Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D

Volume I - Songs 1911-1919-The Peter Warlock Critical Edition series represents a treasure trove of English song.This the first volume focuses upon songs for the High Voice from the period 1911-1919. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With thirteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.

Volume Iii - Songs 1921-1922-The Peter Warlock Critical Edition series represents a treasure trove of English song.This the third volume focuses upon songs for the High Voice from the period 1921-1922. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With fifteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.

Description Songs Of Claude Debussy Volume I: High Voice This edition presents 62 of Debussy's songs in two volumes. Songlist [Unknown] Aimons-nous Et Dormons Apparition Ariettes Oubilees: Beau Soir C'est L'extase Langoureuse Chevaux De Bois Cinq Poemes De Charles Baudelaire: Clair De Lune En Sourdine Fantoches Fete Galante Fetes Galantes Pour Madame Vasnier: Fleur Des Bles Green Harmonie Du Soir Il Pleure Dans Mon Coeur Jane La Belle Au Bois Dormant La Mort Des Amants Le Balcon Le Jet D'eau L'ombre Des Arbres Mandoline Nuit D'etoiles Pantomine Paysage Sentimental Pierrot Recit Et Air De Lia (From L'enfant Prodique) Recueillement Rondeau Spleen Trois Melodies: Voici Que Le Printemps Zephyr

Instrumentation : High Voice - Pf (Ger.) inc. Dichterliebe, Myrthen, Frauenlibe und Leben, Liederkreis Content : Widmung; Freisinn; Der Nußbaum; Jemand; Lieder (aus dem Schenkenbuch im Divan) No. 2; In der Fremde; Die Lotusblume; Talismane; Lied der Suleika; Die Hochländer-Witwe; Lieder (aus dem Schenkenbuch im Divan) No. 1; Im Rhein, im heiligen Strome; Ich hab' im Traum geweinet; Am leuchtenden Sommermorgen; Ein Jüngling liebt ein Mädchen; Hör' ich das Liedchen klingen; Das ist ein Flöten und Geigen;Schöne Fremde; Ich grolle nicht; Die alten, bösen Lieder; Ich will meine Seele tauchen; Wenn ich in deine Augen seh'; Die Rose, die Lillie, die Taube;Aus meinen Tränen sprießen; Im wunderschönen Monat Mai; Nun hast du mir den ersten Schmerz getan; Und wüßten's die Blumen, die kleinen; Frühlingsfahrt; Die Soldatenbraut; Marienwürmchen; Dein Angesicht; Flutenreicher Ebro; Blondels Lied; Ich wand're nicht;Allnächtlich im Traume;Die beiden Grenadiere; Aus alten Märchen;An den Sonnenschein;Sonntags am Rhein;Erstes Grün;Wanderlied;Mit Myrten und Rosen;Helft mir, ihr Schwestern;Volksliedchen; Zwei Venetianische Lieder No. 2;An meinem Herzen, an meiner Brust;Aus den östlichen Rosen;Du bist wie eine Blume;Im Westen;Niemand;Was will die einsame Träne;In der Fremde;Hauptmanns Weib;Intermezzo;Zwei Venetianische Lieder No. 1;Rätsel; Aus den hebräischen Gesängen;Hochländisches Wiegenlied;Hochländers Abschied;Lied der Braut No. 2;Weit, weit;Zwielicht;Lied der Braut No. 1;Du Ring an meinem Finger;Ich kann's nicht fassen, nicht glauben;Er, der Herrlichste von allen;Seit ich ihn gesehen; Frühlingsnacht;Zum Schluß;Im Walde;Süßer Freund, du blickest;Wehmut;Auf einer Burg;Mondnacht;Die Stille;Waldesgespräch;Der arme Peter Editor :Friedländer

Hear The Sweet Lark Sing contient Chantez 13 chansons folkloriques destinés aux choeurs de femmes et des voix aiguës de tous âges, qui aiment re-capturer l'esprit et la beauté de ces mélodies traditionnelles de Grande-Bretagne et en Irlande, et sont un must pour ceux qui recherchent de nouveau, mais répertoire traditionnel.Ils sont situés dans deux ou trois parties vocales et sont dans une gamme de difficulté de facile à avancé. En conséquence, il ya beaucoup dans le 13 qui sont à portée de la plupart des choeurs qui aiment travailler sans aucun accompagnement instrumental, dans la tradition des chants populaires. Cependant, les symboles d'accords ont été ajoutés à chacun de ces arrangements habiles afin de répondre à ces chorales qui jouissent d'un certain appui improvisée instrumentale à la guitare ou au piano dans la performance. / Voix Elevée(s) Et Piano

This is the final volume in this wonderful collection of Madeleine Dring's songs. Volume 6 features 6 songs to poems by Sidney Otway moore Ellison Daniel and Drayton arranged for High Voice and Piano accompaniment.

for Upper Voices and Orchestra. The Lost Words by composer James Burton takes its inspiration and text from the award-winning ?cultural phenomenon? and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children?s dictionary. Both the book and Burton?s 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or ?spell?, magically brought to life in Burton?s music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton?s piece was co-commissioned by the Hallé Concerts Society for the Hallé Children?s Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children?s Choir, of which Burton is founder and director. The Hallé Children?s Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic.

