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| Elegy for Cello and Orchestra (Solo Cello with Piano Reduction) Cello, Piano [Reduction] Hal Leonard
Elegy for Cello and Orchestra. (Cello with Piano Reduction). By John Williams. F...(+)
Elegy for Cello and Orchestra. (Cello with Piano Reduction). By John Williams. For Cello, Piano Accompaniment. John Williams Signature Edition - Strings. 8 pages. Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Variations for Cello and Orchestra op. 5 Cello, Piano Fennica Gehrman
Cello and piano SKU: FG.55011-609-2 Variaatioita sellolle ja orkesteri...(+)
Cello and piano SKU: FG.55011-609-2 Variaatioita sellolle ja orkesterille op 5. Composed by Aulis Sallinen. Fennica Gehrman #55011-609-2. Published by Fennica Gehrman (FG.55011-609-2). ISBN 9790550116092. Aulis Sallinen (b. 1935) is one of the most famous Finnish contemporary composers. In his early instrumental works, Sallinen was still seeking to establish a style of his own. He had studied at the Sibelius Academy in the late 1950s, first with Aarre Merikanto - a composer representing a national brand of Neoclassicism - and then with Joonas Kokkonen, at that time just transitioning from Neoclassicism to dodecaphony. Twelve-tone music had won fairly widespread acceptance in contemporary Finn-ish music, and Sallinen was influenced, too. The Variations are Sallinen's first real work for the cello - an instrument that would later be one of his favourites, its warm, deep voice corres-ponding to his music's often dark undercurrent. The Variations for Cello and Orchestra, Op. 5 were composed in 1961-1962 and premiered in October 1962. The basic motif consists of a set of three descending intervals stated by the cello at the beginning: D-D flat-F, C-B-G and B flat-A-F sharp. Their use as basic material is a ref-lection of the composer's dodecaphony-oriented period, and variation of this material provides the framework for the piece. Variations for Cello and Orchestra are now published for the first time. Available are a reduction for cello and piano, study score and complete performance material with orchestra. $27.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Suite for cello and string orchestra (1967) - Solo part and piano reduction Cello, Piano Fennica Gehrman
Violoncello, piano SKU: FG.55011-903-1 Composed by Victoria Yagling. Arra...(+)
Violoncello, piano SKU: FG.55011-903-1 Composed by Victoria Yagling. Arranged by Yuriy Leonovich. Classical, contemporary. Score and part. Fennica Gehrman #55011-903-1. Published by Fennica Gehrman (FG.55011-903-1). ISBN 9790550119031. Victoria Yagling's Suite for Cello and String Orchestra (1967) is one of her first successes as a composer. The movement layout of the Suite is fast-slow-fast-slow. The first movement, Toccata, is a perpetual motion with a brisk tempo of 100 per dotted half. The Aria is reminiscent of Rachmaninov's Vocalise melody and Prokofiev's tonal language. This movement is the centerpiece of the Suite. The Humoresque is closely connected in style and motives to the March and Aria movements from Boris Tchaikovsky's Suite for Cello Solo. Mostly homophonic Finale plays with bitonality and contains several circle-of-fifth sequences.
This product is is the reduction for violoncello and piano by prof. Yuriy Leonovich. Orchestral material available on hire from the publisher. Stydy score with solo part is available for sale (ISMN 9790550116436).
Victoria Yagling (1946?2011) was born in Russia and lived in Finland since 1990. Her long career as a cellist served as an excellent accompaniment to the composition she began at an early age. For 11 years she was a cello student of Mstislav Rostropovich at the Moscow Conservatory and Dmitry Kabalevsky and Tikhon Khrennikov taught her composition.
Yagling won the first prize in the Gaspar Cassadò Cello Competition and the following year the second prize in the Moscow Tchaikovsky Competition. Her solo engagements took her to countless countries. She has also taught at several international music courses and master classes and was often a jury member for international cello competitions.
Yagling left a profilic oeuvre, and the three cello concertos are her main works. Her other orchestral works include Finnish Notebook, Lyrical Preludes and the Suite for Cello and String Orchestra. She has also composed solo works (e.g. the Suite for Cello Solo No. 1 chosen as an obligatory piece for the 7th Tchaikovsky Competition in Moscow in 1982), chamber works, including two string quartets, and vocal music. Her expressive, romantically orientated style is Russian in spirit and has grown out of the soil provided by Prokofiev and Shostakovich. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto No. 4 for Cello und Orchestra, Op. 65 in G Major
Cello, Piano [Sheet music + CD] - Intermediate Dowani
By G. Goltermann (1824-1898). For Cello. DOWANI Urtext 3 Tempi Play Along - Ce...(+)
By G. Goltermann (1824-1898). For Cello. DOWANI Urtext 3 Tempi Play Along - Cello. Artist: Konstantin Krimets - Conductor; Russian Philharmonic Orchestra - Orchestra accompaniment; Sergey Sudzilovsky - Cello; Vitaly Junitsky - Piano. Level: Intermediate. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.
