American Company
(113 results)
No shipping to countries within the European Union.
|
European Companies
(143 results) |
|
|
|
| Concerto No. 3 in C Minor (Seitz) for String Orchestra and Solo Viola Viola and orchestra [Score and Parts] Alfred Publishing
For String Orchestra and Solo Viola. Composed by Friedrich Seitz. Arranged by Do...(+)
For String Orchestra and Solo Viola. Composed by Friedrich Seitz. Arranged by Doris Preucil. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra; Suzuki. Solo with Orchestra Series. Form: Concerto. 20th Century; Masterwork Arrangement; Romantic. Part(s); Score. Alfred Music #00-24800. Published by Alfred Music
$30.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Viola Concerto (1962) Viola and orchestra [Study Score / Miniature] Oxford University Press
Composed by William Walton (1902-1983). Edited by Christopher Wellington. For so...(+)
Composed by William Walton (1902-1983). Edited by Christopher Wellington. For solo viola and orchestra (solo viola - 2 flutes (II piccolo), oboe, english horn, 2 clarinets (II bass clarinet), 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp, strings). William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 152 pages. Duration 23'. Published by Oxford University Press
$37.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Viola Concerto Viola and orchestra [Sheet music] St Rose Music Publishing
For Viola and Orchestra (Full Score). Composed by Nico Muhly. Music Sales...(+)
For Viola and Orchestra (Full Score). Composed by Nico Muhly. Music Sales America. Softcover. 122 pages. St. Rose Music #SRO100087. Published by St. Rose Music (HL.14047977).
$50.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Violaconcerto D major op. 1 Viola and orchestra Amadeus Verlag
Viola and orchestra SKU: M7.BP-750-10 Composed by Carl Philipp Stamitz. E...(+)
Viola and orchestra SKU: M7.BP-750-10 Composed by Carl Philipp Stamitz. Edited by Ulrich Druner. Sheet music. Score. Op. 1. Amadeus Verlag #BP 750-10. Published by Amadeus Verlag (M7.BP-750-10). $37.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Violakonzert D-dur Viola and orchestra Breitkopf & Härtel
By Carl Stamitz. For Viola, Orchestra. This edition: paperback. Edition Breitkop...(+)
By Carl Stamitz. For Viola, Orchestra. This edition: paperback. Edition Breitkopf. 36 pages. Published by Breitkopf and Haertel (German import).
$26.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto For Viola And Orchestra Viola and orchestra Wilhelm Hansen
Viola And Orchestra SKU: BT.WHKP01874 Composed by Jouni Kaipainen. Book O...(+)
Viola And Orchestra SKU: BT.WHKP01874 Composed by Jouni Kaipainen. Book Only. Edition Wilhelm Hansen #WHKP01874. Published by Edition Wilhelm Hansen (BT.WHKP01874). Concerto For Viola And Orchestra. $98.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto for Viola and Orchestra Viola and orchestra Ut Orpheus
Viola; Orchestra (Viola solo, Oboe I, Oboe II, Horn I, Horn II, Violin I [4], Vi...(+)
Viola; Orchestra (Viola solo, Oboe I, Oboe II, Horn I, Horn II, Violin I [4], Violin II [4], Viola [2], Cello [2], Bass [2]) SKU: UT.ACC-15B Composed by Celestino Orsi. Edited by Luca Moretti. Saddle stitching. Classical. Set of Parts. 108 pages. Ut Orpheus #ACC 15B. Published by Ut Orpheus (UT.ACC-15B). ISBN 9790215310117. 8.26 x 11.69 inches. $55.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto for Viola Viola and orchestra Wilhelm Hansen
Viola and Orchestra SKU: HL.14007506 Full Score. Composed by Poul ...(+)
Viola and Orchestra SKU: HL.14007506 Full Score. Composed by Poul Ruders. Music Sales America. Classical. Score. 112 pages. Edition Wilhelm Hansen #KP00647. Published by Edition Wilhelm Hansen (HL.14007506). ISBN 9788759883327. English. Concerto For Viola And Orchestra by the Danish composer Poul Ruders . Full score. This 28 minute piece was written for Yuri Bashmet, commissioned by Leonie Sonnings Music Foundation and first performed by Danmarks Radio in 1994. $57.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Viola and Orchestra Viola and orchestra Metropolis Music Publishers
