SKU: MB.WBM44M
ISBN 9780999698075. 8.75 x 11.75 inches.
This collection of 47 favorite guitar picking tunes includes reels, jigs, waltzes, fiddle tunes and more, each presented in standard notation and tablature with backup chords. As these melodies lend themselves well to jamming, this collection is sure to bring any guitarist many hours of picking pleasure. Includes access to an online audio recording of the author performing each piece on a 12-string guitar.
SKU: HL.4008804
UPC: 196288205777. 9.0x12.0x0.659 inches.
Featured in the classic Disney film Tangled, this Celtic-flavored instrumental has taken on life of its own. Opening with a lively dance in 3/4, the piece then evolves into a spirited jig. As the tempo quickens and the percussion builds, the excitement level increases all the way to the rousing finish. A fun chance of pace.
SKU: GI.G-10931
UPC: 785147093114. English. Text Source: Trad. Celtic prayer and Isaiah 6:3. Scripture: Isaiah 6:3.
SKU: AP.42165S
UPC: 038081481180. English.
Located in the county of Kerry in southwest Ireland, this charismatic overture musically celebrates the rich history of Celtic music, dance, and folklore. Employing a variety of textures and timbres, every member of your band has an opportunity with the traditional-sounding Irish melodies while presenting generous opportunity for instruction with meters and balance. A sure winner! (2:30) This title available in MakeMusic Cloud.
SKU: P2.10021
The second part of the Chthonic Flute Suite commissioned by Areon Flutes in 2012. This suite has two main inspirations: ideologically it draws guidance from the book The Dream and the Underworld (1979) by James Hillman (1926-2011) and musically it explores the textural possibilities of a flute ensemble within the context of the heavy chamber music style I have developed with Edmund Welles: the bass clarinet quartet since 1996. This style draws virtuosic precision from the classical realm; innovation and texture from jazz; and power, rhythm and overall perspective from rock and metal. The term chthonic [thon-ik] generally means underworld. However, Hillman thoroughly elaborates that its true meaning extends below the earth and beyond it into invisible, non-physical and far distant psychic realms: the deeper mysteries of the invisible. The duo is divided into two sections: Nekyia and Hypnoia. Each of these is a Greek myth-nerd term for some key aspect of an archetypal descent into the underworld. In fact, nekyia is a term that specifically means archetypal descent as one finds in myths across the ages from Dante to the Greeks and beyond. Hillman sees a lack of sufficient nekyia myths in our modern culture, yet our popular heroes in films and music are shady underworld characters. Dante's underworld was our culture's last, and it was imagined even before the Renaissance had properly begun. Our ethnic roots reach back to great underworld configurations: the Celtic Dagda or Cerunos, the Germanic Hel, and the Biblical Sheol. All have faded... (p.64) Hyponoia is a more subtle term used by Plato that refers to an undersense or a deeper meaning. The search for undersense is what we express in common speech as the desire to understand. We want to get below what is going on and see its basis, its fundamentals, how and where it is grounded. (p. 137) This deeper understanding is one of the motivations and constant characteristics of the underworld descent: but the discoveries made and experiences experienced are not always as they seem to be. Hillman recommends over and over that we see and see into each thing for what it is, and not force a dayworld perspective onto dream images and occurrences. As a duo movement, the term enantiodromia (counter enantio, and running dromia) is particularly appropriate as it is a grounding principle by which Jung understands the regulative function of opposites. As Hillman tends to turn things on their metaphorical heads, he fleshes out dualism and oppositionalism in such a way that in the underworld this actually becomes a unifying principle: If you go far enough with any one movement, a countermovement will set in...The way up and the way down are one and the same: the manifestation of one power by opposite forces. (p. 76) This implies a union of the two opposites, a conjunction as contrasted with an opposition. There are two voices but they are both flutes; there are two contrasting halves to the piece, yet they balance each other even in their differences.
SKU: AP.48179S
UPC: 038081554589. English. Traditional Irish Folk Song.
Based on the Celtic music of Ireland and Scotland, often modal in tonality and simply stated melodically, this piece presents a richly woven tapestry of local culture, history, folklore, and deeply personal experiences. The free-flowing, lyrical melodic style of this well-known Irish tune enhances dynamic balance, breath support, phrasing, and stylistic nuances. (3:00) This title available in MakeMusic Cloud.
SKU: AP.48179
UPC: 038081554570. English. Traditional Irish Folk Song.
Based on the Celtic music of Ireland and Scotland, often modal in tonality and simply stated melodically, this piece presents a richly woven tapestry of local culture, history, folklore, and deeply personal experiences. The free-flowing, lyrical melodic style of this well-known Irish tune enhances dynamic balance, breath support, phrasing, and stylistic nuances. (3:00) This title is available in MakeMusic Cloud.