(1)$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| David Popper
: Fantasy On Little Russian Songs For Violoncello And Orchestra (cello/piano reduction) Cello, Piano [Reduction] Schott
Fantasy On Little Russian Songs For Violoncello And Orchestra (cello/piano reduc...(+)
Fantasy On Little Russian Songs For Violoncello And Orchestra (cello/piano reduction). (Cello and Piano Reduction). By David Popper (1843-1913). Cello-Bibliothek (Cello Library). Piano reduction with solo part. 38 pages. Schott Music #CB194. Published by Schott Music
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Old MacDonald Had An Orchestra Cello, Piano Theodore Presser Co.
Chamber Music Oboe, Trombone, Percussion:, - Glockenspiel, - 4 Temple Blocks, - ...(+)
Chamber Music Oboe, Trombone, Percussion:, - Glockenspiel, - 4 Temple Blocks, - Triangle, - Silly Bird Whistle, - 4 Tom-toms, - Duck call, - hi-hat, - bass drum, - sizzle cymbal, Cello, Piano SKU: PR.111402440 For Narrator, Oboe, Trombone, Percussion, Cello, and Piano. Composed by Daniel Dorff. Premiered by members of the Philadelphia Orchestra, Charlotte Blake Alston, narrator; Philadelphia, PA. Traditional. Set of Score and Parts. With Standard notation. Composed 13-Mar. 16+2+2+2+2 pages. Duration 6 minutes. Theodore Presser Company #111-40244. Published by Theodore Presser Company (PR.111402440). ISBN 9781491101308. UPC: 680160616053. 9.5 x 13 inches. Old MacDonald Had A Farm. Commissioned by the Philadelphia Orchestra Association, Dorff uses the familiar Old MacDonald to introduce children to various instruments within an orchestra, calling upon each in turn for examples of their sounds, and then merging all of the soloists into an original variation on the theme. An effective showcase for children's concerts. Duration: 6'. $65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Old MacDonald Had An Orchestra Cello, Piano Theodore Presser Co.
Chamber ensemble Oboe, Trombone, Percussion:, - Glockenspiel, - 4 Temple Blocks,...(+)
Chamber ensemble Oboe, Trombone, Percussion:, - Glockenspiel, - 4 Temple Blocks, - Triangle, - Silly Bird Whistle, - 4 Tom-toms, - Duck call, - hi-hat, - bass drum, - sizzle cymbal, Cello, Piano SKU: PR.11140244S For Narrator, Oboe, Trombone, Percussion, Cello, and Piano. Composed by Daniel Dorff. Premiered by members of the Philadelphia Orchestra, Charlotte Blake Alston, narrator; Philadelphia, PA. Traditional. Performance score. With Standard notation. Composed 13-Mar. 16 pages. Duration 6 minutes. Theodore Presser Company #111-40244S. Published by Theodore Presser Company (PR.11140244S). UPC: 680160616077. 9.5 x 13 inches. Old MacDonald Had A Farm. Commissioned by the Philadelphia Orchestra Association, Dorff uses the familiar Old MacDonald to introduce children to various instruments within an orchestra, calling upon each in turn for examples of their sounds, and then merging all of the soloists into an original variation on the theme. An effective showcase for children's concerts. Duration: 6'. $28.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Antonin Dvorak : Concerto in B minor for Violoncello and Orchestra, Op. 104 Cello, Piano [Reduction] Barenreiter
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchest...(+)
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchestra. This edition: Urtext. Solo part and piano reduction. Opus 104. Published by Baerenreiter Verlag
$26.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Herbert Howells: Fantasia For Cello & Orchestra (VC/PF) Cello, Piano Music Sales
Cello and Piano SKU: HL.14010997 Composed by Herbert Howells. Music Sales...(+)
Cello and Piano SKU: HL.14010997 Composed by Herbert Howells. Music Sales America. Classical. Book [Softcover]. 44 pages. Music Sales #NOV120604. Published by Music Sales (HL.14010997). ISBN 9780853608042. 8.5x11.0x0.196 inches. Cello Part with Piano Reduction. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fantasia on Sussex Folk Tunes Cello, Piano [Reduction] Oxford University Press
Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Lloyd Webber. F...(+)
Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Lloyd Webber. For solo cello and orchestra. Level A-B (very easy to easy). Cello part and piano reduction. 36 pages. Duration 15 minutes. Published by Oxford University Press
$30.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto For Cello And Orchestra Cello, Piano Carl Fischer
Chamber Music Cello and Piano SKU: CF.O4963 Composed by Peter Mennin. Thi...(+)
Chamber Music Cello and Piano SKU: CF.O4963 Composed by Peter Mennin. This edition: Piano Reduction. Set of Score and Parts. With Standard notation. 64+20 pages. Carl Fischer Music #O4963. Published by Carl Fischer Music (CF.O4963). ISBN 9780825894374. UPC: 798408094379. 9 x 12 inches. A director of Peabody Conservatory and long-time president of the Juilliard School of Music, the very busy Mennin found time to compose a number of major works in the post-World War II American music scene, up until his untimely death at age 60. His Cello Concerto was commissioned by the Juilliard Music Foundation in 1955, one of many commissions from prestigious organizations. Enjoy a YouTube performance from Albany Records' American Archives, as performed by Janos Starker and the Louisville Orchestra (Jorge Mester, cond.). $44.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Cello and Orchestra Cello, Piano [Reduction] Associated
