Rare is the drummer who is both influwntial and essential to a genre but Billy Cobham is just that in regards to jazz and consequently to music in general. He's performed with Miles Davis - displaying his ambidextrous drumming on classic recordings.This play-along package features selections from Spectrum where the individual instrument tracks are remixed so that the musician/student can play along in essence filling in for any key member of the London Jazz Orchestra with whom this project was recorded. The experience is one that Cobham describes as 'accessible yet challenging'.

Each book in the Ultimate Play-Along series features the finest professionally recorded tracks, complete transcriptions, detailed explanations, and performance notes. Each song has demonstration tracks that can be used for learning and practice and then turned off to allow playing parts along with the CD. Solos are fully demonstrated and explained. This play-along package features six classic selections from Spectrum, an album portraying Billy Cobham's timeless blend of deep funk and hard rock grooves that pack as much improvisation as they do power. Guided by performance notes throughout, the musician/student can play along, in essence filling in for any key member of the London Jazz Orchestra, with whom this project was recorded. Titles are: Torpedo Flow * Stratus * Red Baron * On the Move * Conundrum * Eleuthera Parts 1, 2, and 3.

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument intermediate players can use it for training and theoretical work and advanced players can explore the sections on advanced theory extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm.Part 1 (pitch) begins withthe properties of string harmonics and tuning systems. It then moves methodically through pitch information beginning with locating all versions of a single pitch building pentatonic heptatonic and all possible symmetricalscales. This is followed by a study of intervals with all possible locations of every two pitches and a long study that moves through every possible fingering of three pitches with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation.Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation with a focus on efficiency accuracy speed dynamics and groove. It is followed by a study of legato playing working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse playing two simultaneous tempos.The book concludes with a study of polyrhythm playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described

Complete band transcriptions for nine of Joe's best-loved instrumental pieces spanning his career from Not Of This Earth through to Crystal Planet. All transcriptions include guitar and bass tablature with drum notation.

House of Blues Learn to Play Series-A continuation of Level One House of Blues and The Rock House Method® created this blues guitar program to take you from beginner to intermediate level of play in no time. The more than 90 minutes of one-on-one lessons withinstructor and guitarist John McCarthy encourages you to cultivate your own style by emphasizing the techniques and components needed to develop creativity. Learn advanced playing techniques such as full form blues chords bluesscales triplet lead patterns the shuffle feel and swing effect challenging blues riffs turnarounds and more techniques make famous by greats like Gary Moore Lighting Hopkins and Freddy King. The complete song rhythms withfull bass and drum backing tracks will prepare you for the stage.Each Rock House product includes free lifetime membership to Rock House's online lesson support system. Enhance your learning experience links withinstructors download backing tracks access message boards and much more. You'll connect with a community of musicians around the world learning to play music using The Rock House Method.

WorshipTools Book/CD/DVD Pack-This pack provides a complete worship toolbox that features user-friendly arrangements of your favorite worship songs and instructional resources including a printed songbook instructional DVD and an audio CD. Songs include:Everyone (Praises) • Glorious God • Here in Your Presence • King of All Glory • Live to Worship • My Savior Lives • This Is Our God • We Will Sing. The DVD teaches you each song chord-by-chordwith a guitar cam keyboard cam drum cam bass cam and guitar tutorial. The songbook includes detailed lead sheets chord charts with fret diagrams and lyric sheets for each song. The audio CD features the eight songs in fullmix stereo and split trax specifically arranged and recorded for youth and college group settings large or small. The CD is enhanced with chord charts and lead sheets in PDF format as well as lyric text files for all songs.

This program comes with a tablature lesson book to help you follow along with confidence and ease. You will learn: All the scales you need to play blues Blues Scales Minor PentatonicMajor Pentatonic Blues Lead Techniques Bends Vibrato Hammer-ons Pull-offs Blues Turn Arounds Rhythms with bass and drum backing tracks Classic Blues BluesShuffle Jazz Blues Fast Blues and More Entire Blues Riffs and Leads

House of Blues Learn to Play Series-House of Blues and The Rock House Method® join together to bring you this unique and comprehensive beginner acoustic program. Jam-packed with a complete spectrum of techniques and components that will have you playing today.The one-on-one lessons with world renowned instructor and guitarist Kevin McCreery start with the basics of holding and tuning your guitar then guide you step-by-step through chords strum patterns scales song rhythms fingerpicking and more. Play along with the included full bass and drum backing tracks. Also have fun while learning about the history and famous pioneers of acoustic guitar.Each Rock House product includes free lifetimemembership to Rock House's online lesson support system. Enhance your learning experience links with instructors download backing tracks access message boards and much more. You'll connect with a community of musicians aroundthe world learning to play music using The Rock House Method.

Full band scores for all the songs from the genre-bending retro-rock god's 2001 return to form. Complete vocal guitar keyboard bass and drum parts with lyrics and chords.

All the songs from Gary Barlow?s fifth solo album, Music Played By Humans accompanied by a specially written preface from Gary. Each song is arranged for piano, voice and guitar with chord symbols, chord diagrams and full lyrics.
Bad Libran
Before We Get Too Old
The Big Bass Drum
Eleven
Elita
Enough Is Enough
I Didn't See That Coming
Incredible
The Kind Of Friend I Need
Oh What A Day
Supernatural
This Is My Time
What Leaving's All About
Who's Driving This Thing
/ Partitions variété - pop - rock / Variété internationale / Piano voix guitare / HAL LEONARD

Book and 2 CDs adapted by Cory Christiansen. Building on the success and popularity of Vol. 1 - Jazz Guitar and Vol. 2 - Nothin' But Blues for Guitar, Corey Christiansen has adapted another classic, Vol.3 The II/V7/I Progression for guitar. As with the previously mentioned adaptations, this one uses both standard and TAB notation and is correlated closely to the original edition, but speaks directly to the aspiring jazz guitarist and addresses all of the important techniques and concepts used by jazz guitar legends to solo and comp over II/V7s. Completion of this easy-to-understand volume will have you ready to play any song that contains II/V7s, including most songs of the Bebop and the Great American Songbook era. Includes 2 CDs of trio accompaniment and demonstration tracks plus free bass-and-drum-only mixes available online that allow you to sit in and practice without the recorded guitarist present.

Medium High Voice-Medium High Voice. Settings of 17 poems by Langston Hughes. Contents: Angel Wings ú Daybreak in Alabama ú Delinquent ú Demand ú Dream ú Dream Variations ú Drum ú Harlem Night Song ú In Time of Silver Rain ú Late Last Night ú Litany Luck ú Night: Four Songs ú Port Town ú Song for a Dark Girl ú Stars ú When Sue Wears Red.