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| Modern School For Xylophone, Marimba and Vibraphone
Marimba or Xylophone Hal Leonard
Modern School For Xylophone, Marimba and Vibraphone. For xylophone, marimba and ...(+)
Modern School For Xylophone, Marimba and Vibraphone. For xylophone, marimba and vibraphone. Percussion. Instructional. Instructional book. Introductory text. 132 pages. Published by Hal Leonard
(2)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| Morris Goldenberg: Modern
School For Xylophone
Marimba Vibraphone:
Tuned Xylophone or Marimba or Vibraphone Alfred Publishing
A well graded course of study including 30 progressive etudues plus settings of ...(+)
A well graded course of study including 30 progressive etudues plus settings of Bach and Paganini violin concertos for 'fixed pitched' percussion. A supplement of excerpts culled from the modern repertoire makes this volume unique. Included are ' Ma Mere l'Oye' of Ravel 'Petrouchka' of Stravinsky 'Colas Breugnon' of Kabalevsky 'Polka' by Shostakovich 'Sabre Dance' of Khachatrin 'Porgy and Bess' of Gershwin the Bell Song from 'Lakme' of Delibes and many others.
18.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| John Luther Adams: The
Immeasurable Space Of
Tones: Chamber Ensemble:
Score and [Sheet music] Taiga Press
John Luther Adams' The Immeasurable Space Of Tones for Violin Vibraphone Piano...(+)
John Luther Adams' The Immeasurable Space Of Tones for Violin Vibraphone Piano sustaining Keyboard and Contrabass. Duration: 30 minutes. 'Number 5 1950 was MarkRothko's last painting before the breakthrough into his mature format. In it the luminous color fields of a classic Rothko are inscribed across the middle with three delicate lines. Describing thispainting and its pivotal position in Rothko's work Brian O'Doherty observes: 'After this the lines disappear completely.' In recent years gesture and figuration have disappeared from my music. What used to bebackground has emerged to become a musical world composed entirely of floating color fields. In this new world I've changed media moving from the orchestra to smaller combinations of acoustical instruments andelectronically-processed sounds. I still think in orchestral terms but this hybrid medium allows me to create orchestral textures for more practical and readily available ensembles. Initially I imagined this as akind of monolithic music -an entire piece as one rich and complex sound. Then I came to hear it as homophonic or heterophonic. And now -in this musical world that I thought was completely free of lines -I've come to hear apolyphony of harmonic clouds. Maybe the lines never disappear completely. Maybe Christian Wolff was right when he quipped: 'No matter what we do sooner or later it all sounds melodic'.' - John LutherAdams
29.99 GBP - Sold by Musicroom UK | |
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