(Cello and Piano Reduction). By Richard Danielpour (1956-). Edited by Erik Niels...(+)
(Cello and Piano Reduction). By Richard Danielpour (1956-). Edited by Erik Nielsen. String Solo. Softcover. 56 pages. Associated Music Publishers, Inc #AMP8240. Published by Associated Music Publishers, Inc
$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto in A major for Cello and Orchestra Cello, Piano [Reduction] Barenreiter
By Jan Krtitel Vanhal. For cello and piano. Cello. Czech title: Koncert A dur pr...(+)
By Jan Krtitel Vanhal. For cello and piano. Cello. Czech title: Koncert A dur pro violoncello a orchestr. Classical. Piano reduction. Publication language: Czech. Published by Editio Baerenreiter Praha
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hummel: Potpourri (Fantasy) Op. 95 Cello, Piano [Reduction] - Intermediate/advanced G. Henle
For Violoncello and Orchestra - Piano Reduction (with Comments in English). By J...(+)
For Violoncello and Orchestra - Piano Reduction (with Comments in English). By Johann Nepomuk Hummel. Edited by N. Gertsch,Steiner. This edition: HN839. Violoncello and Piano. Henle Music Folios. Pages: Score = * Vc Part =. Urtext edition (Paper-bound). 53 pages. Published by G. Henle.
$39.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pieces for Violoncello Cello, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14768 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano SKU: BT.EMBZ14768 Composed by Franz Liszt. Book Only. Composed 2011. 76 pages. Editio Musica Budapest #EMBZ14768. Published by Editio Musica Budapest (BT.EMBZ14768). Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume.
Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.
Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Ãrpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La Folia Cello, Piano Leduc, Alphonse
Cello (cello part and piano score) SKU: HL.48180993 For Cello and Pian...(+)
Cello (cello part and piano score) SKU: HL.48180993 For Cello and Piano. Composed by Marin Marais. Leduc. Classical. Softcover. 7 pages. Alphonse Leduc #AL19956. Published by Alphonse Leduc (HL.48180993). UPC: 888680878559. 9.0x12.0x0.035 inches. Composed by Marin Marais, La Folia is a piece for cello and orchestra. Arranged by Paul Bazelaire, this edition presents the scores for cello and piano and can be played by advanced players. This melodious composition is based on?“The folies of Spain†in terms of theme and rhythms, and the arrangement was created for the Paris Conservatoire contest. While the beginning of the piece is quite slow, it has some faster parts that are more cheerful. Marin Marais (1656-1728) was a French composer and master of the viol. He wrote many pieces for the viol, some trio pieces and some orchestras. $15.40 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring for Cello and Piano Cello, Piano Metropolis Music Publishers
Cello and Piano SKU: IS.VCP6187EM Composed by Dirk Brosse. Strings - Cell...(+)
Cello and Piano SKU: IS.VCP6187EM Composed by Dirk Brosse. Strings - Cello. The Dirk Brosse Collection. Metropolis Music Publishers #VCP6187EM. Published by Metropolis Music Publishers (IS.VCP6187EM). ISBN 9790365061877. Sir Dirk Brossé, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. $32.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Kirchner Vd Meine Augen Moechte Ich Erfreu Cello, Piano Schott
Flute, horn, viola, cello and piano (P/ST) - difficult SKU: HL.49033137 C...(+)
Flute, horn, viola, cello and piano (P/ST) - difficult SKU: HL.49033137 Composed by Leon Kirchner. This edition: Saddle stitching. Sheet music. Edition Schott. Score and parts. Composed 2001. 36 pages. Duration 6'. Schott Music #ED 9511. Published by Schott Music (HL.49033137). ISBN 9790001133272. Volker David Kirchner's works encompass every genre; in addition to numerous compositions for musical theatre and for orchestra, this viola player who formerly played in orchestras and chamber ensembles still shows a preference for composing chamber music. Yet even in this field of 'pure, absolute' music, Kirchner's work has a theatrical quality which shows itself very clearly in his choice of titles (e.g. Mysterion, Il canto della notte, Lamento d'Orfeo, Exil).In this Quintet Kirchner manages to use the various possible combinations of the different instruments to create highly expressive music. $29.99 - See more - Buy online | | |
| From Jewish Life Cello, Piano Classical guitar Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141). ISBN 9781491159989. UPC: 680160918584. The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.
