola, cello
[Sheet music]
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Wilhelm Hansen
Premiered by the Arditti String Quartet at the Institute of Contemporary Arts IC...
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Premiered by the Arditti String Quartet at the Institute of Contemporary Arts ICA London 22nd October 1995. Programme note: SCHREIE UND MELANCHOLIE is dedicated to the Arditti Quartet and was commissioned with support from the Danish Arts Foundation. In the summer of 1993 I worked briefly on some sketches for a choral suite with texts by Georg Trakl. The project was abandoned but the moods from Trakl's poetry in which 'scream' and 'melancholy' are key words stuck in my mind when I began working on my fourth string quartet. This is music full of high siren-like wails and almost infinitely descending glissandi which permeate a landscape of warped tonalharmony. SCHREIE UND MELANCHOLIE is in four movements played attacca. The third movement is a barcarole - a memory of an autumn in Venice. (Bent Sørensen)
28.99 GBP - Sold by Musicroom UK
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