SKU: CA.5165203

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ??s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

SKU: CA.5162647

Key: D minor. Text language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score available separately - see item CA.5162600.

SKU: CA.5162648

Key: D minor. Text language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score available separately - see item CA.5162600.

SKU: CA.5162605

ISBN 9790007113100. Key: D minor. Language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score available separately - see item CA.5162600.

SKU: BA.BA04599-41

ISBN 9790006496310. 24.4 x 17.3 cm inches. Language: Italian. Pietro Metastasio.

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

SKU: CA.4062313

ISBN 9790007084400. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4062300.

SKU: CA.4062309

ISBN 9790007084370. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score and parts available separately - see item CA.4062300.

SKU: CA.4062349

ISBN 9790007084417. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4062300.

SKU: CA.4062305

ISBN 9790007084363. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score available separately - see item CA.4062300.

SKU: CA.5126209

ISBN 9790007224660. Key: C major. Language: Latin.

Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a Missa longa. The prolixity of some of the movements and of concluding fugues in the Gloria and Credo is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. Score and parts available separately - see item CA.5126200.