The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.
The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.
The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.
Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music. The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music. The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayerâ€, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.†This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer†and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication†(the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Songâ€, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music. $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Romance In F Major Cello, Piano [Reduction] G. Henle
For Cello and Piano Reduction. Composed by Richard Strauss (1864-1949). Edite...(+)
For Cello and Piano
Reduction. Composed by
Richard Strauss (1864-1949).
Edited by Peter Jost. Henle
Music Folios. Softcover. G.
Henle #HN1468. Published by
G. Henle
$15.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Parabolo Concertante Cello, Piano Schott
Cello; Piano - difficult SKU: HL.49008410 Piano Reduction with Solo Pa...(+)
Cello; Piano - difficult SKU: HL.49008410 Piano Reduction with Solo Part. Composed by Rodion Shchedrin. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 2001. 35 pages. Duration 15'. Schott Music #ED9407. Published by Schott Music (HL.49008410). ISBN 9790001131384. UPC: 073999352238. 8.25x11.75x0.125 inches. Shchedrin's oeuvre spans nearly every musical genre, and it is hardly surprising that an output of such versatility contains some rather remarkable instrumental combinations, for example Music from afar for 2 bass recorders, or Balalaika for a solo violin playing pizzicato throughout. This predilection for the unusual leads the composer in Parabola concertante with its basically subdued and contemplative mood to add a charcteristic counterpoint by contrasting the accompanying string orchestra with timpani. The piece was composed for master virtuoso Mstislav Rostropovitch, who played the solo part in the first performance at the International Cello Festival in Kronberg. Cello, string orchestra, and timpani. Piano reduction with solo part. $46.00 - See more - Buy online | | |
| A Song for Chris Cello, Piano Novello & Co Ltd.
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. Music Sales America. 52 pages. Novello and Co Ltd. #NOV958089. Published by Novello and Co Ltd.
$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Variations on a Rococo Theme Op. 33 Cello, Piano Breitkopf & Härtel
Cello and piano (solo: vc - 2.2.2.2 - 2.0.0.0 - str) SKU: BR.CB-215 Or...(+)
Cello and piano (solo: vc - 2.2.2.2 - 2.0.0.0 - str) SKU: BR.CB-215 Original Version. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Thomas Kohlhase. Solo instruments; Softcover. Variations; Solo concerto; Romantic. Piano reduction. 48 pages. Duration 18'. Breitkopf and Haertel #CB 215. Published by Breitkopf and Haertel (BR.CB-215). ISBN 9790001157223. 9 x 12 inches. The triumphal concert hall success of Tchaikovsky's most popular and musically most valuable concert pieces for solo instrument and orchestra was preceded by severe teething troubles. His Piano Concerto No. 1 Op. 23 of 1874/75 was slated by Tchaikovsky's mentor and potential performer at the premiere, the pianist, conductor and director of the Moscow Conservatory, Nikolai Rubinstein. So Hans von Bulow premiered it gratefully and enthusiastically (in Boston, USA, on 25 October 1875). Leopold Auer, violin virtuoso and professor at the Petersburg Conservatory, to whom Tchaikovsky wanted to dedicate his Violin Concerto Op. 35 of 1878, refused to premiere it - he regarded the solo part as unrewarding and unplayable. On 4 December 1881, Adolf Brodsky premiered the Violin Concerto in Vienna, with Hans Richter conducting, but Eduard Hanslick wrote a crushing and unpleasant review. The Variations on a Rococo Theme for Cello and Orchestra Op. 33 were finally published by their dedicatee, the German cellist and professor at the Moscow Conservatory, Wilhelm Fitzenhagen, after he had almost completely rewritten and then premiered it on 18 December 1877 in Moscow, while Tchaikovsky, who had asked him to publish the work, was abroad. The original version, which can be found in this edition, was not published until the 1950s. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Notes on Light Cello, Piano Chester
