SKU: MB.30844M
ISBN 9781513464268. 8.75 x 11.75 inches.
Skip James was one of the most influential early Bluesmen, but his importance as a stylist remained undiscovered until he was brought out of a long retirement by the Folk/Blues revival of the early 1960â??s. Born in 1902 and raised in Bentonia, Nehemiah Curtis James was brought up in a religious family: his father was a bootlegger who reformed and became a Baptist preacher. Skip learned piano in school but picked up guitar from his friend Henry Stuckey. In 1931 Skip was picked up by a scout for Paramount Records and he cut 26 tracks, of which 18 were released, in a two day session at their Grafton, Wisconsin studios. These recordings presented a unique and haunting genius that influenced legendary bluesmen as Robert Johnson, Kansas Joe McCoy and Johnny Temple. But the recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity.
We have included as online downloads Skipâ??s 1931 recordings. The crackling sound of these rare recordings cannot obscure the brilliance of this seminal Blues master.
After over 30 yearâ??s retirement from music, Skip was rediscovered by Blues enthusiasts Bill Barth, John Fahey and Henry Vestine. They persuaded Skip to appear at the Newport Folk Festival in 1964, where his renditions of his old songs were still powerful and moving. His performances as well as his old and new recordings influenced a generation of new musicians: Eric Clapton, Alan Wilson of Canned Heat, Cream, Deep Purple, Chris Thomas King, Alvin Youngblood Hart, Derek Trucks, Beck, Big Sugar, John Martyn, Lucinda Williams and Rory Block to name a few.
Books on legendary Blues musicians written by white musicologists tend to offer a subjective perspective on how the artists felt, thought or reacted. A tainted picture is captured that has more to do with the writerâ??s social and musical experiences. This autobiography is different. The words, thoughts and feelings come directly from the artistâ??s lips. This is the story of Nehemiah â??Skipâ? James told by Nehemiah â??Skipâ? James.
SKU: PR.114418800
UPC: 680160667673. 9 x 12 inches.
Nian Hua (Chinese New Year's Paintings) for two guitars is inspired by the colorful folk paintings presented in Yangliuqing Town in Tianjin, China. The work is 13 minutes in duration, and composed in three movements:1. Spring Ox and Cowherd2. Five Boys Snatch Lotus Seed Pods3. Prosperity in the New Year.Nian Hua (Chinese New Year's Paintings) for two guitars is inspired by the colorful folk paintings presented in Yangliuqing Town in Tianjin, China. The work is 13 minutes in duration, and composed in three movements: 1. Spring Ox and Cowherd 2. Five Boys Snatch Lotus Seed Pods 3. Prosperity in the New Year.Nian Hua (Chinese New Year’s Paintings) for two guitars is inspired by the colorful folk paintings presented in Yangliuqing Town in Tianjin, China. The work is 13 minutes in duration, and composed in three movements:1. Spring Ox and Cowherd2. Five Boys Snatch Lotus Seed Pods3. Prosperity in the New Year.
SKU: MB.95552
ISBN 9780786605828. UPC: 796279026826. 8.75 x 11.75 inches.
Master guitarist Al Petteway ventures into new territory with 15 Celtic-inspired, traditional, and New Age fingerstyle compositions in standard and alternate tunings. Derived from Alâ??s award-winning solo recording of the same title, each piece bears the inimitable Petteway signature of profoundly graceful, inspired innovation. Written in standard notation and tab with several pieces in alternate tunings. Al began his professional music career at the age of 11. He played guitar, drums, and string bass with a variety of rock and folk acts in the Washington D.C. area during the 60â??s, becoming a local legend by the time he went to college to study music composition in 1970. In 1977, Al took a job with The National Geographic Society. His work as Supervisor of Picture Editing for the societyâ??s Image Collection, gave him the artistic freedom to develop his own acoustic guitar style. While long recognized as one of the countryâ??s foremost bluegrass and folk sidemen, Celtic music specialty label Maggieâ??s Music signed Al in 1993 and released Whispering Stones following by The Waters and the Wild-exposing his solo acoustic guitar work to an international audience for the first time. Al left the National Geographic to become a full-time musician in the spring of 1995, just before the release of Midsummer Moon.