SKU: HL.49044724
ISBN 9790001180146. 9.0x12.0x0.077 inches. Vocalise.
In diesem als Entdeckungsreise gedachten Klangexperiment werden Resonanzkombinationen von Stimme und Klavier erforscht. Samtliche Stimmaktionen gelangen durch Rohren an die Schalllocher im Flugelinnenraum, eingefasst in eine Vielzahl immer noch ungewohnter pianistischer Spieltechniken wie Flageolett, Saiten-Pizzicato u.a.
SKU: FG.55011-895-9
ISBN 9790550118959.
The Urtext edition (2023) of Jean Sibelius’ Five Christmas Songs op. 1 for voice and piano is based on the critical edition presented in the volume VIII/2 Works for Solo Voice Vol. 2 of Jean Sibelius Works (JSW) edited by Jukka Tiilikainen. The lyrics are included in Swedish, Finnish and English.Sakari Ylivuori's introduction illuminates the history of the beloved songs: May 1, 1913 was cold and wet. Jean Sibelius (1865–1957) spent the day at home at Ainola composing two Christmas songs: settings of poems for children by Zachris Topelius. The two songs born on that chilly spring day were Nu står jul vid snöig port (Now stands Yule at the snowy gate) and Nu så kommer julen (Now is Christmas coming). He then put them together with three Christmas carols he had earlier composed and gave the set the imposing Opus number 1. He had previously considered giving the distinction to various other works, but from 1915 onwards the Five Christmas Songs had the honour of heading his catalogue. [...]ContentsNu står jul vid snöig port • Joulu saapuu portin luo • Now stands Yule at the snowy gate [F major]Nu så kommer julen • Tervehtii jo meitä joulu armahin • Now is Christmas coming [e minor]Det mörknar ute • Jo joutuu ilta • O’er hill and dale [F major]Julvisa • En etsi valtaa, loistoa • Christmas song [G major]On hanget korkeat, nietokset • Visst drivor höga som skyn vi ha • The shining snows are driving high [F major].
SKU: HL.287859
9.0x12.0x0.636 inches.
Sonatas and quartets aren't my thing. Armed with this self-knowledge, composer Isabelle Aboulker placed singing at the heart of her creative activity and garnered huge success in a variety of genres such as oratorio (The Man who Staggered Through War, 1997), comic opera (Monsieur de Balzac fait son theatre, 1999), childrens tales (Douce et Barbe Bleue, 2002) and the theatrical adaptationof narrative works (Une fille quon appelle Boule de suif, 2014). Isabelle Aboulker also devotes much attention to melody, as can be seen in this collection presenting a few of her most enchanting successes. Her prosodic clarity and focus on the power of words crystallises a musical legacy that stretches from Rameau to Poulenc.This anthology of melodies for voice and piano - most of which are written for all voices - is delightfully eclectic: the melancholyperfume of the Lettre damour sits beside the unnerving eeriness of the merchant of souls (Au marche de Saint-Paul), while the limpid music of the La Fontaines Fables contrasts with the fever that animates Je taime, a passionate vocalise dedicated to Patritica Petibon. A subtle, sensitive art that enchants all who lend an ear.
SKU: M7.DOHR-29954
ISBN 9790202019542. German.
SKU: HL.48188558
UPC: 888680883706. 9.0x12.0x0.155 inches.
Chailley J. Pelerin D'assise Voice and Piano Book.
SKU: HL.48187423
UPC: 888680843700. 9.0x12.0x0.171 inches.
Regrouped by Joseph Canteloube, this book is the fourth series from the set Songs from the Auvergne. This edition, written for Voice and Piano, contains lyrics in local dialect ?Occitan?, with the French translation below. Some directives are given to obtain the correct pronunciation of the language. It features six songs: I. Jou l'pount d'o Mirabel (Au pont de Mirabel) / At the Mirabel bridge II. Oi Ayai III. Pour l'enfant / For the child IV. Chut, Chut / Shh, Shh V. Pastorale / Pastoral VI. Lou Coucut (Le coucou) / The Cuckoo Joseph Canteloube (1879-1957) was a French composer, musician and author, mainly known for his folk songs and for the series Songs from the Auvergne inspired by the area his family was from..