(Cello Part And Piano Score) SKU: HL.50606953 For Cello and Piano Redu...(+)
(Cello Part And Piano Score) SKU: HL.50606953 For Cello and Piano Reduction. Composed by Kaija Saariaho. String. Softcover. 76 pages. Duration 1680 seconds. Chester Music #CH73579-01. Published by Chester Music (HL.50606953). ISBN 9798350127188. UPC: 196288212942. Piano Reduction. Kaija Saariaho's Notes on Light. was commissioned by the Boston Symphony Orchestra, Musical Director James Levine, and given its first performance on 22nd February 2007 at Symphony Hall, Boston, USA, by the cellist Anssi Karttunen,with the Boston Symphony Orchestra, conducted by Jukka-Pekka Sarastre. $45.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Allegro Appassionato Op. 43 Cello, Piano G. Henle
(for Cello and Piano). Composed by Camille Saint-Saens (1835-1921). Edited by Pe...(+)
(for Cello and Piano). Composed by Camille Saint-Saens (1835-1921). Edited by Peter Jost. For Cello, Piano Accompaniment (Score and Solo Part). Henle Music Folios. G. Henle #HN1227. Published by G. Henle
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| Concerto for Cello Cello, Piano Faber Music Limited
Cello & Piano SKU: AP.12-0571572146 Cello & Piano. Composed by Car...(+)
Cello & Piano SKU: AP.12-0571572146 Cello & Piano. Composed by Carl Vine. Masterworks; Solo; Solo Small Ensembles; String - Cello and Piano. Faber Edition. Form: Concerto. 20th Century; Masterwork. Score and Part(s). Faber Music #12-0571572146. Published by Faber Music (AP.12-0571572146). ISBN 9780571572144. English. Composed for Steven Isserlis in 2004, Carl Vine's Concerto for Cello is an exhilarating 20-minute work that traverses a vast emotional palette. The concerto begins arrestingly, with soloist pitted against orchestra, though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section, whilst relentless motor rhythms drive the work to its close. $22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dvorak - Waldesruhe Op 68 No 5 Cello/Piano Urtext Cello, Piano G. Henle
Cello, Piano SKU: HU.HN621 Composed by Antonin Dvorak. Edited by Milan Pospisil...(+)
Cello, Piano
SKU: HU.HN621
Composed by Antonin Dvorak. Edited by Milan Pospisil. Strings, Repertoire, Solos. Silent Woods Op. 68 No.5. Softcover Book. 20 pages. G. Henle #HN621. Published by G. Henle (HU.HN621).
12.2 x 9.2 x 0.1 inches.
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| Haydn - Concerto D Major Hob 7B No 2 Cello/Piano Cello, Piano G. Henle
Cello, Piano SKU: HU.HN418 Composed by Franz Joseph Haydn. Edited by Sonja Gerl...(+)
Cello, Piano
SKU: HU.HN418
Composed by Franz Joseph Haydn. Edited by Sonja Gerlach. Strings, Repertoire, Solos. Concerto for Cello and Orchestra D major Hob. VIIb:2. Softcover Book. 59 pages. G. Henle #HN418. Published by G. Henle (HU.HN418).
12.2 x 9.2 x 0.2 inches.
The Cello Concerto in D major is a technically demanding work written for Anton Kraf. It represents one of Haydns few contributions to the virtuoso concert repertoire of the mature Viennese classic period, post-dating his first cello concerto in C major by about twenty years.
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| Bartok Bela - First
Rhapsody - Cello And
Orchestra Cello, Piano [Reduction] Boosey and Hawkes
Folk dances Instrument : cello and orchestra Type : piano reduction with solo p...(+)
Folk dances Instrument : cello and orchestra Type : piano reduction with solo part Nombre de Pages : 32
25.40 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Stephen Albert: Concerto
for Cello and Orchestra:
Cello and Accomp.: Score Cello, Piano [Sheet music] Schirmer
Stephen Albert's Concerto For Cello And Orchestra. Piano reduction. First perfor...(+)
Stephen Albert's Concerto For Cello And Orchestra. Piano reduction. First performed and recorded by Yo Yo Ma and the Baltimore Symphony Orchestra.
