SKU: HL.14043342
ISBN 9788759831403. 16.5x11.75 inches.
Per Norgard's Songline For Tine. Dedicated to Tine Rehling 2014.
SKU: LM.25377
ISBN 9790230953771.
A Canoa Virou (Bresil) - Romance (Bresil) - Pajarito (Nicaragua) - Las Gaviotas (Mexique) - Zamba (Argentine) - Carnavalito (Perou) - El Cachimbo (Chili) - A Que Has Venido, Forastero (Argentine) - Milonga (Perou) (2 harpes) - Tutu Maramba (Bresil) (2 harpes) - Variations sur Corazon de Madera (Argentine) (2 harpes).
SKU: HL.14023210
ISBN 9788759812341. English.
The composer writes... Doruntine is the name of a princess in Ismail Kadare's novel of the same name which takes place in thirteenth century Albania. Doruntine, who in the piece is represented by the Cello's melody, is taken through various strange musical landscapes before she finally finds her way home. The piece was composed 1994 and is dedicated to the Joachim Piano Trio.
SKU: HL.14015350
ISBN 9788759853818. 8.25x11.75x0.076 inches. French.
The third part of Honegger's Trois Contrepoints is entitled Canon Sur Bass Obstinee A Quatre Voix, and is written for Piccolo (Flute), Cor Anglais, Violin and Cello.
SKU: LM.28603
ISBN 9790230986038.
Neuf images d'Argentine (La chacarera lenta - Estampa campera - El malambo - La milonga - El jilguero - Pablo borracho - Un aire argentino - El atardecer - La noche) - Quatre hommages (La Debussyenne - La Satinienne - La Ravelienne - La Bartokienne).
SKU: LM.25376
ISBN 3327850253767.
Ojos Azules (Chili) - A Rosa Vermelha (Bresil) - La Sandunga (Mexique) - Carneirinho (Bresil) - O Cravo e a Rosa (Bresil) - Por un Beso (Bolivie) - Accordai Doncela (Bresil) - El Copihue (Chili) - Chorinho (Bresil) - Mi Linda Mariquita (Mexique) (2 harpes) - Bailecito (Argentine) (2 harpes) - El Trote Tarapaqueno (Bolivie) (2 harpes).
SKU: HL.48180143
UPC: 888680794804. 8.25x11.75x0.187 inches.
Esquisses Byzantines is a set of ten pieces of religious music for organ. Composed by Henri Mulet, these pieces are considered as difficult, ideally for advanced players. They all use pedals. The beginning of the set is dedicated to the late Montmartre Basilique (1914-1919) and each name of the ten pieces describes either a part of the Basilique or another religious reference. These pieces are: I. Nef, II. Vitrail, III. Rosace, IV. Chapelle des morts, V. Campanile, VI. Procession, VII. Chant funebre, VIII. Noel, IX. In Paradisum, X. Tu es petra et portae inferi non praevalebunt adversus te. Henri Mulet (1878-1967) is a French organist, cellist and composer who was born in Montmartre.
SKU: M7.AHW-3903
English.
Bell's Warm Ups and Daily Routine offers trombone, baritone, and tuba players a structured daily routine they can use to get in shape and be ready for any challenges that on the horizon. This book covers Long Tones, Articulation, Multiple Tonguing, Instructions for Beginners, an Extended Daily Routine, and an in-depth writeup on breathing and singing-style wind playing. This book is part of the Bell Complete Method and offers a fantastic value for a book that you can use every single day.
SKU: HL.14023298
ISBN 9788759871591. English.
Per Norgard 's Gennem Torne / Through Thorns (2003) Harp Concerto No. 2 - Passage for Harp Solo with Flute, Clarinet and String Quartet. Premiered by Tine Rehling (Harp) and the Esbjerg Ensemble, conducted by Kaisa Roose at the Concert Hall of the Western Jutland Academy of Music, Esbjerg, 28th January 2004. Programme Note THROUGH THORNS has a duration of about 20 minutes, in one continuous movement, thus the subtitle passage. The work is scored for harp solo, flute, clarinet and string quartet. The title is borrowed from the lines from an old Virgin Mary Hymn: Mary wanders through thorns, a hymn which ends with the following line: then roses grew forth amongst thethorns. I only came across the poem after finishing the composition, the passage of which is a journey of sometimes dramatic events, concluding with a rose-blooming, as does the hymn. For THROUGH THORNS to borrow its title from a Virgin Mary Hymn has to do with the musical material and current of the piece, which brings motives from an earlier choral piece of mine, FLOS UT ROSA (Latin for a flower like a rose), and the rose in question is of course the one which grew forth when the Virgin Mary gave birth to the Infant Jesus in a hitherto unheard-of fashion, a NOVA GENITURA (new birth), which is the title of another work of mine that also derives its material from my original rose-melody from 1975. THROUGH THORNS is dedicated to Tine Rehling, and together with her I have tried to expand the sonorities of the harp, by exploring existing techniques and their more remote regions, in order to gain access to new territory and new soundscaoes, as realised by the constantly experimentally-minded and virtuoso player. Per Norgard, 2004. .
SKU: HL.14007563
ISBN 9788759867587. UPC: 888680753047. 10.5x14.0x0.033 inches.
Consolation - Like A Roselike Flower (Consolazione - Flos Ut Rosa) for Harp solo by Per Norgard (2002). Written for and dedicated to Tine Rehling. Programme note by the composer: The concept of Mary has a depth that transcends all religious persuasions. All over the earth symbols of the gentle and maternal are known. But the word 'Maria' is also associated - in sound - with the Latin word for the sea, mare, and she thus become the Star of the Sea, Maris Stella. In my 3rd Symphony the Maria motif is used in a hymn section in the second, and last, part of the work. The choral song “Flos ut rosa floruit” was composed directly in the context of the symphony, and themelody had a 'stamina' that carried it over into many later vocal and choral compositions, for instance the “Concerto for Harp No. 2 - through thorns” (2003) and the present Consolazione for harp solo , both works dedicated to Tine Rehling. .
SKU: CY.CC3052
ISBN 9790530110270. 8.5 x 11 in inches.
Mick Hesse has written a warmup routine in three chapters using his 50+ year career as a performing artist and teacher to help mature performers get and stay in shape throughout the course of a season. In his own words: These 3 Stages of practice are designed to help you get started and keep you practicing in a fundamentally sound way. The exercises start with a five minute time limit and move seamlessly to six and seven minutes of playing. Once memorized these sequences will allow you to pick up your horn and be ready to play a rehearsal with a properly warmed up embouchure in five minutes. If your schedule allows 11 or 18 minutes you can be assured that you are not only warmed up but also maintaining a properly functioning embouchure that you can build on as much as time, energy and motivation allows. Rest as needed during this practice session.