SKU: HL.48187804
UPC: 888680873615. 8.5x11.75 inches.
Milhaud Darius Barba Garibo Voice and Piano Book.
SKU: HL.48188865
UPC: 888680789961. 9.0x12.0x0.061 inches.
“Three songs by Kurt Weill is a set of three French songs for Voice and Piano. The lyrics have been written by Maurice Magre and Roger Fernay and the general level of difficulty is medium. The first piece, Complainte de la Seine (Complains of the Seine), is three page long and its lyrics are about what lies at the bottom of the river. The second song, Je ne t?aime pas (I don?t love you), is a man telling someone that he doesn?t love her, that everything is fine and that he is fine if she is happy. The third piece, Youkali is a highly rhythmic tango-habanera in four pages, which depicts the island of Youkali. Kurt Weill (1900-1950) is a German composer who developed operas and some works for the concert hall.â€.
SKU: HL.48187328
UPC: 888680828943. 9.0x12.0x0.155 inches.
Regrouped by Joseph Canteloube, this book is the second series from the set Songs from the Auvergne. This edition, written for Voice and Piano, contains lyrics in local dialect ?Occitan?, with the French translation below. Some directives are given to obtain the correct pronunciation of the language. It features five songs: I. Pastourelle / The Shepherdess II. L'Antouenou (L'Antoine) / Antoine III. La Pastroueletta e lou Chibalie / The Shepherdess and the Horse-rider IV. La Delaissado (La delaissee) / The neglected V. Deux Bourrees / Two Bourrees: a. N'ai pas ieu de mio (Je n'ai pas d'Amie) / I don't have a Friend b. Lo calhe (La Calle) Joseph Canteloube (1879-1957) was a French composer, musician and author, mainly known for his folk songs and for the series Songs from the Auvergne inspired by the area his family was from..
SKU: HL.49044570
ISBN 9783795748494. UPC: 841886021686. 9.0x12.0x0.535 inches. German.
Georg Kreisler equals scathing, dark black humour on the piano. This second volume of the three-volume edition of his songs and chansons is presented with the songs organised by topic.
SKU: HL.48189699
UPC: 888680836658. 8.5x12.0x0.269 inches.
La Fountaine and the Crow is an opera-fable created by Isabelle Aboulker and based on the fables of Jean de la Fontaine. Featuring the scores for voice and piano only and the text for the actors, this piece is a show in which the music is initially played by flute, oboe, 2 clarinets, bassoon, horn, piano, percussion and cello. Two actors are necessary: the Crow and the show presenter. La Fountaine and the crow is a great work for a choir or a music school. Isabelle Aboulker is a French composer especially known for her opera and vocal works.
SKU: HL.48187381
UPC: 888680845988. 0.111 inches.
Regrouped by Joseph Canteloube, this book is the third series from the set Songs from the Auvergne. This edition, written for Voice and Piano, contains lyrics in local dialect ?Occitan?, with the French translation below. Some directives are given to obtain the correct pronunciation of the language. It features five songs: I. Lo Fiolaire (La fileuse) / The Spinner II. Passo pel prat (Viens par le pre) / Come through the field III. Lou Boussu (Le Bossu) / The huntchback IV. Brezairola (Berceuse) / Lullaby V. Malurous qu'o uno fenno - Bourree (Malheureux qui a une femme) / Unfortunate thus who has a wife Joseph Canteloube (1879-1957) was a French composer, musician and author, mainly known for his folk songs and for the series Songs from the Auvergne inspired by the area his family was from..
SKU: HL.49041362
The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it; at his death he left a detailed list of Unpublished pieces for an eventual complete edition. The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor. Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary. The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material.