34.99 GBP - Sold by Musicroom UK | |
| Boccherini Luigi -
Concerto No.2 In D Major
G 479 - Cello And String
Orchestra Cello, Piano Schott
Edition : piano reduction with solo part Instrumentation : cello and string orch...(+)
Edition : piano reduction with solo part Instrumentation : cello and string orchestra Catalogue of works : G 479 Duration : 20' Date of Publications : 18/04/1986 Number of Pages : 37 Arranger : Lebermann, Walter Series : Cello Library
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| Concerto N. 3 In Sol
Maggiore (G. 480) Per
Violoncello E Orchestra
D'Archi Cello, Piano Ricordi
Seule partition au monde à porter le numéro ISBN 9790520011228 cette partition...(+)
Seule partition au monde à porter le numéro ISBN 9790520011228 cette partition dont le titre est CONCERTO N. 3 IN SOL MAGGIORE (G. 480) PER VIOLONCELLO E ORCHESTRA D'ARCHI comporte des morceaux regroupés et composés par le compositeur Boccherini Luigi.Son instrumentation exacte est Violoncelle Et Orchestre A Cordes. Amateur ou passionné de Classique vous trouverez inévitablement votre bonheur dans la version papier de cette oeuvre. / Violoncelle Et Orchestre A Cordes / Partition
23.65 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Marin-Marais: Folia:
Cello: Instrumental Work Cello, Piano [Sheet music] Leduc, Alphonse
Composed by Marin Marais La Folia is a piece for Cello and Orchestra. Arranged...(+)
Composed by Marin Marais La Folia is a piece for Cello and Orchestra. Arranged by Paul Bazelaire this edition presents the scores for Cello and Piano and can be played by advanced players. This melodious composition is based on “The folies of Spain” in terms of theme and rhythms and the arrangement was created for the Paris Conservatoire contest. While the beginning of the piece is quite slow it has some faster parts that are more cheerful. Marin Marais (1656-1728) was a French composer and master of the Viol. He wrote many pieces for the Viol some trio pieces and some orchestras.
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| John Joubert: Concerto in
Two Movements: Cello:
Instrumental Work Cello, Piano Novello & Co Ltd.
for Cello and Chamber Orchestra (Cello/Piano)-John Joubert’s Concerto in ...(+)
for Cello and Chamber Orchestra (Cello/Piano)-John Joubert’s Concerto in Two Movements for Cello and Chamber Orchestra was first performed on Sunday 4th March 2012 in St Mary’s Church Shrewsbury by the Northern Chamber Orchestra conducted by Jonathan Berman with cellist Raphael Wallfisch.This edition is for Cello and Piano (reduction from the chamber orchestra score).Written for the composer's daughter Anna.
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| Peter Maxwell Davies:
Strathclyde Concerto No.
2: Cello: Instrumental
Work Cello, Piano [Sheet music] Chester
This work for cello and orchestra was commissioned by the Strathclyde Regional C...(+)
This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. Thefirst performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra conducted by the composer.If Davies's Cello Concerto has already evoked comparisons with Elgar's that is perhaps an indicationnot only of its wealth of solo melody (there is hardly a page where the cello is not singing or if not that then dancing) and of its predominantly slow tempos but also of its musical stature. This second Strathclyde concertois a virtuoso piece for the entire ensemble which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue especially in the opening Moderato andthe slow movement; and though the finale is more extrovert the work ends back in quietness and rumination.This book contains the solo cello part and a piano reduction of the orchestral score.
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| Francis Poulenc: Sonata
For Cello And Piano:
Cello: Instrumental Work
Français Cello, Piano Leduc, Alphonse
Composed in 1948 the Cello Sonata or Sonata for Cello and Piano by Francis Poul...(+)
Composed in 1948 the Cello Sonata or Sonata for Cello and Piano by Francis Poulenc (1899-1963) was dedicated to Pierre Fournier the French cellist. Its four movements mainly ternary are as listed below: - Allegro (Tempo di Marcia) - Cavatine - Ballabile - Finale Pierre Fournier partly helped Francis Poulenc to compose the Cello part as this latter was not a specialist of this instrument. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces Operas ('Dialogues des Carmélites') ballets ('Les Biches') as well as some orchestralworks.
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| Sonate (POULENC FRANCIS) Cello, Piano [Sheet music] Heugel
Par POULENC FRANCIS. Composed in 1948, the Cello Sonata or Sonata for Cello and ...(+)
Par POULENC FRANCIS. Composed in 1948, the Cello Sonata or Sonata for Cello and Piano by Francis Poulenc (1899-1963) was dedicated to Pierre Fournier, the French cellist. Its four movements, mainly ternary, are as listed below: - Allegro (Tempo di Marcia) - Cavatine - Ballabile - Finale Pierre Fournier partly helped Francis Poulenc to compose the Cello part as this latter was not a specialist of this instrument. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces, Operas ('Dialogues des Carmelites'), ballets ('Les Biches') as well as some orchestralworks./ Répertoire / Violoncelle et Piano
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| Hungarian Rondo (Cello
And Piano) Cello, Piano EMB (Editio Musica Budapest)
Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on mat...(+)
Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on material from the incidental music he had written for Zsigmond Móriczs play Pacsirtaszó (Skylarking). The rondo form is shaped out of four new-style Hungarian folk songs and an instrumental dance melody. Kodály prepared the piece in two somewhat different versions, one for two clarinets, two bassoons and string orchestra, and the other for cello and piano. The orchestral version received its first performance in Vienna on 12 January 1918 at a 'historical concert' organized by the War Ministry of the Austro-Hungarian Monarchy. The cello version was premi?red by Miklós Zsámboky and Ottó Herz at the Budapest Academy of Music on 4 November 1927. Neither version appeared in print in the composers lifetime. The version for string orchestra was edited in 1976 by Ferenc Farkas and István Máriássy (and is distributed as a hire material under the order number K-1). The cello version appears here in print for the first time. The publication is based on the composers surviving manuscript and a contemporary manuscript copy of this. The fingerings are by the editor. / Violoncelle Et Piano
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| Franz Joseph Haydn: Cello
Concerto In C Hob.VIIb:
Cello: Instrumental Work Cello, Piano G. Henle
Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) w...(+)
Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.