Hohe Stimme / High Voice-Based on the New Schubert Edition.Newly engraved clearly presented musical layout.Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger).Includes English translations of lieder texts by Richard Wigmore.The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe.Schubert during this period an assistant teacherat his father?s school orientated himself towards the so-called Berliner Liederschule particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.Also available:Medium Voice & Piano BA 9126Low Voice & Piano BA 9146

Merry Christmas Everyone presents three all-time festive classics, arranged by the ever-inventive Gwyn Arch. There's something for everyone here: a jolly rendition of Merry Christmas Everyone, the beautiful, poignant When A Child Is Born, and the smoochy classic Last Christmas. Arranged for upper voices with piano accompaniment. The Choral Programme Series is now a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles.  Please view sample pages below. / Choral Music / Répertoire / Voix Hautes et Piano

10 songs from The Little Mermaid Beauty and the Beast The Hunchback of Notre Dame Hercules Mulan Toy Story The Lion King and Pocahontas.

Robert Schumann's Complete Songs Vol.2: 87 Songs for Voice and Piano. Edition for High Voice edited by Friedlander.Sonntag; Der Himmel hat eine Träne geweint; DerSpielmann; Stille Liebe; Frage; Stille Tränen; Wer machte dich so krank?; Alte Laute;Ständchen; Nichts schöneres; Auf das Trinkglas eines verstorbenen Freundes; Liebesbotschaft; Sehnsucht nach der Waldgegend; O ihr Herren; Ich hab in mich gesogen; Liebste was kann denn uns scheiden?; Flügel! Flügel! um zu fliegen; Rose Meer und Sonne; O Sonn o Meer o Rose; Märzveilchen; Muttertraum; Zigeunerliedche No. 2; Dichters Genesung; Jasminenstrauch;Es treibt mich hin; Ich wandelte unter den Bäumen; Lieb Liebchen; Schöne Wiege meiner Leiden; Warte warte wilder Schiffmann; Berg' und Burgen schaun herunter; Anfangs wollt ich fast verzagen; Sag an o lieber Vogel; Wanderung; Was soll ich sagen?; VerrateneLiebe; Nur ein lächelnder Blick; Der Knabe mitdem Wunderhorn; Der Page; Der Hidalgo; Die Löwenbraut; Die Kartenlegerin; Die rote Hanne; Lust der Sturmnacht; Stirb Lieb und Freud; Dem roten Röslein; Die wandelnde Glocke; Frühlingsbotschaft; Der Soldat; Vom Schlaraffenland; Zigeunerliedchen No. 1; Des Knaben Berglied; Käuzlein; Hinaus ins Freie!; Der Sandmann; Morgens steh' ich auf undfrage; Weihnachtslied; Schmetterling; Frühlings Ankunft; Kinderwacht; Des Sennen Abschied; Er ist's; Des Buben Schützenlied; Schneeglöckchen; Lied Lynceus des Türmers; Mignon; Die Waise; Tragödie; Der Schatzgräber; Abends am Strand; Die feindlichen Brüder; Die Nonne; Sehnsucht; Auf dem Rhein; Liebeslied; Loreley; Frühlingsgruß; Das verlaßne Mägdelein; Der Abendstern; Melancholie; Geständnis; Der Kontrabandiste; Der frohe Wandersmann; Mein Garten; Geisternähe; Stiller Vorwurf; Aufträge; Belsatzar.

46 songs for High Voice with Piano accompaniment.An die LeierDer LiedlerEllen's Gesang IIWillkommen und AbschiedLied des gefangenen JägersEllen's Gesang III (Hymne an die Jungfrau)Normans GesangCoronachBootgesangEllen's Gesang IAn die untergehende SonneNacht und TräumeDie junge NonneSehnsuchtDer AlpenjägerDer PilgrimDie BergeDer SchmetterlingDer EinsameDer Wanderer an den MondIm HaineDas ZügenglöckleinDie AllmachtDas HeimwehDieRoseAuf dem Wasser zu singenDrang in die FerneDer WachtelschlagAus Heliopolis IDer WandererLied eines Schiffers an die DioskurenGesänge aus 'Wilhelm Meister' IV: Lied der MignonDu liebst mich nichtIm FreienAn den MondGesänge aus 'Wilhelm Meister' III: Lied der MignonDes Mädchens KlageHektors AbschiedDass sie hier gewesenDu bist die Ruh'Lachen und WeinenGreisengesangDithyrambeGesänge aus 'Wilhelm Meister' I: Mignon und der HarfnerGesänge aus 'Wilhelm Meister' II: Lied der MignonAn Emma

Cette remarquable série ouvre des perspectives passionnantes du répertoire stimulante et enrichissante pour le chanteur sagace et aventureux. Comme pour les volumes de compagnon Peters de français Operatic Arias, cette série russe présente bon nombre des airs célèbres à juste titre, mais aussi leur juxtapose avec autres gemmes moins familiers, dont undoutedly méritent une reconnaissance plus large. Une grande partie du répertoire sélectionné est parfaitement adaptee aux fins de l'audition, afin que chaque volume est un Trésor pour les chanteurs professionnels et des étudiants. Sheet Music and CD Play-long Pack / Voix Haute Et Piano

Vaccai's Metodo Pratico (Practical Method) for High Voice focuses on the art of the Italian language in performance. This advanced guide discusses different styles of singing and how to grasp the language in performance. The German singing translation has been provided by John Bernhoff. Lyrics are therefore presented in Italian and German and the all commentaries and notes are provided in English French and German.