String Quartet (Parts)

SKU: HL.48025155

Set of Parts. Composed by Walter Hoeckner. Boosey & Hawkes Chamber Music. Classical. Softcover. 96 pages. Simrock #M21111579. Published by Simrock (HL.48025155).

ISBN 9781705175545. UPC: 196288097921.

Includes: F. Geminiani: Duett (2 Violinen) W. Pichl: Duett (Violine und Viola) L. Borghi: Duett (Violine und Violoncello) L.v. Beethoven: Duett (Viola und Violoncello) J.C. Bach: Trio (2 Violinen und Viola) F. Benda: Trio (2 Violinen und Violoncello) F. Schubert: Trio (Violine, Viola und Violoncello) S. Sechter: Quartett (2 Violinen, Viola und Violoncello) Set of Parts.

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Grade 3.5

SKU: AP.36-52703156

Composed by Lynne Latham. This edition: Latham Music. Performance Music Ensemble; Quartet; String Quartet. LudwigMasters - Latham Music. Score and Part(s). 96 pages. Latham Music Enterprises #36-52703156. Published by Latham Music Enterprises (AP.36-52703156).

ISBN 9781621567424. UPC: 679360602362. English.

This collection includes: Alleluja from "Exultate Jubilate" (Mozart); Traumeri (Schumann); Wachet Auf (Bach); Sheep May Safely Graze (Bach); Ode To Joy (Beethoven); Arioso (Bach); Panis Angelicus (Franck); Andante from "Piano Concerto No. 21" (Mozart) and Sleeping Beauty Waltz (Tchaikovsky).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

String Quartet (2vl,va,vc)

SKU: BR.EB-9260

Composed by Manuela Kerer. Chamber music; Folder. Edition Breitkopf.

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017

Music post-1945; New music (post-2000). Set of parts. Composed 2016/17. 32 pages. Duration 15' - 18'. Breitkopf and Haertel #EB 9260. Published by Breitkopf and Haertel (BR.EB-9260).

ISBN 9790004185605. 9 x 12 inches.

When Hugo Ticciati asked me to write a new piece for his quartet, I was immediately enthusiastic about this project. I love how Hugo and his O/MODERNT String Quartet unite old and new music in a completely natural way. So, I was absolutely excited about Hugo`s idea of having my piece based on two of my idols, Bach and Beethoven, deconstructing the one and constructing the other. With all my respect for these great composers I gave to the piece a very personal inner part consisting of my own music that influenced and inspired the other parts. For the whole piece I felt very close to Beethoven, who said: To make a fugue is not art, which [is something] I have made dozens of times in my study. But the imagination will assert its rights and must come today, in light of the old traditional form, to another truly poetic element. De/Con is a travel into different centuries with different sound-languages. For me, it was like having a wonderful constructive discussion with Johann Sebastian Bach and Ludwig van Beethoven, each of us trying to speak our own language, approaching the others step by step. The piece could be defined as a Love Letter to two of the greatest composers ever. De/Con could be preceded by (parts of) Johann Sebastian Bach's Die Kunst der Fuge (The Art of the Fugue) and succeeded by Ludwig van Beethoven's Grosse Fuge (Great Fugue). Ideally, then, all parts should be played attacca. It could, but it hasn't to be played with these two pieces. (Manuela Kerer)

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017.

For 2 Violins, Viola and Violoncello. By Ludwig van Beethoven. Edited by R. Cadenbach. String Quartets. Pages: Vl I Part = VI and 16 * Vl II Part = 10 * Va Part = 10 * Vc Part = 10. Urtext edition (Paper-bound). Published by G. Henle.