Born in 1977 in Latvia Eriks Esenvalds is an original and sought-after voice of the Baltic music tradition. Commissioners have included the Latvian Radio Choir and State Choir ‘Latvija’ the Britten Sinfonia Trinity College Choir Cambridge Temple University (USA) the Boston Symphony Orchestra and City of Birmingham Symphony Orchestra. His work is recorded on a number of CDs. Eriks Esenvalds is a former Fellow Commoner in Creative Arts at Trinity College University of Cambridge.

The SATB edition (00159337) was released last year and became an immediate hit. Carrying the positive message that we are all ?connected? and need to take care of one another is just the beginning of why this is a great piece. It has a style all itsown: rhythmic a cappella with simple but engaging counterpoint a culminating chorus and a winning ending. For SSAA choirs of all ages. Easy to medium.

Joni Jensen Choral Series-The Walt Whitman poem Song of Myself conveys both a sense of confidence and a spirit of adventure. The text affirms our uniqueness as individuals but also stresses our interconnectedness to each other and the world. The music captures these characteristics with a constant drive and sense of excited anticipation.

Voici une partition musicale pour Chant/Vocal/Choeur et plus spécialement pour Choeurs A 4 Voix De Femmes Et plus que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est RENCONTRES DE FETE - 1E ET 2E SOPRANOS, 1E ET 2E ALTOS a été composée par le célèbre compositeur Breard . C'est l'éditeur Billaudot sous la référence AF0069 qui a les droits pour éditer cette partition. / Choeurs A 4 Voix De Femmes Et plus / Partition

Voici une partition musicale pour Chant/Vocal/Choeur et plus spécialement pour Choeurs A 4 Voix De Femmes Et plus que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est LA RENONCULE a été composée par le célèbre compositeur Lancien Noël. C'est l'éditeur Billaudot sous la référence EFM391 qui a les droits pour éditer cette partition. / Choeurs A 4 Voix De Femmes Et plus / Partition

Choral Suite-Introduce your choirs to the music of America's best known composer Aaron Copland. Carefully edited and arranged it preserves the original accompaniment and makes an excellent concert feature. For children's or female choir and piano.

Aejlies which means ?Holy? was originally composed as part of a commissioned work for the Sámi church festival in Norway in 2013. The theme for the festival was ?Holy Ground! Holy World? referring to the understanding among our Sámi ancestors as well as other indigenous groups that the land we are living on - Mother Earth - is Holy and should be treated with respect and honour. The theme is also inspired by the biblical words ?Take your sandals off your fee for the place where you are standing is holy ground!? (Exodus 3 5) which resonates with how indigenous traditions relate to nature.Only one word is sung in this work which takes inspiration from the Sámiyoik tradition where one often only uses very few words in combination with so called yoik syllables. These syllables have no linguistic meaning but are an important part of this ancient vocal tradition allowing the human voice to describe something without the limitations words and language sometimes have.

Stand back for this fantastic new arrangement from the current hit musical revival on Broadway Hello Dolly! Beginning with an expressive solo the choral begins to come alive in tempo and energy until the final chord. Available in voicings to suit just about every performing ensemble with optional instrumentation you'll feel like you're on Broadway with every performance!

from Pitch Perfect 2-The trailer for the highly anticipated Pitch Perfect 2 gives us a sneak peek at the music for the new film including this expanded version of Anna Kendricks breakout hit ?Cups.? After a sweet reflective opening verse it moves into tempo for a more expanded treatment.

SSAA choirs will love inviting a tenor soloist to join them for this Moses Hogan classic based on Go Tell It on the Mountain. Vivid dynamic contrasts and Moses' trademark rhythmic layering give this setting special appeal.

Fred Bock's setting of this famous Samuel Wesley tune was a classic from the start. It has been newly released as part of Fred's “Classics” series. A tasty keyboard accompaniment as only Fred could write supports awarm and rich choral part. Useful as an anthem offertory or service piece it is easy to medium in learning difficulty. Also available in SAB 2-Part and SSA.

It is particularly in his choral music that Peteris Vasks reveals his strong attachment to his Latvian home country. Nature, customs and traditions and the idea of freedom are the central themes of the texts he sets to music, while carefully using modern techniques of choral singing as well. Alternating with traditional, even archaic singing, the music creates a multi-faceted, immediately effective sound image in the listener's mind.The poem 'Ziles zina' by the contemporary Latvian poet Uldis Berzins (*1944) centres on the themes of man, nature and transience in aphoristic brevity.Vasks wrote a piece of music on this poem which contains downright rewarding tasks for the choir and opens up to the listener a fascinating world of sound. / Choeur De Femmes (SSAA) A Cappella

A Spotless Rose by Welsh composer Paul Mealor arranged for unaccompanied SSAA divisi chorus. The sublime harmonies of this piece were released on the album 'A Tender Light' that also featured his piece composed for the Royal Wedding. The moving melodies and dramatic dynamics of the vocal parts in A Spotless Rose create a subtle solemnity in the wash of the beautiful soprano and alto parts. Featuring a Piano part for rehearsal only the unaccompanied soaring of the choir will make a truly lasting impression on any audience. In the September 2015 issue of the Organists' Review DavidLindley writes that this piece 'encompasses a wide dynamic range and some high tessitura for sopranos as the music celebrates 'Mary purest maid' contrasting with the slow-moving chordal setting of the rest of the text.'