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| Edward Gregson: A Song
For Chris: Cello:
Instrumental Work Cello, Piano [Sheet music] - Advanced Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...(+)
In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
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| Concerto no (AHO KALEVI) Cello, Piano Fennica Gehrman
Par AHO KALEVI. Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2...(+)
Par AHO KALEVI. Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2013) is in five movements performed without a break. It begins with a swinging Berceuse, followed by a very quick, virtuosic Presto in 5/8 time. The heart of the concerto is the cadenza-like third movement, Adagio, dominated throughout by the soloist. A fairly short Allegretto is followed by the closing Epilogue. This has flashbacks to the opening movement, and they lead to a cadenza in which the soloist plays only flageolet notes and pizzicatos. The concerto ends with a virtuosic coda in 5/8 time evocative of the second movement. Arto Noras gave the concerto its first performance with the Lahti Symphony Orchestra conducted by Osmo Vänskä in Naantali on June 5, 2014. It was a joint commission from the Naantali Music Festival and the Lahti Symphony Orchestra. This product consists of the solo part (18 pages) and piano reduction by Kari Vehmanen (62 pages) - have a look inside by clicking “sample”. The concerto is scored for a fairly small orchestra. The instrumentation is 2(II=afl)2(II=ca)2(II=bcl)2-2200-bar-02-str and the orchestral material is available for hire from the publisher. / Date parution : 2022-05-31/ Répertoire / Violoncelle et Piano
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| Camille Saint-Saëns:
Allegro appassionato op.
43: Cello: Score Cello, Piano G. Henle
für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Al...(+)
für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score.At the beginning of the 1870s Saint-Saëns displayed a particular partiality for theVioloncello. He composed his first Cello sonata in December 1872 immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Celloand Piano op. 43 that also appeared in a version for Orchestra three years later.We do not know why he wrote the work but it is likely that after having written two weighty works for Cello Saint-Saëns wanted towrite something ?easier? that was also suitable as an encore. In this Henle Urtext edition David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.
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| Season of Carols: Cello
and Accomp.: Instrumental
Album Cello, Piano Hal Leonard
Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (...(+)
Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years tocome. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily onHigh ? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including TheDreydl Song Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 04490404 String Quartet String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion
13.99 GBP - Sold by Musicroom UK | |
| F. Bridge: Four Pieces:
Cello & Piano:
Instrumental Album Cello, Piano [Sheet music] - Intermediate Faber Music Limited
These four pieces for Cello and Piano accompaniment were composed separately be...(+)
These four pieces for Cello and Piano accompaniment were composed separately between the years 1901 and 1910 and appeared in print in several different versions ranging from piano solo to full orchestra. They were all primarily written however for cello and piano so appear here in their original form. The editor - Julian Lloyd Webber - has been responsible for the addition of bowings and fingerings.
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| Herbert Howells: Threnody
(Cello/Piano): Cello:
Instrumental Work Cello, Piano [Sheet music] Novello & Co Ltd.
This is a Cello/Piano reduction of the work for Cello and Orchestra.
14.99 GBP - Sold by Musicroom UK | |
| Robert Schumann: Cello
Concerto In A Minor
Op.129: Cello:
Instrumental Work Cello, Piano [Reduction] Peters
Concerto in A minor for Violoncello and Orchestra-Robert Schumann's Cello Concer...(+)
Concerto in A minor for Violoncello and Orchestra-Robert Schumann's Cello Concerto In A Minor Op.129 composed for Cello with Piano accompaniment.
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| Gustav Holst: Invocation
- Cello And Piano: Cello:
Instrumental Work Cello, Piano - Intermediate/advanced Faber Music Limited
Invocation was composed in 1911 and first performed on May 2nd of that year in t...(+)
Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen's Hall London by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with Piano accompaniment before 1914 but with the public success of The Planets it became one of many works that Holst never had time to revise or publish. A certain amount of editing of dynamics and phrasing has been necessary and the Piano reduction has occasionally been slightly adjusted to match the orchestral accompaniment more closely. The separate Cello part has been edited by Julian Lloyd-Webber.
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| Jonathan Leshnoff: Cello
Concerto: Cello & Piano:
Score and Part Cello, Piano Theodore Presser Co.
