SKU: HL.14000698
English-Spanish.
SKU: LM.26331
ISBN 9790230963312.
ESTRADA D. : Sur les six cordes - Etude - CARULLI F. : Exercice - CARCASSI M. : Valse - ESTRADA D. : Bailando - Lullaby - Danse du fleuve - Etude d'apres Antonio Cano-Curriela - Lafalado - Prelude - Comme un blues - AYALA H. : Aire de Vidala - ESTRADA D. : Etude a deux voix - Tempo di Carnavalito - BELTRAN T. : Evi - AYALA H. : El Coyuyo - ESTRADA D. : Etude - Lent, comme une Vidala - Marche - Etude - CARCASSI M. : Valse - CARULLI F. : Valse n. 1 - ESTRADA D. : Chanson enfantine - Chanson pour dire a Elsa... - Berceuse pour ma petite fille - Chanson - Etude en forme de Choral - CARULLI F. : Poco Allegretto - ESTRADA D. : Aube - CARULLI F. : Andante - ESTRADA D. : Olenka - BELTRAN T. : T'es ballade ! - CARCASSI M. : Valse - RODRIGUEZ A. : Guajira - AGUADO D. : Lecon n. 66 - ESTRADA D. : Bossa Metisse - AYALA H. : Cholita - ESTRADA D. : Cancion - A la Claire Fontaine (arr. D. Estrada) - BELTRAN T. : La Bossa de Margot - ESTRADA D. : Air de Bolero - AGUADO D. : Lecon - CARCASSI M. : Allegro - Valse - Allegretto non troppo - BELTRAN T. : Couleur Pastel - RODRIGUEZ A. : Cancion - SOR F. : Etude n. 8.
SKU: UT.LB-19
ISBN 9788881094875. 5.90 x 8.26 inches.
Antonio Eximeno (Valencia, 1729 - Roma, 1808) - filosofo, matematico, letterato, musicologo - godette in vita di una breve ma intensa notorieta per la sua polemica contro la tradizione teorica del <>. In questa polemica ebbe, tra gli altri, un antagonista di grande prestigio, il francescano Giovanni Battista Martini; ma raccolse anche il consenso di Niccolo Jommelli ed altri autorevoli teorici e compositori italiani, e adesioni significative anche in Francia e in Inghilterra, dal Journal des Scavans alla Monthly Review. Poi, cambiati in un rapido giro di anni il clima culturale e il gusto musicale, le questioni affrontate da Eximeno persero di attualita e la sua polemica fu dimenticata.La notevole fortuna editoriale che e stata riservata in anni recenti al primo trattato musicale di Eximeno va accreditata in Italia ad alcuni studiosi della scuola di Enrico Fubini, e lo stesso Fubini ha riservato attenzione al filosofo valenciano nei propri studi di estetica musicale. Tuttavia egli ritiene rilevanti in Eximeno solo le considerazioni sull'identita originaria di linguaggio e musica esaurendone il contributo estetico in una sostanziale acquiescenza alle teorie di Rousseau e anzi indicando il filosofo valenciano come <>. Da noi - a parte i contributi di Gino Stefani - questa indicazione di Fubini ha polarizzato gli studi e le scelte editoriali su un tema che in realta ha un'importanza marginale nella vastissima opera estetica di Eximeno, cosi come marginale e anche fortemente polemico e il suo rapporto con Rousseau. Di nuovo un pregiudizio critico vizia l'interpretazione. L'inconfessato ontologismo che sottende l'approccio estetico di Fubini ai problemi della musica anche nel caso di Eximeno lo induce a escludere dall'indagine la molteplicita di elementi e di interessi che confluiscono nella filosofia musicale del filosofo valenciano e dettano le sue riflessioni sulla poetica. A questa riduzione chirurgica il presente studio cerchera di opporre una considerazione piu ampia, anche se necessariamente non esaustiva, dei temi e dei testi eximeniani, nella convinzione che nella vicenda teorica di Eximeno, ben al di la dell'angusta problematica isolata da Fubini, si esprima la reazione a una crisi di valori non solo estetici, senza comprendere la quale il giudizio sul suo pensiero estetico non ha fondamento.
SKU: M7.KC-3002-50
ISBN 9782848580272.
SKU: BT.MUSUMP22348
ISBN 9781785586736.
Nueva Biblioteca Espanola de musica de teclado Vol.7 revised and transcribed by Antonio Baciero.
SKU: CU.EC6179
ISBN 9790215901902.
