Cross-Curricular Music Fun for the Classroom Book/Listening CD-Rockin' with arithmetic is what it's all about! Reinforce basic math concepts that support Common Core State Standards and promote higher level learning while rockin' to the beat. From Hal Leonard's popular Rock 'n' Learn series this study for Grades 3-5 explores the 4 basic operations (add subtract multiply divide) computing the area of basic shapes the metric system fractions and decimal equivalents estimating and much more - all put to music for learning that lasts! Perfect for Music class or Math class the Teacher Book includes reproducible melody sheets with chord symbols and simple choreography and worksheet activities that incorporate Common Core State Standards in Math! For performance options a script is also included that introduces each of the eight original songs. Groove along with the singer recordings on the enclosed Listening CD! Also available is an Enhanced P/A CD with performance and accompaniment-only song tracks and PDFs of the piano/vocal arrangements with choreography lyrics and worksheets for lots of performance and projection options! For additional value receive all components in the Classroom Kit. Suggested for Grades 3-5.

Schon ab dem sechsten Schwangerschaftsmonat kann das Baby im Mutterleib hören. Sprache, Gesang und Musik können das Ungeborene nun entscheidend prägen. - Wie kann ich mit Musik die Entwicklung meines Babys während der Schwangerschaft positiv beeinflussen?- Welche Lieder kann ich in dieser Zeit für mein Kind singen?- Wie kann mir Musik bei der Geburtsvorbereitung helfen?- Welche Musik mag mein Baby in den ersten Lebensmonaten?Die Autorin gibt werdenden Müttern praxisnah Antworten auf diese und viele weitere Fragen und zeigt, wie über Musik eine erste Kontaktaufnahme mit dem Kind gelingen kann.Aus dem Inhalt: (Buch mit CD): - Lieder- Klassische Musik- Entspannungsübungen- wissenschaftlich fundierte HintergrundinformationenDr. Carla Häfner ist Ärztin und Mutter von drei Kindern. Musik begleitet sie seit ihrer Kindheit. Sie ist Autorin diverser Lieder- und Bilderbücher für die Kleinsten. / Choeur

This anthem sets a text by Hallquist based on a passage from Thessalonians. The opening and closing sections feature a catchy melody and recurring syncopated figure in the piano enclosing a more subdued middle section. Highly accessible in style this anthem makes a dynamic addition to a service or concert.

Les Troyens - The Trojans: Opera in 5 Acts Berlioz composed Les Troyens towards the end of his life drawing on Virgil?s epic poem The Aeneid which he had admired since his childhood. In his Memoirs he recounts how his father a country doctor read Virgil to him and how the story of Dido?s tragic fate reduced him to tears which he tried hard to conceal. The score was finished in April 1858 but he was unable to persuade the Paris Opera to mount it (his earlier opera Benvenuto Cellini had been a failure there in 1838) and eventually he agreed to allow the last three acts to be performed under the title Les Troyens à Carthage. This took placeat the Théâtre-lyrique an enterprising but ill-equipped theatre in November 1863 and although it was much admired there were no more performances before Berlioz?s death in 1869. In the history of French music Les Troyens stand out as a grand opera that avoided the shallow glamour of Meyerbeer and Halévy but therefore paid the price of long neglect. In our own time the opera has finally come to be seen as one of the greatest operas of the 19th century. Urtext of the New Berlioz Edition Full score (BA5442) and vocal score (BA5442-90) available for sale Performance material (BA5442-72) available for hire

Händel, Georg Friedrich Solomon HWV 67 Oratorio in three acts Composed in 1748, Handel’s oratorio on the wise and righteous King Solomon is one of the most lavish works he created in this genre. He attached special importance to the choir: rarely does Handel’s music have such extended choral numbers, ranging from homophonic settings to choruses of jubilation in eight contrapuntal parts. This vocal score is based on the “Halle Handel Edition” volume BA 10709. - Urtext edition based on the “Halle Handel Edition” - Bilingual foreword (Ger/Eng) - Clear idiomatic piano reduction Edition no.: BA 10709-90 ISMN: 9790006544486 Editor: Clausen, Hans Dieter Arranger: Köhs, Andreas Language(s) of work: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: XI, 338 S. - 27,0 x 19,0 cm

Oratorio in three acts-Handel composed Samson directly after completing the 'Messiah'. After its premiere in 1743 in the Covent Garden Theatre in London the work rapidly became one of the composer?s most successful oratorios alongside 'Esther' and 'Judas Maccabaeus'. This probably had as much to do with the popular Old Testament story of the libretto as with Handel?s masterly shaping of the arias and choruses. By including some movements in the appendix this edition makes it possible for the first time to perform the work in its original 1741 version. The edition is based on the complete edition volume of the 'Halle Handel Edition' (BA 4099) offering thecomplete music text of the oratorio for the first time. - Urtext of the Halle Handel Edition - Full score (BA4099)

