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| Great Piano Solos - Film Book Piano solo Amsco Wise Publications
A bumper collection of film themes. Great Piano Solos. TV-Film-Musical-Show....(+)
A bumper collection of film
themes. Great Piano Solos.
TV-Film-Musical-Show. Book
Only. Wise Publications
#MUSAM982795. Published by
Wise Publications
$27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rise Up Singing
Lyrics and Chords [Sheet music] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Up Singing Lyrics and Chords [Sheet music] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Great Piano Solos - Film Book Piano solo Music Sales | | |
| Film Music Piano Solo Piano solo Chester | | |
| Lieder der Elisabeth Fennica Gehrman
Mezzo-soprano voice, viola, piano SKU: FG.55011-282-7 Four songs. ...(+)
Mezzo-soprano voice, viola, piano SKU: FG.55011-282-7 Four songs. Composed by Jyrki Linjama. Paperback. Score and parts. 52 pages. Published by Fennica Gehrman (FG.55011-282-7). ISBN 9790550112827. These lyrical songs are from Linjama's church opera Die Geburt des Taufers. The cycle begins with the tranquil Herbst, a pointilistic painting of autumn, and ends with repetative Alleluia passage. $41.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Kalendersprueche IV (Oktober - Dezember). Neues Chorliederbuch zu Worten von Hans Grunow, Folge 7 op. 16/7 Barenreiter
4 Lieder. Composed by Hugo Distler (1908-1942). Stapled. Winter, Herbst,...(+)
4 Lieder. Composed by Hugo Distler (1908-1942). Stapled. Winter, Herbst, Jahreslauf (Winter, Autumn, Passage of Time). Choral score. Composed 1936/1938. Opus 16, No. 7. Baerenreiter Verlag #BA01062. Published by Baerenreiter Verlag (BA.BA01062).
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Violin - Concerto Orchestra, Violin SATB, Orchestra Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340). ISBN 9788480207591. English comments: My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author
Comentarios del Espanol: A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Jazz Conception -- Trombone Trombone Advance Music
Trombone SKU: AP.1-ADV14723 21 Solo Etudes for Jazz Phrasing, Interpre...(+)
Trombone SKU: AP.1-ADV14723 21 Solo Etudes for Jazz Phrasing, Interpretation, and Improvisation (English/French/German Language Edition). Composed by Jim Snidero. Brass - Trombone and Baritone Method or Collection; Improvisation; Method/Instruction; Play-Along; Technique Musicianship. Advance Music: Jazz Conception. Jazz. Book and CD. Advance Music #01-ADV14723. Published by Advance Music (AP.1-ADV14723). UPC: 805095147230. English. Jazz Conception is an exciting way for players at all levels to learn the language of jazz! Jazz Conception: Trombone Book and CD set features 21 solo etudes based on chord changes to standards and blues. See and hear how a well-known soloist phrases, articulates, and plays along with or without the soloist on the CD. Play along with one of today's finest swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult. Use the etudes as a bridge to solos of the masters that are usually more complicated and involved. Learn melodies and lines that will give you a solid jazz vocabulary and musicality. Use the book/MP3 CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes off the CD (then check against the book), or for just having fun playing along with a great jazz rhythm section. Used as an improvisation study, learning how to construct a swinging, logical solo works especially well in combination with the Study Guide (item #01-ADV14730). Titles: Groove Blues * Amen * A Doll * Total Blues * Grease * Rose * Joe's Thing * Proxy * Father Song * Ind Line * Miles * Blue Minor * Autumn * Friends * Great Love * Two Plus Two * Lunar * Tunesia * Bird Blues * Somewhere * Passage. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazz Conception -- Guitar Guitar Advance Music
Guitar SKU: AP.1-ADV14726 21 Solo Etudes for Jazz Phrasing, Interpreta...(+)