Viola and Orchestra SKU: IS.VAP4707AEM Composed by Anton Stamitz. Strings...(+)
Viola and Orchestra SKU: IS.VAP4707AEM Composed by Anton Stamitz. Strings - Viola. Metropolis Music Publishers #VAP4707AEM. Published by Metropolis Music Publishers (IS.VAP4707AEM). ISBN 9790365001316. $52.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto For Viola and Orchestra Viola and orchestra PWM (Polskie Wydawnictwo Muzyczne)
Viola and Orchestra SKU: BT.PWM7126020 Composed by Grazyna Bacewicz. Clas...(+)
Viola and Orchestra SKU: BT.PWM7126020 Composed by Grazyna Bacewicz. Classical. Set of Parts. Polskie Wydawnictwo Muzyczne #PWM7126020. Published by Polskie Wydawnictwo Muzyczne (BT.PWM7126020). $34.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto for Viola and Orchestra Viola and orchestra Wilhelm Hansen
Viola and Orchestra SKU: BT.WH29910 Composed by Yngve Jan Trede. Score On...(+)
Viola and Orchestra SKU: BT.WH29910 Composed by Yngve Jan Trede. Score Only. Composed 2002. Edition Wilhelm Hansen #WH29910. Published by Edition Wilhelm Hansen (BT.WH29910). $72.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Yngve Jan Trede: Concerto For Viola And Orchestra (Score) Viola and orchestra Wilhelm Hansen
Viola and Orchestra SKU: HL.14034047 Composed by Yngve Jan Trede. Music S...(+)
Viola and Orchestra SKU: HL.14034047 Composed by Yngve Jan Trede. Music Sales America. 20th Century. Score Only. Composed 2002. Edition Wilhelm Hansen #WH29910. Published by Edition Wilhelm Hansen (HL.14034047). $65.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Viola Concerto No. 1 in C Minor Viola and orchestra Simrock
Viola and Orchestra SKU: BT.SCHEE3175 In one movement. Set (Score ...(+)
Viola and Orchestra SKU: BT.SCHEE3175 In one movement. Set (Score & Parts). 40 pages. Simrock #SCHEE3175. Published by Simrock (BT.SCHEE3175). Viola, Piano. Jacob, G. $30.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Viola Concerto in E Flat Major op. 2-1 Viola and orchestra Simrock
Viola and Orchestra SKU: BT.SCHEE1249 Composed by Michael Goldstein. Set ...(+)
Viola and Orchestra SKU: BT.SCHEE1249 Composed by Michael Goldstein. Set (Score & Parts). 64 pages. Simrock #SCHEE1249. Published by Simrock (BT.SCHEE1249). Viola, Piano. Reicha, J. $32.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Viola Concerto D major Viola and orchestra Amadeus Verlag
Viola and orchestra SKU: M7.BP-2611-13 Composed by Giovanni Giuseppe Camb...(+)
Viola and orchestra SKU: M7.BP-2611-13 Composed by Giovanni Giuseppe Cambini. Edited by Karel Pojar. Sheet music. Individual part, Viola. Amadeus Verlag #BP 2611-13. Published by Amadeus Verlag (M7.BP-2611-13). $6.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| On Opened Ground: Concerto for Viola and Orchestra Viola and orchestra Hal Leonard
(Viola with Piano Reduction). Composed by Mark-Anthony Turnage (1960-). For Pian...(+)
(Viola with Piano Reduction). Composed by Mark-Anthony Turnage (1960-). For Piano, Viola. String. Softcover. 68 pages. Hal Leonard #ED13249. Published by Hal Leonard
$46.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 2nd and 4th Position String Builder Viola and orchestra [Sheet music] Alfred Publishing
By Samuel Applebaum. For Viola. String Orchestra Method/Supplement. Belwin Cours...(+)
By Samuel Applebaum. For Viola. String Orchestra Method/Supplement. Belwin Course for Strings. Book. 32 pages. Published by Alfred Publishing.
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| William Walton: Concerto For Viola and Orchestra
Viola and orchestra [Set of Parts] Oxford University Press
Edited by Christopher Wellington, composed by William Walton (1902-1983). Set of...(+)
Edited by Christopher Wellington, composed by William Walton (1902-1983). Set of performance parts for solo viola and piano accompaniment. With introductory text. 59 pages. Published by Oxford University Press.