La poésie sur laquelle se fonde cette composition est la Ballade de la vie extérieure ( la Ballade des Äusseren Lebens ) sous la plume de l'auteur viennois Hugo von Hofmansthal ( 1874-1929 ) . Il est connu pour , entre autres choses , son livrets pour les oeuvres de Richard Strauss ( Der Rosenkavalier , Ariadne auf Naxos , Elektra ) et en tant que fondateur du Festival de Salzbourg . Von Hofmansthal était l'un des derniers des symbolistes allemands . Au centre de ce mouvement littéraire a été l'unification des mondes internes et externes . La recherche du sens est une pierre angulaire de ce mouvement fin-de- siècle .Dans la Ballade des Äusseren Lebens ( Ballad of Life externe ) , le non-sens de l'existence est exprimée en limitant , métaphores d'une oppression ambiance qui se reflète dans la musique . En fin de compte , l'homme est capable d'établir l'ordre de paraître le chaos . Le poète exprime puissamment dans une ligne non - rimes de poésie :'Et pourtant , celui qui dit ' soir ', dit beaucoup ,Un mot , dont la profondeur et le débit de la douleur '.Cette composition suit la structure globale de la ballade , qui est écrit en rimes trois lignes rima - verrouillage terza .L' oeuvre chorale peut être effectuée par un choeur de chambre , mais aussi par un ensemble beaucoup plus vaste. Les pièces sont principalement à quatre voix (SATB) , mais il ya aussi six parties ( SAATBB ) . Un accord est prévu pour huit voix .Le compositeur a mené ce travail à sa première , à ouvrir en 2013 Choral International Biennale de Aachen . Le choeur était composé de quatre choeurs de chambre : Aachen Youth Choir , Carmina Mundi , Aachen Chamber Choir et Aachen Madrigal Choir / Choeur Mixte

Carl Philipp Emanuel Bach wrote his first great vocal composition the Magnificat in 1749 at the age of 35. It bears all the earmarks of “audition music” i.e. a piece that organists and choir directors had to submit when applying for a new position. This feature is especially evident in its stylistic variety which makes the work a rewarding and colorful challenge for all church choirs. Special attractions are the work's contrapuntal passages which are very similiar in sound and structure to those of J. S. Bach’s B minor Mass. The present arrangement for soloists chorus and organ is intended as a self contained version accessible to a widerange of choirs even those with limited financial means. - Self contained version for soloists (SATB) chorus (SATB) and organ - Ideal for use in church and concert hall - Clear and well presented organ part - Duration: ca. 40 minutes The Bärenreiter CHOIR&ORGAN Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into straight-forward organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ version by the composer has been used. The Organ parts are presented on three staves. The choir and solo parts always remain true to the original. One edition can be used by soloists singers and Organist alike.

Howard Goodall's setting of Spared by Wendy Cope arranged for SATB divisi and piano accompaniment. This work was first performed by The Chapel Choir of The Methodist College Belfast on 27th October 2005 at St Anne's Cathedral Belfast. Wendy Cope's poem movingly evokes the events of September 11th 2001 an event that Howard Goodall witnessed firsthand. Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challengingcontemporary works offering a thrilling array of varied styles.

Volume 1-Works for Male Choir / Works for Equal Voices Volume 1Niels W. Gade. Werks Volume IV/10Niels Wilhelm Gade (1817?1890) WorksEdited by the Foundation for the Publication of the Works of Niels W. Gade CopenhagenNiels W. Gade is one of the leading Danish composers of the nineteenth century. However only about half of his prolific ?uvre has appeared in print. Given this fact and the growing current interest in Gade there is an urgent need for a scholarly-critical Urtext edition of his music to meet the demands of both scholars and performers.This edition will contain all of Gade's completed compositions and separate movements as wellas the arrangements he made of his own works and those of other composers. In general the main text presents the ?definitive? version based on Gade's personal copy of the printed work. However all the remaining sources have also been consulted for purposes of comparison. Every editorial decision is mentioned and justified in the critical report (English).

Great Is Jehovah The Lord (Die Allmacht; D 852) is a song written by Franz Schubert in 1825 as the second half of his opus 79. It has been arranged for Tenor solo with Piano Organ and Male Voice Choir accompaniment by Franz Lizst. The words have been taken from a poem by Campbell Clarke.Franz Schubert (1797-1828) was an Austrian composer working in the early Romantic era. He is best remembered for his ever-popular Ave Maria which was memorably adapted by Walt Disney for his 1940 film Fantasia.