Guitar SKU: AP.1-ADV14726 21 Solo Etudes for Jazz Phrasing, Interpretation, and Improvisation (English/German Language Edition). Composed by Jim Snidero. Guitar Method or Supplement; Improvisation; Method/Instruction; Play-Along; Technique Musicianship. Advance Music: Jazz Conception. Jazz. Book and CD. Advance Music #01-ADV14726. Published by Advance Music (AP.1-ADV14726). ISBN 9783954810314. UPC: 805095147261. English. Jazz Conception is an exciting way for players at all levels to learn the language of jazz! Each book and CD set features 21 solo etudes based on chord changes to standards and blues. See and hear how a well-known soloist phrases, articulates, and plays along with or without the soloist on the CD. Play along with one of today's finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult. Use the etudes as a bridge to solos of the masters that are usually more complicated and involved. Learn melodies and lines that will give you a solid jazz vocabulary and musicality. Use the book and CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes off the MP3 CD (then check against the book), or for just having fun playing along with a great jazz rhythm section. Use as an improvisation study, learning how to construct a swinging, logical solo---works especially well in combination with the Study Guide. Titles: Groove Blues * Amen * A Doll * Total Blues * Grease * Rose * Joe's Thing * Proxy * Father Song * Ind Line * Miles * Blue Minor * Autumn * Friends * Great Love * Two Plus Two * Lunar * Tunisia * Bird Blues * Somewhere * Passage. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 16 Two-part Songs Vocal duet Schirmer
Vocal Duets. By Felix Mendelssohn. Vocal Ensemble. Size 6.7x10.5 inches. 96 page...(+)
Vocal Duets. By Felix Mendelssohn. Vocal Ensemble. Size 6.7x10.5 inches. 96 pages. Published by G. Schirmer, Inc.
(1)$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| Coffret Great Piano Solos
Vol.2 Piano solo Amsco Wise Publications
A superb four-volume collection of over 180 solos for the intermediate level Pia...(+)
A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano
104.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Great piano solos : The
film book
Piano solo [Sheet music] - Intermediate Amsco Wise Publications
A bumper collection of 45 fantastic hit songs from the movies, all arranged as s...(+)
A bumper collection of 45 fantastic hit songs from the movies, all arranged as sumptuous Piano solos. Whether you're looking for the groovy 60s Jazz of Alfie, the blistering rock of Live And Let Die or the heart-warming harmonies of You've Lost That Loving Feeling (Top Gun), you'll find that special movie moment just waiting to be rekindled in this special anthology. All of the solos are suitable for the intermediate Pianist, and offer excellent alternatives to the standard repertoire, adding spice and variety to your recitals. Also included are themes from The Trueman Show, Il Postino, Forrest Gump and many more, all of which will evoke the fondest memories of your very favourite films
27.00 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Film Music Piano Solo:
Piano: Instrumental Album
Piano solo [Sheet music] - Intermediate Chester
Twenty-four pieces from classic films including including Amelie Crouching Tige...(+)
Twenty-four pieces from classic films including including Amelie Crouching Tiger Hidden Dragon Murder on the Orient Express and Titanic. These versions for Piano are well within the grasp of those of Grade 5-6standard.
19.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Jazz Conception Bass
Lines (SNIDERO JIM) Bass guitar [Sheet music + CD] Advance Music
Par SNIDERO JIM. Exact transcription, as played by Dennis Irwin, plus 21 simple ...(+)
Par SNIDERO JIM. Exact transcription, as played by Dennis Irwin, plus 21 simple bass lead sheets.See and hear how a well known bass player phrases and articulates and comp for the soloist on the mp3 CD.Play along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums.
Use the book/CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the bass lines off the CD (then check against the book) or for just having fun playing along with a great jazz rhythm section.The Jazz Conception Series is also perfectly suited for the class room.
It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.Please note that mp3 CDs may not work on some (older) CD players./ Recueil / Guitare Basse
26.09 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Jazz Conception (SNIDERO
JIM) Bass Trombone [Sheet music + CD + Accessory] Advance Music
Par SNIDERO JIM. Jazz Conception is a new and exciting way for players at all le...(+)
Par SNIDERO JIM. Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book features 21 solo etudes based on chord changes to standards and blues.The same 21 etudes transposed and adapted for the main jazz instruments. See and hear how a well known soloist phrases and articulates and play along with or without the soloist.Play along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums.
