SKU: MB.99402M

ISBN 9780786686285. 8.75 x 11.75 inches.

The book is designed to make the personal aspects of traditional Irish fiddle playing, improvisation and interpretation, accessible to novice players. Drawing on his experience writing out reels, jigs and other tunes for new players at a North London session and teaching fiddle, the author conveys what to do with tunes to make them your own. The first part of the book discusses such subjects as the language of traditional music, posture, bowing, and effective practice, with a detailed analysis of left and right hand technique. The second section is a selection of tunes that demonstrate the ideas in the first part. The aim of the book is to allow the player to look more closely at their technique while also improving accuracy and speed. A recording adds an extra dimension to the learning experience. Includes access to online audio.

SKU: MB.30091

ISBN 9781513466378. 8.75 x 11.75 inches.

Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.