Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This TTBB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur TTBB Et Piano

Written for the inaugural 2005 Florida TTBB All-State Chorus Tshotsholoza (Go Forward) can be performed effectively as a processional. A hopeful upbeat South African freedom song that continues to motivate singers and listeners.

For Male Voices. Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for children's and female voices. The lyrics in this Urtext edition are in the original languages, but literal English translations are provided in the appendix, which also includes English versions of those of the 27 Two- and Three-Part Choruses that were authorized by the composer.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for male voices and for mixed voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available.

Originally for mixed voices this beautiful work finds especially poignant meaning when sung by treble voices. Scored here for SSAA chorus with piano it can be performed quite successfully a cappella._x000D_The text is taken from the works of Robert Richardson and Mark Twain.

Stand back for this fantastic new arrangement from the current hit musical revival on Broadway Hello Dolly! Beginning with an expressive solo the choral begins to come alive in tempo and energy until the final chord. Available in voicings to suit just about every performing ensemble with optional instrumentation you'll feel like you're on Broadway with every performance!

Written for the 2000 Texas All-State Choir this distinctive setting of America's national anthem is an excellent choice for many performance and civic events. Available: SATB a cappella SSAA a cappella TTBB a cappella. Performance Time: Approx. 1:50.

The Parting Glass by Sarah Quartel for TTBB unaccompanied.The Parting Glass is a traditional Scottish song often sung as a farewell at the end of a get-together. Sarah Quartel's arrangement features close harmonies idiomatic Scotch snap rhythms and effective interjectory moments in what is a largely homophonic setting. With its valedictory message it would make a fitting end to a performance perhaps as an encore item.

The grandeur of Ralph Waldo Emerson's skyborn music text creates a canvas for Dan Forrest's magnificent sonorities in this superb selection for choir and soloist with piano or optional strings. Breathtaking in its beauty and imagery!

A series of the finest songs for close harmony TTBB singing taken from the bestselling Novello Barbershop Songbook. Renowned vocal arranger Nicholas Hare has added helpful performance notes to each of the songs which are given delightful fresh and modern-sounding treatments.Arranged specifically for male-voice groups (from as few as four voices in some numbers to a full choir) the songs are notated on two staves for easy piano rehearsal.

This postlude to the words from Paradise Set (Holy Hallelujah Selah Hosanna) is now available for double male chorus suitable for a male chorus festival.

Foraarsmorgen for Male Choir TTBB was composed by Johannes Kristensen. Lyrics by the composer.

Stevie Wonder made it to number one with this song in 1973 and it's ranked as No. 74 on Rolling Stone's 500 Greatest Songs of All Time. Paul Langford has turned this tune on its head with a fabulous a cappella version for mixed voices imitating the original recording's instrumental and vocal style. A programming dream for a cappella singing.