Start out fairly easy, then get progressively more difficult.Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.Learn melodies and lines that will give you a solid jazz vocabulary and musicality.Use the book for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes or for just having fun playing along with a great jazz rhythm section.
Use as an improvisation study, learning how to construct a swinging, logical solo ? works especially well in combination with the Study Guide.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude. / Jazz / Recueil / Trombone Basse
23.86 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Mozart W.a. - Piano
Sonata C Major K. 309
(284b) G. Henle
Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Mart...(+)
Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Martin Theopold I wish to do it to reflect the character of Mad:selle Rose, Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it excellently. So that a great many other pupils might follow in her footsteps, we are now publishing this small gem that shows Mozartâs great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN 1 and 3). FIRST MOVEMENT The first movement of the C major Sonata K 309 is a model teaching sonata form structure. With sonata forms, as with Bach fugues, no formal dogmas underlie the process of composition, but each sonata varies anew a basic principle. For Mozart, this entailed strict adherence to certain fundamental patterns without his creative freedom. In his sonata movements in major keys, for example he favoured a distinct second subject in the dominant as most contemporary composers did. Haydn, on the other hand, reveled in experiment at this point. A brief analysis may help to demonstrate Mozart's standard sonata allegro form and the first movement of it is an ideal example for such an investigation. The first subject is a distinctive, marcato opening followed by a five-bar response. The falling fourth and rising sixth of the opening is one of Mozart's favourite motifs, his common melodic device. He often uses it in the minor as well as the major, and many of his themes start with this motif (e.g. the second movement of the A major Sonata K 331, the Adagio in B minor K 540, and subjects in the Symphonies K 114, 124, 319/II and 551/II). The seven measures of the main theme are repeated, slightly varied. Measures 15 to 21 conclude the first subject group with an answering phrase (3+3 bars). The transition consists of new material and then, in measure 35 (after two measures of preparation comes a second cantabile theme, in the dominant (G major) comprising 2x4 bars, which is also repeated and proceeds to a spirited closing theme (concluding group) using passage-work (m. 43) and incorporating a delightful diminuation of measures 35 36 in measure 45. The exposition ends with a codetta of five bars. The development presents the opening motif first in g minor, and then the various ideas of the first subject are worked out. With this procedure Mozart is keeping much more closely to textbook principles than he usually does. Two further statements of the opening motif lead back to the recapitulation in measure 94. The second subject, now in the tonic, has surprisingly changed place with its accompaniment. The opening is recalled again in an effectively assertive coda. SECOND MOVEMENT The second movement of this sonata is an introspective Andante un poco adagio. In a letter Mozart stated his desire to make this Andante match the character of the young pianist Rosa Cannabich for whom he wrote it: ...she is a sweet, pretty girl, just like the andante. For her age she is sensible and level-headed; she is serious, and doesn't talk too much, though what she says is pleasing and sympathetic. THIRD MOVEMENT An elegant and smoothly flowing Rondo of unusually large proportions concludes this Sonata. Paul and Eva Badura-Skoda
11.10 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| N°097 - Standards
With Strings + Cd B Flat, E Flat, C and Bass clef
Instruments [Sheet music + CD] Jamey Aebersold Jazz
Intermediate/Advanced. When Charlie Parker made his famous with strings recordin...(+)
Intermediate/Advanced. When Charlie Parker made his famous with strings recordings, jazz musicians realized the potential of lushly orchestrated strings to enhance their own creativity. Legendary players soon followed suit, making a with strings album almost an essential rite of passage. Here are 10 beautiful standards arranged by jazz great and award-winning arranger Lennie Niehaus. Rhythm Section: Steve Allee (p); Tyrone Wheeler (b); Steve Davis (d); Peter McHugh (Violins); Alan Oldfield (Synth Strings) Includes: # I Cover The Waterfront # Fools Rush In # You Go To My Head # September In The Rain # You're My Everything # You & The Night & The Music # Autumn In New York # When Your Lover Has Gone # Namely You # Lover, Come Back To Me
19.20 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
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