(4)$48.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
Next page 1 31 61 91 |
|
| Anton Stamitz:
Violakonzert Nr.3 G-dur /
Viola Concerto No.3:
Viola: Piano Viola and orchestra [Sheet music] Breitkopf & Härtel
Ausgabe für Viola und Klavier / Viola and Piano-For viola and solo piano.
16.50 GBP - Sold by Musicroom UK | |
| Nico Muhly: Viola
Concerto: Viola: Score Viola and orchestra [Score] St Rose Music Publishing
Nico Muhly’s Viola Concerto is a work for Solo Viola and Orchestra co-co...(+)
Nico Muhly’s Viola Concerto is a work for Solo Viola and Orchestra co-commissioned by Orquesta y Coro Nacionales de España Detroit Symphony Orchestra Festival de Saint Denis & the National Arts Centre Orchestra and Alexander Shelley. It was first performed on 6th February 2015 and lasts around 24 minutes. This is the Full Score.
44.99 GBP - Sold by Musicroom UK | |
| William Walton: Concerto
For Viola And Orchestra:
Viola: Study Score Viola and orchestra Oxford University Press
William Walton Edition-William Walton's 1962 Concerto For Viola And Orchestra. S...(+)
William Walton Edition-William Walton's 1962 Concerto For Viola And Orchestra. Study score.This edition of Walton's celebrated Viola Concerto (1962 version) has been off-printed from the William Walton Edition full score and combines the scholarship of the Edition with the practical benefits of the smaller format. An introduction is provided by the volume editor Christopher Wellington.Instrumentation: solo Viola 2 Flutes (II Picc) Oboe Double Bass 2 Clarinet(II Bcl) 2 Bassoon 4 Horn 2 Trumpet 3 Trombone Timpani Harp Strings.
25.95 GBP - Sold by Musicroom UK | |
| Béla Bartók: Viola
Concerto Op. Posthumous:
Viola: Instrumental Work Viola and orchestra Boosey and Hawkes
This is a fantastic work in the concert repertoire for Solo Viola with its lyri...(+)
This is a fantastic work in the concert repertoire for Solo Viola with its lyrical integrity and virtuosic passages this truly is an exciting Concerto for Viola and Orchestra. This version is for Viola with Piano reduction.The solo viola part is also included on a separate insert and has been edited by William Primrose.
29.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Johann Christian Bach:
Concerto in c minor:
Viola: Score Viola and orchestra Peters
for Viola and Orchestra-J. C. Bach's Concerto in C minor for Viola and Piano.
30.95 GBP - Sold by Musicroom UK | |
| Kalevi Aho: Concerto For
Viola and Chamber
Orchestra: Orchestra:
Study Score Viola and orchestra Fennica Gehrman
Concerto For Viola and Chamber Orchestra
27.50 GBP - Sold by Musicroom UK | |
| Benjamin Britten: Two
Portraits for Strings
(1930): Viola: Study
Score Viola and orchestra [Study Score / Miniature] Chester
Britten's Two Portraits for strings - the composer himself called them 'Sketches...(+)
Britten's Two Portraits for strings - the composer himself called them 'Sketches' - were composed in August and September 1930 during the summer holidays preceding the sixteen-year-old composer's first term at the RoyalCollege of Music in London.Both are musical depictions of character the first portraying Britten's school friend David Layton and the second introducing a solo Viola (Britten's own string instrument) a self-portraitof the composer. According to Britten's diary he planned to compose a third portrait again for strings that was to depict another school friend Peter Floyd but this movement was not written. However David Layton was to beportrayed again though very differently in Britten's later quartet suite Alla Quartetto Serioso (1933) itself revised and re-titled in 1936 as Three Divertimenti.The Pencil manuscript score in theBritten-Pears Library at Aldeburgh although hastily written is very detailed ad dynamics and phrasing are carefully notated throughout. However in several places in the first 'Portrait' the notes themselves are either difficultto decipher or due to the highly chromatic nature of the music difficult to interpret - in some cases Britten has clearly made notational 'spelling' mistakes which have been silently corrected in this editon. A list ofthose places where the reading of the manuscript is doubtful may be obtained from the Britten-Pears Library Aldeburgh.As with virtually all orchestral music from his youth Britten did not hear either 'Portrait'performed. The first performance of Two Portraits was given by the Northern Sinfonia conducted by Martyn Brabbins broadcast by BBC Radio 3 on 5th December 1995 as part of a series entitled 'Britten's Apprenticeship'.The first concert performance of Portrait No.1 was given by the Britten Chamber Orchestra conducted by Andreas Mitisek at the Konzerthaus Schubert-Saal Vienna on 10th February 1996. The first concert performance of
16.99 GBP - Sold by Musicroom UK | |
| Benjamin Britten: Double
Concerto: Violin & Viola:
Study Score Violin, Viola and Orchestra [Study Score / Miniature] Chester
Study score for Britten's early and ambitious three-movement work (1932) for Vio...(+)
Study score for Britten's early and ambitious three-movement work (1932) for Violin Viola and Orchestra brought to light and edited by Colin Matthews for it first performance at the 1997 Aldeburgh Festival.
