Parlor Gems A Treasury of 19th Century Music for Classical Guitar. In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the book?s online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving ?Kathleen Mavoureen?Romanza? by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndt?s ?Nola,? one of the era?s most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.

Here is something new for women's voices from the compositional team of Paul Williams and Joseph Martin. There is a gentle beauty in the poetic descriptions of God's creative majesty. The music seems to float effortlessly fromphrase to phrase and the entry of “Holy Holy Holy” lends a spirit of pure worship to this evocative anthem. Showcase your women with this gorgeous new octavo – God Who Made the World.

Paul Williams and Joseph Martin have given us many beautiful songs for worship. Taken from the cantata A Time for Alleluia this octavo is one of their most impacting. Martin's soaring music lifts the words of our Saviorfor all to hear. This splendid invitation to discipleship is appropriate for Lent or anytime. A challenge for all people of faith to follow the footsteps of the Master. Unforgettable!

Weaving together several passages of scripture with the “Great Commission ” J. Paul Williams has written a moving and inspirational text for missions and evangelism. Joseph Martin's majestic accompaniment and lyricalmelody make this a memorable anthem for any occasion where the focus is on service. Accessible to large or small choirs.

Weaving together several passages of scripture with the “Great Commission ” J. Paul Williams has written a moving and inspirational text for missions and evangelism. Joseph Martin's majestic accompaniment and lyricalmelody make this a memorable anthem for any occasion where the focus is on service. Accessible to large or small choirs.

A stately declaration of faith and devotion to God this majestic choral from J. Paul Williams and Joseph Martin is powerful. God has been faithful and sustained us. Are we willing to be faithful in return? For any number ofoccasions celebrating God's guidance and grace Affirmation of Faithfulness makes a strong statement. Bold.

J. Paul Williams and Joseph Martin collaborate to give churches the quintessential blended worship anthem for Thanksgiving. The use of “Rejoice the Lord Is King ” the classic hymn by Charles Wesley with thecontemporary rhythmic answer from Martin provides the contemporary variety that makes the anthem a perfect choice for traditional/transitional churches. Exciting!

In the tradition of Canticle of Hope and Come Worship God the celebrated team of Paul Williams and Joseph Martin gives this anthem great scope and power. Taking inspiration from the book of Job this piece will be a transforming experience for your choir.

Uses: General Scripture: Genesis 1 Psalm 107:25 Now available for men's ensembles! One of the most successful anthems from the writing team of Williams and Martin this monumental composition is a glorious affirmation of the Living God. Music of scope combines with a message of power in this sacred tone poem which takes its inspiration from the book of Job. Dynamic writing makes this piece a transforming experience for your choir.

The unity we share in the Christ is the reason to sing. With one voice this contemporary ballad delivers a powerful Williams text with forceful determination. In only 50 measures this inspiring message will draw yourcongregation together in bonds of shared faith. A full orchestration and accompaniment CD are available.

Williams and Graham collaborate to bring us an exhilarating call to discipleship in this a cappella choral. Written in a pleasing gospel style this is sure to be a favorite with choirs and congregation alike. The quoting of thehymn I Love to Tell the Story is inspired and offers a great moment of connection. Excellent! Supports: Matthew 28:18-20 Luke 23:23

Three Choral Songs from William Shakespeare's As You Like It in a setting for SATB choir by Joseph Horovitz.

Quotes the tune “Eventide” by William Henry Monk (1823-1889)Joseph Martin's splendid piano accompaniment is enhanced with woodwinds and French horn to add expressiveness and reverence to this beautiful anthem.Perfectly suited for Pentecost or Unity Sunday this lilting new choral sets the hymn tune “Abide with Me” to a new text as well as introducing a lovely new original melody. “Song of the Spirit” isespecially moving with the gorgeous woodwind orchestrations by Brant Adams.

For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare