SKU: BR.KM-2516

ISBN 9790004502938. 11.5 x 16 inches.

Der Komposition gehen keine aussermusikalischen Eindrucke voraus, sondern sie konzentriert sich auf innermusikalische Uberlegungen, weshalb es nicht leicht ist, uberhaupt Worte fur sie zu finden. In einem losen Zyklus, den ich in den nachsten Jahren fortsetzen mochte, will ich mich auf das Phanomen der innermusikalischen Bindungen konzentrieren sowie auf ihr Gegenuber, die Einschnitte, Trennlinien oder Kontraste. Jenseits der Tonalitat stellt sich mit jeder neuen Komposition auch die Frage erneut, was zwei Klange zusammenhalten kann, was Ferne und Nahe bedeuten, was das Lose ist und was das Gebundene. Stehen solche Uberlegungen in meinen anderen Kompositionen im Dienste anderer Visionen, so will ich ihnen hier wie ein Geologe auf den Grund gehen.Immer wieder ziehen sich Linien durch die Musik, im konkreten Sinne melodischer Phrasen, aber auch im allgemeinen Sinne der Weiterfuhrung von Klangcharakteren. So unterliegt die Musik permanenten Wandlungen, gehalten von imaginaren Faden, die sich auch verknoten, vernetzen oder vervielfaltigen konnen. Gleichzeitig gibt es auch Einschnitte, scheinbar losgeloste Geschehnisse, die wie unbegrundet hineinplatzen, und dennoch vergleichbar mit einem Stein in einem Fluss ihren Einfluss auf den Verlauf des Ganzen nehmen.Liaison - der Titel beschreibt zwei Seiten dieses Projektes, namlich einerseits die Bindung als innermusikalisch fokussiertes Thema, andererseits den Antrieb, sich mit einem solch basalen Phanomen der Musik erneut zu beschaftigen: die Liaison als Liebesbeziehung, in der die einfachsten Dinge doch wieder zu einem Ratsel werden konnen.(Isabel Mundry).

SKU: HL.1364414

Catalyst® CX 100 is a dual-channel 1x12 combo amplifier that performs like a traditional guitar amp – while providing the increased versatility of a modern amp. Occupying the middle position in the Catalyst CS family of guitar amplifiers – which range from 200 to 60 watts – the 100-watt Catalyst CX 100 is powerful enough for most gigs, while also sporting studio-friendly features such as a USB audio interface. The sturdily constructed Catalyst CX 100 amplifier offers 12 Amp Voicings – ranging from pristine clean to modern high-gain – derived from the Helix® amp and effects processor. Each Amp Voicing is matched with a custom Boost type, and there are also 24 HX®-quality effects spanning four effects categories. Additional features include a Tap/Tuner button, an XLR line output, an effects loop, a Power Amp input for using the Catalyst CS as a powered speaker, MIDI functionality, a 2-channel USB recording interface, and power output options. The free Catalyst Edit app for desktop and mobile devices provides deep editing capabilities. Add an optional LFS2 footswitch for even more flexibility, and an optional cover to protect your combo. • 100-Watt, dual-channel 1x12 combo amp (with optional LFS2 footswitch) • 12 Amp Voicings derived from Helix processors • Dedicated Boost circuit with boost types optimized for each amp • 24 Effects derived from Helix processors • Tap Tempo/Tuner button • XLR line output for pro connection to P.A. or recording devices • Effects loop and Power Amp input for integrating external devices • 2-Channel audio interface, MIDI, and Mac®/iOS®/PC/Android™ connectivity via USB • MIDI In via DIN connector • Free Catalyst Edit app for desktop and mobile devices.

SKU: M7.AST-6008

ISBN 9790203860082.

SKU: HL.14008384

ISBN 9781847723970. 8.25x11.75x0.149 inches.

The complete String Quartet score for Maxwell Davies' Quartet No.6. This work was commissioned by the Naxos Recording Company, and is the sixth in a series of ten quartets. It was first performed on 26th April 2005 at the Purcell Room, London by the Maggini Quartet.

SKU: FZ.6222

ISBN 9790230662222. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in six books. Volume 1: Anonyme - BARTOLOTTI A. M. - BOYVIN J. - BUTERNE J-B. - CARRE A. Sieur de La Grange - CHARPENTIER M-A. - CHAUMONT L. - D'ANGLEBERT J-H. - DE LA BARRE M. - DELAIR D. - FLEURY N. - MARAIS M. - NIVERS G. G. - PERRINE - SAINT-LAMBERT M. de. Volume 2: CAMPION F. - CAMPION T. - CHERON A. - CLERAMBAULT N. - COUPERIN F. - DANDRIEU J-F. - DELAIR D. - LECLAIR J. -M. - RAMEAU J. -P. Volume 3: Anonyme - CAMPION F. - DORNEL A. - FORQUERAY A. - GERVAIS L. - GOUDAT - GUILLEMAIN L. -G. - MONNIER Le Cadet - MONTECLAIR M. P. de - PINGRE A-G. - RAMEAU J. -P. - SERRE DE RIEUX J. - TELEMANN G. P. - TRAVENOL L. A. Volume 4: ALEMBERT J. Le Rond d' - BLAINVILLE C. H. de - CORRETTE M. - DUBUGRARRE - GEMINIANI F S. - LAPORTE C. de. Volume 5: BETHISY J-L. de - BIFERI F. (fils) - CLEMENT C-F. - DUBREUIL J-J. - GARNIER H. - GIANOTTI P. - GOUGELET Madame - LABBET A. J. - LE BOEUF - RAMEAU J. -P. - ROUSSIER P-J. - SIMON S. - TAPRAY J. Volume 6: Anonyme - BEMETZRIEDER A. - CORRETTE M. - FROESTLER B. - GOURNAY B. C. - LANGLE H-F-M. - RODOLPHE J-J. - ROUSSIER P-J. Table of contents: Volume 1: Fleury Nicolas: Methode pour apprendre facilement - 1660. Bartolotti Angelo Michele: Table pour apprendre facilement - 1669. Carre Antoine: Livre de Guitarre Contenant Plusieurs pieces - 1671. Perrine: Livre de Musique pour le Lut - 1680. Anonyme: Petites Reigles Generalles qui peuvent servir de methode - 1680. Nivers Guillaume Gabriel: Motets a voix seule - 1689. D'Anglebert Jean Henry: Pieces de clavecin - 1689. Marais Marin: Basse-continues des pieces a une et a deux Violes - 1689. Anonyme: (traite abrege d'accompagnement) - c. 1690. Anonyme: Regles pour l'Accompagnement - 1690. Delair Denis: Traite d'accompagnement pour le theorbe - 1690. Charpentier Marc Antoine: Abrege des regles de l'accompagnement - c. 1692. Chaumont Lambert: Pieces D'orgue sur les 8 tons - 1695. Buterne Jean-Baptiste: Petites Reigles pour l'accompagnement - 1700. Boyvin Jacques: Second livre d'orgue - 1700. Anonyme: Traite d'accompagnement du Clavecin - c. 1700. De La Barre Michel: Premier livre de pieces pour la flute - 1702. Saint-Lambert Michel de: Nouveau Traite de l'accompagnement - 1707. Volume 2: Couperin Francois: Regles pour l'accompagnement - s. d. Campion Thomas: Traite d'accompagnement et de composition - 1716. Clerambault Nicolas: Regles d'accompagnement - 1716. Clerambault Nicolas: Principes d'accompagnement - 1716. Dandrieu Jean Francois: Principes de l'accompagnement - 1719. Rameau Jean-Philippe: Traite de l'harmonie - 1722. Delair Denis: Nouveau traite d'accompagnement - 1724. Leclair Jean-Marie: Premier livre de sonates - 1723. Rameau Jean-Philippe: Nouveau systeme de musique theorique - 1726. Cheron Andre: Sonates en trio - 1727. Campion Francois: Lettre du sieur Campion a un philosophe - 1729. Campion Thomas: Addition au traite d'accompagnement - 1730. Volume 3: Pingre Alexandre Gui: Traite de l'harmonie - s. d. Rameau Jean-Philippe: Observations sur la Methode d'Accompagnement - 1730. Rameau Jean-Philippe: Plan abrege d'une Methode nouvelle - 1730. Monteclair Michel Pignolet de: Reponse du second Musicien au premier - 1729. Rameau Jean-Philippe: Replique du premier Musicien a la reponse du second - 1730. Monteclair Michel Pignolet de: Reponse du second Musicien au premier Musicien - 1730. Rameau Jean-Philippe: Replique du premier Musicien a l'ecrit du second - 1730. Rameau Jean-Philippe: Dissertation sur les differentes metodes - 1732. Gervais Laurent: Methode pour l'accompagnement - 1733. Campion Francois: Second recueil d'airs - 1734. Serre de Rieux Jean: Les dons des Enfans de Latone - 1734. Telemann Georg Philipp: Nouveaux Quatuors en six Suites - 1738. Goudat: Principes de Laccompagnement - 1738. Travenol Louis Antoine: Premier livre de Sonates a violon seul - 1739. Guillemain Louis Gabriel: Six sonates en quatuors - 1743. Monnier le Cadet: L'art de Toucher le Clavecin dans son propre caractere - c. 1745. Dornel Antoine: le Tour du Clavier - 1745. Forqueray Antoine: Pieces de Viole avec la Basse Continue - 1747. Anonyme: (Methode d'accompagnement) - s. d. Volume 4: Alembert Jean Le Rond d': Elemens de musique - 1752. Blainville Charles Henri de: Essay sur un troisieme mode - 1751. Corrette Michel: Le maitre de Clavecin - 1753. Laporte Claude de: Traite theorique et pratique - 1753. Geminiani Francesco Saverio: L'art de bien accompagner - 1754. Dubugrarre: Methode plus courte et plus facile - 1754. Volume 5: Tapray Jean: Abrege de l'accompagnement - 1755. Labbet Antoine Joseph et Leris Antoine de: Sentiment d'un Harmoniphile - 1756. Clement Charles Francois: Essai sur l'accompagnement - 1758. Gianotti Pietro: Le guide du compositeur - 1759. Rameau Jean-Philippe: Code de musique pratique - 1760. Bethisy Jean-Laurent de: Exposition de la theorie et de la pratique - 1764. Roussier Pierre-Joseph: Traite des accords et de leur succession - 1764. Le Boeuf: Traite d'harmonie et regles d'accompagnement - 1766. Garnier Honore: Nouvelle methode pour l'accompagnement - 1767. Dubreuil Jean-Jacques: Manuel harmonique - 1767. Biferi Francesco Fils: Traite de musique abrege, divise en trois parties - 1770. Simon Simon: Theorie pratique d'accompagnement - s. d. Gougelet Madame: Methode ou abrege des regles - 1771. Volume 6: Roussier Pierre-Joseph: L'harmonie pratique - 1775. Corrette Michel: Prototipes contenant des lecons d'accompagnement - 1775. Anonyme: Abrege des regles de composition - 1777. Bemetzrieder Antoine: Nouvelles lecons de clavecin ou instructions generales - 1782. Rodolphe Jean-Joseph: Theorie d'accompagnement - c. 1785. Gournay B. C. : Lettre a M. l'abbe Roussier - 1785. Langle Honore-Francois-Marie: Traite de la basse sous le chant - 1797. Froestler B. : Traite d'harmonie et de modulation - 1800. Anonyme: Principes de l'accompagnement - s. d. Anonyme: Regles d'accompagnement - s. d. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimiles of copies from: - Conservatory Library of Geneva (Switzerland). - Conservatory Library of Dijon (France). - Royal Conservatory of Liege (Belgique). - Municipal Library of Bordeaux (France). - Municipal Library of Grenoble (France). - Municipal Library of Lyon (France). - National Library of Paris (France). - Royal Library of Brussels (Belgium). - Sainte-Genevieve Library of Paris (France). - British Library of London (England). - Nederlands Muziek Instituut of The Hague (Netherlands). - Yale University, Music Library of New Haven (USA). - Zentralbibliothek of Zurich (Switzerland). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the continuo.