16.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Jacob Druckman: Viola
Concerto: Viola Viola and orchestra Boosey and Hawkes 36.50 GBP - Sold by Musicroom UK | |
| Gordon Crosse: Viola
Concerto: Viola: Score Viola and orchestra [Sheet music] Cadenza Music 16.99 GBP - Sold by Musicroom UK | |
| Dufourt H. - Les
Chardons D'apres Van Gogh
Français Viola and orchestra Lemoine, Henry
Les Chardons d'après Van Gogh Discipline / Instrument : Alto et orchestre ...(+)
Les Chardons d'après Van Gogh Discipline / Instrument : Alto et orchestre de chambre Nomenclature : 1(+picc).1(+ca).2(+clB).1(cbn) / 1.1.1.0 / perc / 1.1.2.1.1 Genre : contemporain Média : Partition Nombre de pages : 90 Format : A3 Editeur : Lemoine Réf. : 28792 Date de parution : 28/05/2009 ISBN / ISMN : 9790230987929 Création 09/09/2009 - Turin (Italie), Festival Settembre Musica, Geneviève Strosser (vla), Ensemble Orchestral Contemporain, Daniel Kawka (direction) Commanditaire Commande de l'Etat à l'initiative de Daniel Kawka et de l'Ensemble Orchestral Contemporain Notice Van Gogh écrit en 1888 : Le peintre de l'avenir, c'est un coloriste comme il n'y en a pas encore eu. A cette époque, Van Gogh se sépare des impressionnistes, élargit leur intuition de la couleur et la simplifie. La forme-couleur se crée plutôt qu'elle ne se recompose dans notre vision. Van Gogh ne se soucie plus que de l'énergie de l'image. Le peintre séjourne en Arles où Gauguin le rejoint quelque temps. Il veut rénover les fondements mêmes de l'art, changer la technique de la peinture. Il rêve de créer un atelier du Midi et pense trouver là le Japon idéal, les paysages de Monticelli, de Cézanne, le rayonnement du soleil et l'âpre lumière qui annonce l'art de l'avenir. Il forge un style original en deux cents tableaux, parmi lesquels les Tournesols (août 1888), Joseph Roulin, le postier (août 1888), L'Arlésienne (novembre 1888) et Les Chardons, qui datent de la même année. Des tons vifs et crus, des couleurs claires, éclatantes, étalées en des dispositions stridentes à grands coups de pinceau ou au couteau, résument tout le registre expressif de son art. Bleu contre jaune, vert contre rouge écarlate, lilas, gris-rose, gris-violet, bleu et vert, noir et jaune: la seule force des contrastes suffit au déploiement de la forme. Tournesols, oliviers, chaumes, cyprès, ravins, rochers, chardons, tous ces motifs lacérés, distordus, ont l'intensité spontanée d'un tourment intérieur. Van Gogh a délibérément renoncé à la capture de l'instant fugitif comme à la représentation de la lumière, de l'air, de l'atmosphère - la qualité transitoire de l'impression visuelle lui importe peu désormais. Ses toiles sont emportées par la véhémence des touches, la brutale évidence des couleurs, leur vitalité convulsive. Désespoir, lucidité, emportement sont les traits d'un art que l'on a reconnu précurseur de l'expressionnisme. Les Chardons nous découvrent les racines du monde, une sorte de brasier originel d'où jaillissent trois flamèches. Les assises géologiques du paysage - l'expression est de Cézanne - y semblent déchiquetées, consumées dans une perpétuelle fournaise. C'est un enchevêtrement d'arêtes vives, une nature émiettée, une image de passion et de fureur. Au fond, à gauche, se découpe un petit pan de ciel bleu, encastré dans un horizon surélevé de montagnes vertes. La terre, chauffée à blanc, y occupe tout l'espace. Au premier plan, un fourmillement de stries incandescentes qui se tordent et crépitent. Les Chardons d'après Van Gogh - ma propre transposition musicale inspirée du tableau auquel elle emprunte son titre - sont écrits pour un alto soliste et une formation de chambre de quinze instrumentistes. Cette pièce s'attache à restituer la vitalité sourde de la toile, son atmosphère d'embrasement. Elle n'a ni contours ni