Tout ce dont vous avez besoin est un tambour. Il peut être un djembé, un conga ou toute autre chose sur que vous pouvez obtenir les deux mains. Si votre but est de jouer dans un groupe, jam dans le parc, ou juste tambour avec votre favori du CD, ce livre vous montrera comment, étape par étape. Ce livre est rempli de grande danse rainures. Nombre d'entre eux sont adaptés de patrons de surdos utilisés à rock, pop et funk music. D'autres sont basés sur des rythmes africains ou afro-cubains traditionnels. Vous pouvez jouer tous ces rainures dans une grande variété de styles musicaux et de paramètres, et vous pouvez entendre comment chacun semble sur le CD qui accompagne le livre. / Percussions Diverses / 96 pages / niveau : Débutant/Intermédiaire / Partition/Cd Set - Format: 11 X 8,5

Score of Rolf Wallin's Stonewave for solo Percussion. Composer's Notes:The last few years I have become increasingly involved in some peculiar mathematical formulas called 'fractals'. These formulas used inthe fast growing field of 'Chaos theory' are relatively simple but they generate fascinating and surprisingly 'organic' patterns when shown graphically on a computer screen or played as music. One should think that such amathematical approach would lead to sterile and 'theoretical' music. The sound world of 'Stonewave' however is not one you would associate with math books. The steady insistent pulse and the use of sequences put squarely upagainst each other or divided by long rests suggest an invisible ritual. A ritual for what? Well then let it be a ritual for the exorcism of some 'evil spirits' which now ride our part of the world under the name ofLiberalism making people the servants of the Market Forces instead of vice versa.'Stonewave' is therefore an incantation as it seems that only divine forces can save European culture from a political system that proclaimsthe Jungle Law as the guiding principle in social and cultural life. Rolf Wallin

Akrodha meaning ‘freedom from anger’ in Sanskrit was commissioned for international Percussion soloist Jonny Axelsson and written in 1998. Of this work composer Volans says ‘What would appear as a fairly moderate piece forKeyboard is amplified a hundredfold in difficulty and effect when translated into drum music…I had it turned out written an unspeakably difficult piece.’ The sheet music includes specific instructions on instrumentation andtonality ‘A pentatonic or diatonic scale is to be avoided’ though it is clear that the performer has some leeway to make his own choices of elements to create the sounds.Kevin Volans is a twentieth century composer andpianist who was born in South Africa and has had a variety of inspirational experiences including time spent studying with Karlheinz Stockhausen association with the New Simplicity movement research into African music andmany non-musical friendships and influences. Some of his most celebrated work have been his String quartets.

This text provides an eclectic collection of unaccompanied solo works for keyboard percussion. The works contained were originally composed for instruments alone and are uniquely suitable for recitals auditions jury exams or simply for one's own musical enjoyment. Also included is a glossary of terms and background information on each composer.

Facsimile Of The Draft Score and Paul Sacher'S Annotated Full Score Copy-Béla Bartók's Sonata for Two Pianos and Percussion composed in summer 1937 on a commission from Paul Sacher and premièred in Basel in January 1938 is incontestably one of the supreme creations of modern music. This publication with introductory essays by Felix Meyer Robert W. Wason Lászlo Vikárius and Wolfgang Rathert presents two major handwritten sources for this work from the holdings of the Paul Sacher Foundation: the draft score which offers a fascinating glimpse into the sonata's genesis and a 'whiteprint' of the fair copy which contains additions from Bartók and differs substantially from the definitiveversion at the end of the development section in movement 1. The volume also contains on an enclosed CD the radio recording of 1940 with Bartók and his wife Ditta Pásztory on the piano parts as well as a new recording of the sonata in its 'original' form played by the Bugallo-Williams Piano Duo with percussionists Matthias Würsch and Christian Dierstein.

This collection of duets provides musical and technical challenges for two timpanists performing on three, four, five, and six drums. Performers should be aware that these are duets, not solos, for timpani. / Percussions

The Concerto For Percussion (Op. 73) was written specially for Philips Records in 1968 and first appeared on a record issued in 1969. It has since been used several times as ballet music. It is scored for fourunaccompanied Percussion instruments with a set of parts available here. The conductor and composer Leonard Salzedo (1921-2000) was born in London and studied at the Royal College of Music with Herbert Howells. Aswell as conducting a wide range of Ballet companies he also wrote the music for several Ballets and Film scores but he is probably best remembered for his chamber music.

Arranged to be playable by any combination of band instruments these duets cover a wide range of styles from the Baroque Period to the 20th Century. Difficulty ranges from grades II through IV providing a great deal of flexibility for the needs of young musicians. In addition to the mallet duet lines the percussion book provides an optional percussion line that can be used in place of or in addition to a duet line. Perfect for smaller ensembles with unusual instrumentation and for solo and ensemble festivals.

Au cours de dix ans, le légendaire jeunes compositeurs de bande John O'Reilly et Mark Williams a composé et arrangé plus de 100 oeuvres de création qui sont en corrélation avec des pages spécifiques dans leur méthode de bande très réussie, Accent sur ??le rendement. Alfred Music est maintenant fière de faire ces arrangements disponibles dans un format de livre qui comprend 22 un régime complet de chaque collection. / Percussions

Maracatu de Baque Virado-Maracatu for Drumset and Percussion explores the traditional Brazilian rhythms of the Maracatu de Baque Virado.Author Scott Kettner explores every aspect of this dynamic genre including instruments of Maracatu de Baque Virado changing traditions of maracatu traditional and contemporary maracatu manifestations drumset applications New Orleans mambo and more.After graduating from New York's New School University Kettner moved to Brazil to learn more about maracatu. With this book he shares an accessible and pragmatic approach to learning and understanding the instruments and basic rhythms of Maracatu de Baque Viradoand how to apply these rhythms to drumset.

This attractively packaged gift box is complete with various simple-to-use percussion instruments. An ideal introduction for playing music togethe / Percussions

This is effectively a work in three movements - Allegro Andante cantabile and Presto - which Davies likens to 'three obstacle courses bristling with technical difficulties'. However as he goes on to say 'young people arenaturally gifted with extraordinary rhythmic skills which normally remain untapped'. Given the opportunity older children have here the material for a highly arresting piece of music-making. Scoring also includes a small woodblock a small temple block and a small suspended cymbal. The xylophones are one each of the following: concert soprano alto and bass. The two glockenspiels are soprano and alto and the metallophones are bass and deep bass (avibraphone may be used instead of the latter). These studies will provide a challenge to all percussionists for whom there is a distinct shortage of suitable studies. Duration c. 5mins.

Christian Bourdon's new book features traditional and modern African rhythms for Conga, Tumba and Djembe. The focus is on special playing techniques (floating hand, 'bascules') with exercises for one and two players plus 3 solo pieces. / Conga - Tumba - Djembé