SKU: GI.G-2593R100

English.

Two aptitude tests designed to diagnose and measure music potential:* The only brief, longitudinally valid music aptitude tests for Grades K-6. * Crucial in helping music teachers adapt instruction to the individual musical needs of their students. * Requires no reading or music skills. The administration time is at most two 20-minute periods. Both tests have a similar design. The “Primary” test is recommended for use with younger children (K-3). The “Intermediate” test is recommended for older children or younger children who find the “Primary” test too simple. Test materials and how they work: 1. Children take the test by simply listening to a tonal cassette and a rhythm cassette. Each tape is only 12 minutes long. 2. Questions on the tape are identified on the answer sheet by pictures, not numbers or words. The children must decide whether pairs of tonal or rhythm patterns they hear sound the same or different. They indicate their choice by simply drawing a circle around the picture on the answer sheet. These tests require no reading skills. 3. The answer sheets can be corrected quickly by using scoring masks. Raw scores are directly converted to percentile ranks in the manual. 4. A profile card is used for each child for individual documentation and the interpretation of scores. The tonal and rhythm results are graphically compared for each child. 5. A class record sheet helps interpret the test scores for the entire class. 6. The manual gives complete information for administering, scoring, and interpreting test results. The manual also makes suggestions for formal and informal music instruction, and includes a discussion on the nature and description of music aptitude, as well as a comprehensive bibliography. Complete kit includes: 100 rhythm answer sheets, 100 tonal answer sheets, CD with tonal and rhythm tests, introduction to testing booklet and two research monographs, one set of scoring masks, manual, 100 student profile cards, and four class record sheets. Items also available separately.

SKU: GI.G-2593PC100

English.

Two aptitude tests designed to diagnose and measure music potential:* The only brief, longitudinally valid music aptitude tests for Grades K-6. * Crucial in helping music teachers adapt instruction to the individual musical needs of their students. * Requires no reading or music skills. The administration time is at most two 20-minute periods. Both tests have a similar design. The “Primary” test is recommended for use with younger children (K-3). The “Intermediate” test is recommended for older children or younger children who find the “Primary” test too simple. Test materials and how they work: 1. Children take the test by simply listening to a tonal cassette and a rhythm cassette. Each tape is only 12 minutes long. 2. Questions on the tape are identified on the answer sheet by pictures, not numbers or words. The children must decide whether pairs of tonal or rhythm patterns they hear sound the same or different. They indicate their choice by simply drawing a circle around the picture on the answer sheet. These tests require no reading skills. 3. The answer sheets can be corrected quickly by using scoring masks. Raw scores are directly converted to percentile ranks in the manual. 4. A profile card is used for each child for individual documentation and the interpretation of scores. The tonal and rhythm results are graphically compared for each child. 5. A class record sheet helps interpret the test scores for the entire class. 6. The manual gives complete information for administering, scoring, and interpreting test results. The manual also makes suggestions for formal and informal music instruction, and includes a discussion on the nature and description of music aptitude, as well as a comprehensive bibliography. Complete kit includes: 100 rhythm answer sheets, 100 tonal answer sheets, CD with tonal and rhythm tests, introduction to testing booklet and two research monographs, one set of scoring masks, manual, 100 student profile cards, and four class record sheets. Items also available separately.