?The cello is a fantastic instrument to work with,? said Leshnoff. ?Some instrum...(+)
?The cello is a fantastic instrument to work with,? said Leshnoff. ?Some instruments are more limited, but the cello has so much freedom. It can scream, it can cry, it can sing, it can dance and it can whisper.? The Chamber Orchestra of Philadelphia commissions a new work for each Spring, and in 2013 they chose to commission Jonathan Leshnoff. In turn, Leshnoff was able to work with the exciting international talent Nina Kotova for the premiere performance under the direction of Dirk Brossé at Philadelphia's Kimmel Center for the Performing Arts.
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| Henri Dutilleux: Henri
Dutilleux: Tout Un Monde
Lontain: Cello:
Instrumental Cello, Piano Heugel
Composed between 1967 and 1970 Tout Un Monde Lontain for Cello and Orchestra ...(+)
Composed between 1967 and 1970 Tout Un Monde Lontain for Cello and Orchestra byHenri Dutilleux is one of the most important additions to the Cello repertoire in the 20th century. Lasting nearly half an hour each of the five movements are inspired by a poem of Charles Baudelaire: 1. Énigme / Enigma 2. Regard / Gaze 3. Houles / Surges 4. Miroirs / Mirrors 5. Hymne / Hymn The main theme initially introduced in the first part Énigme / Enigma is often replayed through the piece. The third part Houles / Surges is the most difficult to interpret with aScherzo part that's quite challenging and no break between the movements. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Violin concerto 'L'arbre des songes' (The tree of dreams) and the String quartet 'Ainsi la nuit' (Thus the night).
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| Gabriel Fauré:
Sicilienne Op.78: Cello:
Instrumental Work Cello, Piano [Score and Parts] G. Henle
Sicilienne for Violoncello and Piano op. 78-This composition for violoncello and...(+)
Sicilienne for Violoncello and Piano op. 78-This composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Fauré?s middle creative period and was first published simultaneously in France and England in 1898 reflecting Fauré?s increasinginternational popularity. The character piece with its memorable expressive melody became increasingly popular after Fauré had included it in the Suite from his incidental music of Pelléas et Mélisande (in a version fororchestra) that was also premiered in 1898.
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| M. Goddard: Buffoonery
For Cello And Piano:
Cello: Instrumental Album Cello, Piano [Score and Parts] Spartan Press
This piece was originally written for the trombonist Michael Skitt as the final...(+)
This piece was originally written for the trombonist Michael Skitt as the final 'prank' movement of a concerto for trombone and orchestra. By popular request the piece has been given a separate piano part and has since been proved equally entertaining for trombone bassoon or cello!Grade: 8
6.95 GBP - Sold by Musicroom UK | |
| Arthur Bliss: Concerto
For Violoncello
(Cello/Piano): Cello:
Instrumental Work Cello, Piano [Sheet music] Novello & Co Ltd.
Arthur Bliss' Concerto For Violoncello. Reduction for Cello and Piano. This wor...(+)
Arthur Bliss' Concerto For Violoncello. Reduction for Cello and Piano. This work was first performed at the Aldeburgh Festival on 24th June 1970 by Mstislav Rostropovich and the English Chamber Orchestra conducted by Benjamin Britten.
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| Herbert Howells: Cello
Concerto Final Movement:
Cello: Instrumental Work Cello, Piano [Sheet music] Novello & Co Ltd.
The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howe...(+)
The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howells has been elaborated here by Jonathan Clinch arranged for Cello and Piano. A full performance lasts around 8 minutes.
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| Bridge Frank - Four
Pieces - Cello And Piano Cello, Piano Faber Music Limited
These four pieces were composed separately between the years 1901 and 1910 and a...(+)
These four pieces were composed separately between the years 1901 and 1910 and appeared in print in several different versions, ranging from piano solo to full orchestra. They were all originally written, however, for cello and piano. The editor - Julian Lloyd Webber - has been responsible for the addition of bowings and fingerings.
15.80 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Gabriel Fauré: Élégie
Op.24 For Violoncello And
Piano: Cello:
Instrumental Work Cello, Piano G. Henle
?l?gie for Violoncello and Piano op. 24-Following the enthusiastic reception of ...(+)
?l?gie for Violoncello and Piano op. 24-Following the enthusiastic reception of his first Violin Sonata (HN980) it was clear to Faur? that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as theslow movement for a sonata. However Faur? gave up the sonata project instead publishing the piece under the title ??l?gie. It was so successful that Faur? was urged by the publisher to write further pieces. Theconductor ??douard Colonne commissioned a version of the ??l?gie for orchestra in 1895 which was premi?red two years later. As usual our Urtext edition contains both a marked and an unmarked solo part.
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