Single Sheet Music from great classical composer Wolfgang Amadeus Mozart. Arranged for Soprano Alto Tenor and Bass.

A musical celebration of children's rights for narrator choir and ensemble/backing tracks.It's easy to learn once heard not easily forgotten funny yet serious lighthearted yet touching: a parable of our times and for our times.The chorus of 'Jake And The Juveniles' would have a very good chance of winning the annual Doveton Talent Contest if only they could get Jake out of bed in the morning. But even when they do down at the shelter where they rehearse they are met by the demolition men and then the blank face of bureaucracy.Although they are close to despair this is where with his unexpected arrival on the scene the Right Genie comes in very handy. But instrumental though the genie is in pushing for the rights of our hero and the Juveniles he also encourages Jake to look beyond his own immediate problems however important they may seem to a world where children have more pressing needs than his.This Piano and Vocal score comes with chord symbols throughout and includes the full text plus 2 CDs containing demos and backing tracks for rehearsal or performance. Lyric sheets for Jake And The Right Genie are also available as free downloads with this book at www.hybridpublications.com.

Take My Life, and Let It Be Consecrated was written by hymnist, Frances Ridley Havergal, daughter of the well-known English hymnist William Havergal. Francis wrote that it was on occasion of visiting the home of a friend that the hymn was composed. It seems there were ten persons in the home that she was visiting, some converted and some still unconverted. She prayed, 'Lord, give me all in this house!' At the end of her visit, all were converted. It was then that she penned the hymn that ends with 'Ever only, all for Thee!' Multiple voicings, instrumental parts and a beautiful fully-orchestrated accompaniment track are available. / Choeur

Community Choir Collection: Folk comprises 50 folk songs for all seasons from all parts of the British Isles specially arranged for mixed voices by Paul Sartin founding member of award-winning folk ensembles such as Belshazzar's Feast Faustus and Bellowhead. Additional information includes song history context and performance tips. The songs are arranged in a variety of formats and are suitable for choirs of all abilities. Featuring An Acre Of Land (Scarborough Fair) Danny Boy She Moved Through The Fair Ye Banks and Braes Siuil A Ruin and Ar Hyd Y Nos (All Through The Night).

It's not just another day at the Tiny Bit of Heaven Motel in Bethlehem (actually a stable behind a small Inn), which is run completely by animals. Annie Lamb is a reporter for The Bethlehem Chronicle and snooping around for clues regarding Caesar's Census. However she---along with the others---is about to have a life-changing night. Major Moo runs a tip-top motel, accompanied by Miss Dovie (Front Desk Clerk), Ladybug Lacey (maid), and Cecil R. Caterpillar (bellhop). The Innkeeper is the only human that ever comes in among the animal visitors, but rumor has it he's bringing a human couple in to stay the night, and the animals are afraid they'll ruin everything! But they all eventually learn a certain 'Stranger on the straw' came to earth to change the world, and that even people and things we don't understand can sometimes be miracles in disguise. Recommended for grades K-6. Approximately 20 minutes. / Choeur

Usher in the Christmas season with Christmas Carol Celebration. Brimming with fresh, new arrangements of favorite carols reflecting moments both triumphant and tender in the Christmas story, this 40-minute cantata for choir and congregation is easily prepared and presented, yet highly effective. Selective new original material is woven into the work to complement the classic carols. The narration is written by veteran Ragan Courtney, offering a poetic perspective of the Birth of Christ. / Choeur

Francis Pott’s My song is love unknown sets all of Samuel Crossman’s famous verses but one (commonly omitted when the poem is sung metrically as a hymn). The music begins with offbeat repeated chords prompted—not inappropriately—by the opening to Richard Strauss’s tone poem  Death and transfiguration. In its early stages only trebles and altos are heard. The sequential flow of Crossman’s poem is soon disrupted with particular dramatic ends in mind. After a seemingly anxious harmonic distortion of the opening chords the word ‘crucify’ arises initially as a mere mutter from the lowervoices so timed as to afford assonance with other words in the upper parts and thus remain barely discernible as if only imagined. In due course however cries of ‘Hosanna’ find themselves on a collision course with a rising tide of ‘Crucify’ during which the ‘Hosanna’ faction gradually loses heart and sheep-like defects until a single treble voice—plaintively daring to repeat the ‘offending’ word—is swept aside by a murderous outcry. In due course ‘Crucify’ recurs as a further angry climax before the opening music returns this time expanding into an extended polyphonic final section for double choir and SATB soloists. The principal climax of the work subsides into a form of epilogue crowned sorrowfully by a treble soloist to whom the music in toto has by now presented many challenges. The anthem ends in the key and mood of its opening. The character of its demanding organ part reflects the possibility that it may one day be orchestrated.   My song is love unknown was composed in memory of Michael Renton a craftsman and largely self-taught ‘Renaissance’ man who was not only a member of the Winchester cathedral congregation but also the cathedral’s stonemason. He was beloved of many in the Cathedral community; a true and