SKU: FH.FLR02
ISBN 978-1-55440-290-8.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.Greensleeves Traditional English, arr. Akiko and Forrest KinneyMenuet Christoph Willibald Gluck, arr. Stephen ChatmanTheme in B flat Major Ludwig van BeethovenBourree anglaise George Frideric Handel, arr. Stephen ChatmanGavotta Jean-Baptiste Loeillet (de Gant), arr. Kathleen WoodI am the Bird Catcher, from Die Zauberfloete Wolfgang Amadeus Mozart, arr. Stephen ChatmanL'Armement, TWV 50:35 Georg Philipp Telemann, arr. Ernst Patzold Sicilienne Antonio Vivaldi, arr. Kathleen WoodLittle Suite: Third movement Hendrik AndriessenCanoeing Violet ArcherThe Groovy Witch Louise ChamberlainSun Shower Robert DickHazelnote Crunch Paul HarrisRumballade Thierry MassonFlowers Elizabeth RaumTheme from ballet d'Ascanio Camille Saint-Saens Suite of Israeli Folk Songs: Third movement Yoav Talmi.
About Overtones
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.
SKU: HL.51489547
UPC: 888680991333. 6.75x9.5x0.493 inches.
The works for solo voice(s) and orchestra assembled in this volume owe their composition to the most diverse occasions. Some were tailor-made for female singers in Beethoven's milieu, while with others he was dabbling in the field of Italian opera (under the tutelage of none other than Antonio Salieri). Scarcely any of them made it into print during Beethoven's lifetime. Aside from canonical works of the repertoire such as “Ah! perfido†op. 65, this volume also contains unknown gems like the scene and aria Beethoven revised multiple times, “No, non turbarti†- “Ma tu tremi, o mio tesoro?â€. The study score contains the text of the scholarly Complete Edition. Beethoven specialist Ernst Herttrich additionally provides information about the genesis and exciting variants in the transmission history.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: PR.140401210
ISBN 9781491114438. UPC: 680160642106. 9 x 12 inches.
Written in honor of the Béla Bartók centennial, MUSIQUE NOCTURNES is inspired by one of his most characteristic and original works, the fourth piece (by the same title), from the suite Out of Doors. Both pieces feature overlapping “night musics†– atmospheric cluster figures, sharply contrasting motifs suggesting nocturnal bird, frog, or insect sounds, and an element of human, folksong-like melody as Levinson alludes to the authentic Hungarian folksong, “Tiszán innen, Dunán túl.â€.This simple piece was written in 2015 as a birthday present for the composer’s wife, poet and fellow bird lover Nanine Valen, and is a distant sequel to Canons and Chorale, which he wrote for her in 1969. The ornithological character is an affectionate tribute as well to his teacher Olivier Messiaen. The titular birds are a highly stylized chickadee and two song sparrows.First public performance: Swarthmore College, November 13, 2016, by Marcantonio Barone, whose editorial assistance in the preparation of this edition is gratefully acknowledged. Recorded by Marcantonio Barone on Innova 948.
SKU: BT.VOLML2141
ISBN 9788882919962. Spanish.
SKU: P2.60052
Alice Gomez has served as Composer!In-Residence with the award winning San AntonioSymphony, the Midland-Odessa Symphony, the Performing Arts Center of Gallup, New Mexico, and the Guadalupe Cultural Arts Center, a renowned Chicano music and arts center in Texas. Gomez has received numerous composer awards from the American Society of Composers, Authors and Publishers. Internationally recognized for her concert music, compositions, musical talent and creativity, Gomez's contributions to a multitude of musical genres is widely acclaimed. Gomez's compositions capture the awe-inspiring spirit of ethnicity in the language of contemporary music. Gomez preserves and promotes traditions of her own Latin culture, Native American, Music of the Americas, Asian, African, and many other cultures. Today, her compositions are used at many institutions of higher learning, elite universities, and schools of musical study around the world. Professor Gomez serves as the Director of Programs for the San Antonio College Department of Music, in Texas. She keeps a very active schedule composing, lecturing, performing, and recording. Professor Gomez teaches private, individualized theory based music for percussion, guitar, electric bass, piano, and several other instrument groupings as a highly sought expert. Her current work is in symphony, ballet, opera and underscoring for film and drama. She is developing her own adaptations of the opera Carmen,the ballet, The Nutcracker, and Gomez's Sonata Azteca for orchestra. In addition to concert music, Gomez continues to compose chamber music, instrumental and choral collections that are unique in the cultural aspect that only Gomez can provide.