Arranged here for younger players this Irving Berlin standard from the '40s provides the perfect tool for teaching swing rhythms and style. Every section gets a chance at the melody and there are short solo spots for any sax and any trumpet.

Featuring a relaxed swing style and solid scoring throughout heres a terrific chart for young players. Trombones finally get the spotlight and the harmonies arent dumbed down! Short solos are included for any trombone (writtenor ad lib) followedby a solo or soli for trumpet.

This was one of Stevie Wonders signature hits from the 1970s and here is a masterfully arranged easy version in a light bossa style. Trombones grab the spotlight in the beginning and again at the end. In between the saxes and trumpets take turns with the melody and there are short solos for trumpet and alto sax.

Here's a chart that will make your band sound great and is not that hard to sing. Roger's medium up-tempo arrangement of this Irving Berlin favorite features excellent accompaniment writing as well as a short solo for Tenor Sax (as written or ad lib.)

With the unforgettable “Jeremiah was a bull frog...” one of the most recognizable pop hits from the '70s was this solid rock tune by Three Dog Night. Sure to be an audience pleaser this easy arrangement features themelody alternating between the saxes and the trumpets as well as a short solo for alto sax. Easy to learn and fun to perform!

From Disney's The Jungle Book and more recently recorded by artists such as Big Bad Voodoo Daddy Los Lobos and Smash Mouth this lively song remains popular with all age groups. Here is an easy chart written in a light Latin style. The melody is passed around to various sections of the band and there are short solos for trumpet and alto sax.

From Trombone Shortys acclaimed CD Backatown here is the hot title cut arranged for big band in a funky medium tempo. With a blend of catchy riffs solid ensemble passages and stop-time breaks this chart exudes a spirited and unmistakableNew Orleans swagger.

One of the most soulful ballads ever written this standard has been recorded by artists ranging from Billie Holiday to Blood Sweat & Tears. Rick's easy arrangement features rich harmonies with full ensemble writing. A shortwritten solo is included for any sax but no improvised solos are required.

Recorded by Trombone Shorty on his 2011 album For True and featuring Rebirth Brass Band and 5th Ward Weebie this hot tune has a funky New Orleans style groove with a moderate tempo and catchy riffs. The trombones get the spotlight to start with followed by tight ensemble playing and later space for a trombone soloist.

Percussions :- 2 timbales (pour jouer les fills forte) -- 1 cowbell sur stand -- accessoires -- cymbale crash sur pied.Optionnel :- 1 tam-tam (pouvant être joué par le batteur) -- 2 timbales accordées Mib-Do ou 2 toms (médium et basse).* Le trombone basse peut être joué par un trombone ténor ou un tuba.* La guitare joue les cocottes en style funk, et les chorus en rock saturé à la fin.* Phrasé :- jouer les notes piquées très courtes, et les accents bien marqués (à la ' Wayne Shorter ') -- la rythmique joue piano quand les musiciens chantent - elle chante aussi tout en jouant -- les musiciens chantent forte dans les micros. (Antoine Hervé) / Big Band

1. FOURTHS: A medium-tempo swing with chord progression by fourths.2. PITCH-MATCHING: Bright swing with cross-sectional pitch-matching in Concert Bb and F.3. MODAL WALTZ: Moderate swing in 3/4 that employs the Cand F dorian modes.4. FULL CIRCLE WITH SAX UNISON: Chords in the circle of fourths (key: F Concert) with a unison sax line to aid tuning.5. BONE-MODALE: In a groove a la Miles Davis and in the G minor mode the'bones are in unison.6. COOL BOSSA: Concert F laid back and lush. Great for sectional/tutti balance and for phrasing the bossa.7. LIP-SLUR CHROMATIC: A cut-time lip slur workout for the brass with sax chordsdescending in half-steps.8. IT'S THE Bb GOSPEL: A moderate gospel swing with a unison melody line passed around the sections plus a big finish for practicing dynamics.9. SAMBANICE: Concert Bb with an easy“two” feel. Unison lines and nice chord changes for sectional and ensemble listening.10. TRUMPET-TUNE: This medium swing in Eb gives trumpets the lead over a sax/'bone rhythmic backup figure.