limites, ni, à proprement parler, de schèmes d'organisation. J'y ai plutôt recherché des agencements formels doués d'une valeur dynamique, donnant au modelé de la masse sonore un rôle ambigu: axes de forces, impulsion des gestes, variété des dimensions directrices, tensions du matériau, conflit des principes formateurs. L'alto décrit en permanence la trajectoire idéale d'un mouvement irréel - formes spiralées, volutes, arabesques. Mais il fraie son chemin dans un milieu constamment hostile. Le choix du timbre de l'alto met en valeur le registre du sous-médium, à l'intensité contenue. La technique d'écriture consiste en une composition de textures, dont le propre est l'enchevêtrement des forces et des formes. Les structures perceptibles elles-mêmes procèdent du seul jeu des masses et des couleurs. J'ai évidemment mis l'accent sur la dynamique de l'interaction des couleurs qui forment la trame sonore. Je nourris toutefois un certain scepticisme à l'égard des méthodes scientifiques et raisonnées qui s'appliquent au traitement des propriétés acoustiques du son. La culture du son n'est pas, à mon sens, réductible à la science du son. La musique, me semble-t-il, a ceci de commun avec la peinture qu'elle peut investir la couleur de qualités contraires. Un bleu violacé peut s'assimiler aussi bien à un pourpre tirant sur le bleu qu'à un bleu en train de rougir. Van Gogh soutenait précisément l'idée d'un dynamisme, et même d'une intentionnalité de la couleur, capable de se déployer selon des foyers et des aires de diffusion, en transgressant toute limite. La musique que je souhaite écrire n'a pourtant rien de commun avec une nouvelle forme d'impressionnisme. C'est le drame que je recherche dans la plastique sonore. Ce drame peut être aussi bien celui des structures dispersées que de l'amplification indéfinie des actes, celui de la violence des masses tumultueuses comme celui du surgissement ou de l'essor. La partition est une Commande de l'Etat, à l'initiative de Daniel Kawka et de l'Ensemble Orchestral Contemporain. Hugues Dufourt
65.00 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violin, Viola and Orchestra Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
20.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violin, Viola and Orchestra [Score] Barenreiter
E flat major-There is no reference to the origin occasion or a performance of t...(+)
E flat major-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
42.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Michael Nyman: Drowning
By Numbers: Chamber
Ensemble: Score Violin, Viola and Orchestra [Study Score / Miniature] Chester
Drowning By Numbers arranged by the composer from his sound-track for the film ...(+)
Drowning By Numbers arranged by the composer from his sound-track for the film by Peter Greenaway for Violin Viola and Chamber Orchestra. This work was commissioned by the London Mozart Players and first performedDecember 1998 at the Warwick Arts Centre. Duration 20 minutes. Full Score and parts are available on hire from the publishers. Instrumentation: Solo Violin Solo Viola 2 Flutes Oboe Cor Anglais 2 B Flat Clarinets 2 Bassoons 2 Horns in F 2 Trumpets in C Bass Trombone Piano Strings (8.6.4.4.2).
34.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Ernest Bloch: Suite
Hebra?que: Violin:
Instrumental Work Viola and orchestra Schirmer
Study Score No. 71-For Viola/Violin solo and orchestra.
42.50 GBP - Sold by Musicroom UK | |
| Viola Concerto Op. Posth. Viola and Orchestra [Score] Boosey and Hawkes 101.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Violaconcerto D Major Op.
1 (STAMITZ CARL) Viola and orchestra [Reduction] Amadeus Verlag
Par STAMITZ CARL. / Répertoire / Alto et Orchestre
20.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
Next page 1 31 61 91 ... 121 |
|